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What’s a Catholic College? I grew up agnostic and converted to Islam when I was eighteen. A lifetime later, I now teach at a Catholic, Jesuit, liberal arts college. Like many religious studies educators, I continue to mull over questions about the intersections of identity, metaphysics, and socio-politics. So, when I began working at Le Moyne College, I wondered what kinds of encounters with religion my new position would have in store. I was especially curious because before coming to Le Moyne, I had taught only at state institutions (in California and Tennessee). Since joining the faculty at Le Moyne, I have engaged in a number of on- and off-campus mission-related programs, and these programs have raised a number of questions for me about what it means to teach where I teach: What is Catholic education? What is Jesuit education? To what extent can non-adherents of a tradition teach or study within an institutional context that espouses a particular tradition? My experience has shown me that by deepening my engagement with the Jesuit mission of the college I am better able to serve my students, and even better understand my own location in the pluralistic landscape of higher education. As Amir Hussain (Loyola University, Marymount), former editor of the Journal of the American Academy of Religion (JAAR) and current faculty member at a Jesuit institution writes in his “Editor’s Note” for the JAAR in 2011: “I wonder what the members of the National Association of Bible Instructors (the forerunner of the AAR) would have thought of their journal one day being edited by a Canadian Muslim scholar of Islam teaching at a Catholic university.” I appreciate Hussain’s playful gesture here because it underscores how intermingled religious studies pedagogy can be. That his self-conscious reflection on the context of religious and national pluralism makes its way into the flagship journal of the field is a positive sign for me, especially in a world of growing Islamophobia. As someone who studies and teaches about a particular religious tradition (Islam), I acknowledge the value of assigning categories, but this has its limitations and one’s religious identity is frequently a poor indicator of what people actually believe. (I write more on this in “Muslim in the Classroom: Pedagogical Reflections on Disclosing Religious Identity,” published in Teaching Theology and Religion [2016].) To illustrate this, I often invite my students to dig deep by asking ten Catholics to describe what their traditions mean to them, or to describe Who or What God is. Will they find ten different answers? I think so. As I’ve tried to figure out what Catholic education means to people, I too have encountered a range of voices. Engaging the Jesuit Mission Because my undergraduate and Ph.D. programs were both at state schools, I didn’t know to what extent I might engage Jesuit-related professional development opportunities at Le Moyne; I had no context to compare. Fortunately, I’ve been encouraged by the impact of mission-related workshops, conferences, and study groups on my intellectual development as a teacher, scholar, and citizen. In the broadest sense, teaching as a Muslim at a Catholic college reminds me of the importance of interreligious encounters and helps me, I hope, model and live the kinds of interreligious encounters that I encourage for my students. Conferences like “Collegium”—an annual weeklong colloquy on Catholic higher education—and “Islam at Jesuit Colleges and Universities,” at the University of San Francisco in 2015, have offered me a window into live questions and challenges that diverse educators at Catholic institutions face. I have the opportunity to reflect further on the topic at an upcoming conference at Seattle University, where I’ll participate in a panel entitled “Islam at Jesuit Institutions: Inter-religious Dialogue, Social Justice, and Campus Life.” Despite my own positive experiences encountering and engaging Jesuit education on and off campus, challenges of language and stereotypes still pervade the minds of students as well as faculty; think, for example, about the debates on the relationship of religious studies to theology. My department offers religious studies as well as theology courses, so my attention to these debates has heightened in many ways. To illustrate the disparities in thinking about religiously affiliated institutions, let me conclude this blog post with two brief anecdotes—one about faculty and one about students. Confusing Categories Faculty story: A job candidate for a position at Le Moyne once expressed to me that the school attracted her because it was “faith-based.” As I learned more about what she meant, it became clear that the candidate did not fully understand the context of Jesuit education or the particular institution at which she sought employment. It would be untrue to say that Jesuit education didn’t have a “faith-based” component, but looking around the United States, for example, what this component means to Jesuit schools and their faculty, broadly speaking, is quite different than what it means for, say, Liberty University or any number of “faith-based” institutions. Regarding my argument about religious identity as a poor indicator of, well, a lot of things, I think this becomes straightforward when one examines the range of “faith-based” institutions across the country. (She didn’t get the job.) Student story: A linguistic trope that I often press my students to explain is when they refer to someone as “super-Catholic.” Many of my students, apparently, have a “super-Catholic” member of their family. “Is what you mean,” I try to gently provoke them, “that your uncle is kind of obnoxious and not too interested in learning about diverse opinions?” Although students may not have this blunt characterization in mind when explaining their family member, they often agree with my interpretation. I’ll follow up: “Well, what about your Jesuit professors at Le Moyne—who spent over a decade training to enter the order? Do you consider them super-Catholic?” (If anyone connected to the Le Moyne community is super-Catholic, I should think it would be the Jesuits.) At this point, I suspect I succeed in slightly confusing students and problematizing the imprecision of “super-Catholic” code language. Indeed the institutional context aids me here in guiding students through a teachable moment about word choice and the assumptions we hold about various traditions. Making Context work for Students To help students understand the mission of their institution, I incorporate Le Moyne’s mission statement into some course assignments to invite student reflection on the raison d’etre of their liberal arts experience. Unsurprisingly, I encounter a range of responses. Some students, for example, don’t know that Jesuit means Catholic. At the other end of awareness, a Catholic religious studies major once shared something very perceptive with me: It’s easy to be a student at Le Moyne and pretty much ignore its Catholic-ness, but at the same time it’s also easy to engage with that part of the school if you choose to go that route. To further help my students reflect on institutional context and best appreciate the purpose behind their required courses (all Le Moyne students must take any religious studies class as part of the core curriculum), I briefly share at the beginning of the semester that I’m a convert, but that our course will ask us—professor included—to approach material from a position of epoche (suspension or bracketing of personal convictions). I find that flagging my positionality (while leaving its particulars undefined) as well as our methodological approach signals to my students that no one is out to convert them. (Although if I were out to convert them, wouldn’t it be odd that a Catholic hired someone to convert its students to Islam? What would that even mean—theologically, logistically?) Although I rarely make reference to my own Muslim identity after the first week of class, my courses on Islam focus on issues of race and privilege, so I know my students cannot escape the fact that their teacher is a white convert. As one student recently wrote in an anonymous feedback activity, “When I tell my sisters I have a White professor for this class, they are mind blown.” In conclusion, I consistently find that my typical 18-22-year-olds students appreciate the vibe of the institution, but they’re not necessarily convinced it’s because of its Jesuit Catholic heritage—even if I’m convinced that the institution’s affiliation affects students more than they might suspect. I also find that students tend to appreciate that a Catholic institution would offer classes about all sorts of different religions (as Le Moyne does). For many reasons, including a curriculum that values courses on Islam, I—and I think most of my students as well—consider Le Moyne a super Catholic college. Perhaps even a super-Catholic college.

Lack of awareness about what Islam is and how its followers are religiously motivated to act, coupled with heightened tensions during the 2016 presidential campaign about the patriotism of American Muslims, led me to offer “Arabs and Muslims in the Media” as a first-time offering this semester. The twenty-one students who registered for the seminar include seven who have yet to declare a major, nine who registered for credit through the Critical Identities Studies (CRIS) Program, first-year Beloiters, graduating seniors, an exchange student from Ireland, and four born into Muslim households. Both of my teaching assistants had taken a minimum of one course with me that featured at least one section on the teachings or rituals of the world’s fastest growing religion. “Arabs and Muslims in the Media” was the first exposure to Islam, or to any of the daily realities of Muslims, for the majority of the class. We opened the seminar by engaging with Linda Martin Alcoff’s “The Problem of Speaking For Others,” an essay that challenged students to reflect upon their own positionality and privilege as they approached the two major assignments: a 200-word entry for this blog and a PSA about Islam and/or Muslims. Later in the first week, the class raised questions about the essay and their own insecurity about appearing to “speak” for followers of Islam.  The sentiments of one student sums up the concerns of the rest: “I never thought about the impact of my own words on this level before, or how wrong we can be about what we think we know. I’m worried that I am not qualified to complete the final assignment.” To address such concerns, students received a brief survey of Islamic history and the emergence of Muslim communities in the U.S., along with an introduction to beliefs and practices, and the role of gender and sexuality, in Islam. Throughout the seminar, we critiqued a variety of visual and written representations. Guiding our journey were two primary texts: Evelyn Alsultany, Arabs and Muslims in the Media, and Moustafa Bayoumi, How Does It Feel to be a Problem: Being Young and Arab in America.  Students reflected on the readings in various ways. Ryan, for one, noted, “By reading [Bayoumi’s work], I was opened up to the realities of young Arabs in America. I was able to read the real struggles they face from these negative stereotypes.” We watched a number of films, Youtube videos, and documentaries including “Frontline: Muslims,” “Persepolis,” “Jihad for Love,” and “The Kingdom of Heaven.” Students were also directed to analyze and review a film, selected from a list of more than 100, whose plots/characters featured Muslims and/or Islam. Interestingly, nearly half the class zeroed in on four: “Malcolm X,” “Slumdog Millionaire,” “The Battle of Algiers,” and “Dirty Pretty Things.” Our TAs, Grace Gerloff, and Joshua Randolph, also created a demo PSA that unpacked the concept of jihad. Their efforts helped students visualize what they could accomplish. While I focused on potential content for both the blog entry and PSA, Grace and Joshua mentored students on technical aspects and how to focus on a single idea. Students will present their PSAs during a public forum on May 5. Here’s a selection of student blog entries. Some students focused on the content of what they learned: Nikki: “Many Americans seem to view the hijab as a plea for help by its wearer, as though it were a sign of oppression rather than religious expression.” Constance: “The Qur’an states that both men and women should dress modestly, but what modesty means is up to interpretation.” Sasha: “Many people think that hijab refers to a specific style of garment worn by Muslim women but in reality, the concept of hijab is present in both Christianity and Judaism as well as other religions and cultures, just under different names.” Alberto: “In the Qur’an, Muslims are reminded that they are not the only people of God.” Diego: “The term “Allahu Akbar” is an Islamic phrase that translates to ‘God is Great.’ This is a phrase that is used in celebration, prayer, happiness, and many other occasions to thank God. However, the phrase is commonly tied only to terrorists.” Charlie: “The Angel Gabriel made me reevaluate the way that I was looking at Islam. Though the connection of Islam to Christianity and Judaism was something I had talked about before, this was the first explicit example I had seen that explicitly linked the three Abrahamic religions.” Chris: “The religion we have been told is the ‘enemy’ of the West, is in actuality more similar to our Christianity than we would currently like to believe.” Joe: “In high school, I enjoyed a series of action novels where the protagonist was an American special forces operative fighting to protect American interests from his Muslim enemies.These books contained blatant generalizations about the violent nature of Islam. I didn’t necessarily believe these statements, but I never questioned them.” Ryan: “By taking this class, I have been given great resources about the Muslim religion and the Quran which have allowed me to be able to pick apart what I have been taught and relearn the truth about Muslims and their beliefs.” Seamus: “This course taught me that no matter how many statistics you may know, they are not nearly as valuable as discourse, and the various identities involved, and the perspectives that they bring.” Jessica: “I personally knew nothing about Islam or any of its teachings before this class and the one thing I was very interested in was the hijab. In papers and stories, it is almost portrayed as a sign of oppression, which is not the case at all. I learned from this class the power of personal identity.” Other students reflected upon their own socialization: Kirsten: “There has been a call in the West to ‘save the oppressed Muslim women’ because of the belief that Islam is an oppressive religion. When I was younger, I fell for this ploy and believed that Islam required women to dress in a specific way.” Katlyn: “I grew up in a conservative household, I heard considerable stereotypes of Muslims. It narrowed my idea of women in Islam.” Diane: “I took this course because I thought it would be a great way to reflect and dive into how I might be able to navigate stereotypes and deep-rooted, false narratives as an aspiring journalist.” Hana: “I’ve learned that being Muslim and Anti-Zionist should not automatically qualify me as being anti-Semitic.” Still, others reflected upon the impact of technology on their new knowledge: Hoodish: “This class taught me that censored media is indeed very destructive. I intend to confront these people by making them acknowledge their biases towards Islam.” Ashley: “Video, specifically, has allowed me to learn about the different struggles that Muslims face depending upon their class, nationality, sect, immigration status, gender, sexuality, age, race, and family status.”

Due to the diversity of Muslims in the southern Ontario region, my classes on Islam always bring together students from a variety of different sectarian, legalistic as well as interpretive, understandings of Islam. For instance, in my “Introduction to Islam” course, one can find Sunnis from various regions of the world, Shias from Ithna al-Ashariyya and Ismaili backgrounds, and Ahmadiyya Muslim students as well – all in one classroom. With such diversity, intra-Muslim dialogue becomes one of the best pedagogical tools I can use to help all of my students (Muslim and non-Muslim alike) understand the complexities of Muslim identity and the great debates that have shaped Islamic thought. While teaching about these many facets of internal Muslim diversity can be a delicate matter and care must be taken to create an atmosphere of curiosity and mutual respect, engaging the real-life distinctions present among Muslims in the classroom can bring the subject matter to life in remarkable ways. Muslim differences are on display quite regularly in the daily news, yet much Muslim discourse tends to downplay their significance. In classes, I try to cultivate greater openness to exploring these differences in an effort to understand them better and build relationships, rather than to dwell on them from a particular partisan standpoint. I point out that for centuries sectarian differences have remained far more resistant to accommodation than differences in jurisprudence.  Despite contemporary voices calling for an Islamic ecumenism that embraces Shia as well as Sunni practitioners, early differences over religious leadership have led to enduring intramural rivalries, exacerbated in the last decade by patterns of sectarian mobilization amidst protracted power struggles in present-day Iraq, Syria, and Lebanon as well as simmering tensions in Pakistan, Bahrain, and Saudi Arabia.  In order to unpack this history, students learn that the past politicization of sectarian differences has left an imprint on communal attitudes, beliefs, and narratives. In the absence of a robust, well-developed framework for Islamic ecumenism, conflicts rooted in problems of theological, as well as socio-political and economic exclusion, have the potential to cascade in destructive ways, with events in one country or context impacting tensions in other regions. Since the regular class sessions are devoted to helping the students navigate these historical tensions intellectually, I also facilitate supplementary “dialogical” sessions for interested students who would like to explore classroom topics in more detail. These sessions enable some of the best conversations about differences to emerge. For instance, I always open the dialogical session with a student asking a question or sharing an experience. In one session, a student who was a leader of my university’s Muslim Student Association (MSA) started the conversation by stating, “I cannot pray behind a Shi‘ite Muslim.” This statement, of course, was met with a strong reaction from one of my Ismaili students who was himself a member of the Ismaili Student Association (ISA). For the rest of the session, we had a very important sharing of different understandings of Muslim prayer and the meaning infused in different forms of prayer. From this one session, a dialogue between the MSA and the ISA started. We then formed a weekly dialogical session in which the leaders of these two groups and some of their members came together to discuss differences and similarities in rituals, beliefs, and understandings of history.  After a year of dialogical sessions, the same student who had stated that he could not pray behind a Shi‘ite Muslim shared with me that “every chance I get I try to pray with a Shi‘ite Muslim.”  Another pedagogical tool that I like to use when teaching about sectarian differences in Islam is taking my students on a field trip to the Aga Khan Museum of Islamic Arts in Toronto, the first museum in North America dedicated exclusively to Islamic Arts. Instead of learning through a lecture or textbook about Islam, students learn through rare art, artifacts, material culture, and stories about the different historical circumstances within which these objects were created. They also learn about the Ismaili Muslim community and Prince Karim Aga Khan IV, who is the current spiritual leader of Ismaili Muslims. Known internationally for his various charitable works and developmental projects (the Aga Khan Development Network is a well-respected NGO in the development field) and in Canada for opening the Centre for Pluralism in Ottawa as well as the Aga Khan Museum and Ismaili Centre in Toronto, the man whom Ismailis regard as their 49th Imam provides a counterpoint to many non-Muslim preconceptions about Muslims. Although the Aga Khan Museum highlights particular Ismaili and Shia experiences, it also sheds light on the character and internal diversity of traditional Islamic civilization in a much broader sense. During the field trip, students experience a general tour of the permanent collection. This enables them to learn about many artistic, intellectual, and scientific heritages of Islam and its many cultures, from North Africa to Southeast Asia. In addition, the Aga Khan Museum offers regular exhibits of contemporary Muslim art as well as programs featuring international artists and scholars, thus affording opportunities to learn about more recent manifestations of Muslim music, poetry, and thought through mediums as diverse as workshops, lectures, live performances, and film screenings. Since the museum is located adjacent to the Ismaili Centre, students also get a tour of a distinctive space for community assembly and worship, with its unusual architecture, a library, and a jamat khana (prayer hall) for daily prayers. Muslim and non-Muslim students alike testify that this field trip offers a rich, immersive experience and encourages them to reflect on Islamic religious and cultural heritages in new and exciting ways. 

The questions and challenges concerning the teaching of Islam and race that I raised last year in “Teaching Islamic Theology through Black Lives” are no less urgent and relevant now as they were then. In that contribution, I attempted to delineate ways in which I could make important interventions on race and racism in a relatively conventional course offering on Islam. The deepening consciousness and raised campus awareness over the Black Lives Matter movement has continued to spur learning interventions across campuses. One concrete way in which this has emerged here at Fairfield University is the formation and development of a Black Lives Matter course in the spring semester of 2016. Students, faculty, and staff came together to establish what is hoped to be a regularly taught course. I was able to join the second iteration of this course for the present spring semester of 2017. I took this as an opportunity to see if I could develop the converse of what I had implemented earlier, namely to teach Black Lives Matter through the lens of Islam and the experience of Muslims. This new opportunity for engagement, of course, presented a significantly different set of challenges, especially with respect to structure. Typically when I undertake a course, like my Islamic theology one, I have an incredible amount of autonomy because I serve as the sole instructor. I can plot out the content of a course, scale its pacing, and ultimately direct it as appropriate. In contrast, the Black Lives Matter course was designed from the outset to have a collaborative teaching structure. While the students enrolled in the course have a single instructor of record joining them for the duration of the course, a rotating group of University faculty and staff cycle through the classroom. On a weekly basis visiting instructors enter the classroom to offer their perspectives and share insights from their respective areas of expertise. While the diverse array of voices joining the students serve to both broaden and deepen the experience, it also entails negotiating some pedagogical hurdles. As one of the visiting instructors, rather than the instructor of record, I had to work around certain limits. As I sat down to plan out my contribution to the course, two pressing issues rose to the fore: 1) How could I navigate the challenges inherent to teaching in a rotation where my engagement with the students is limited to a single 75-minute session? and 2) How can I introduce most effectively Islam and Muslims as an important frame of analysis for the broader subject of Black Lives Matter? To spell out the difficulties of the first issue, I will enter the course in the fourth week as a newcomer and outsider whereas the students and the instructor of record will have developed by then into an ongoing and self-reflective learning community. My fellow colleagues will be facing a similar dynamic for their scheduled visitations. We will be entering as unknown entities offering ideas and starting conversations that may not be consistent with or may not bridge well with the concepts and terms previously introduced. We will have our own presuppositions and expectations. We will not be privy to the idiosyncrasies of the class. With this set of difficulties in mind, the faculty and staff contributing to the course took several steps in anticipation. First, several weeks prior to the beginning of the semester we came together for a half-day workshop. As a large group and then in smaller breakout ones, we shared our topics and approaches with one another in hopes of better understanding how the course as a whole would unfold and hold together. The syllabus was also circulated in advance so we could get in touch with those who would precede our visit and those who would follow us. We spent time as well discussing general pedagogical strategies for discussing sensitive matters related to issues of race and identity. In sum, efforts were made to prime each of us to connect with one another as we prepared to join the students for our one-time visit and to familiarize ourselves with the learning culture for this particular classroom community. With regards to introducing the relevance of Islam and Muslims to the course, I sought to build explicitly upon previously assigned materials while also providing new pieces for consideration. With respect to prior readings, I identified two pieces in particular that I thought worth recalling and reframing for the set of issues that I hoped to cover: (1) The Racial Contract by Charles W. Mills, which served as the course’s main textbook and presents an incisive critique of the ways in which white supremacy are operative politically and socially, and (2) the 2016 documentary 13th by Ava DuVernay, which explores how mass incarceration came to and continues to target disproportionately black communities. While Islam and Muslims do not figure explicitly in either exposition, I believe both works offered important windows for contemplating connections and points of intersection with the larger subject of Black Lives Matter. As for new material, I settled on the following reading: Edward E. Curtis, IV, “The Black Muslim Scare of the Twentieth Century: The History of State Islamophobia and Its Post-9/11 Variations,” in Carl Ernst, ed. Islamophobia in America: The Anatomy of Intolerance, (New York: Palgrave Macmillan, 2013), pp. 75-106. The benefit of Curtis’s contribution is that it both provides a historical overview of black Muslim American experiences while also shining a light on the ways in which black Muslim groups have been subjected to state surveillance, animus and at times suppression. A week before my visit I pre-circulated several questions for the students to consider. These questions made the task of revisiting and rethinking these earlier works more concrete and fostered a sense of continuity. Specifically, I wanted them to think back to 13th to see how they might imagine how the discourse on Islam and Muslims in America relates to the history of black criminalization and imprisonment in the United States. Furthermore, I asked them to think how the “racial contract” is at work with how Muslims are racialized presently in American society. When the day of my visit arrived, I drew explicit parallels between the country’s political discourse in the late 1970s and early 1980s over the war on crime and the war on drugs with the more recent discourse over the war on terror. I sought to illustrate the ways in which blackness and Muslimness have intersected in a number of significant ways: from the racialization of Muslims in America to the enduring place of Islam in the African American imagination, to the long historical experience of African American Muslims that includes groups like the Moorish Science Temple and the Nation of Islam, and persons like Elijah Muhammad, Malcolm X, and Muhammad Ali. Finally, we concluded by looking at the ways in which citizenship is used, even weaponized, as a means of exclusion and containment. Ultimately, working with structure of the course, I felt my time was best served by building my discussion of Islam and Muslims as explicitly and carefully as possible upon the ideas already seeded by previous readings and ongoing conversations in the Black Lives Matter course. While the visit produced a rich discussion, the need to adapt and connect is ongoing as this course and the call around which it is built moves forward.

In two classes that I teach—“Islam” and “The Qur’an”—I often assign the film Wadjda (dir. Haifaa Al-Mansour, 2012) as the first homework assignment. Wadjda tells the tale of a young girl (same name as the film’s title) in Saudi Arabia who longs to own a bicycle, despite cultural norms that allow them only for boys. Her story takes place before a backdrop of a Muslim society, institutional corruption at her all-girls school, her parent’s crumbling marriage, and a male-dominated world. Most importantly, even for the uninitiated, I find that the film is plenty relatable to American college students. Wadjda, the protagonist, is an adorable, clever, and perseverant young girl and it’s easy to become engrossed in her story. I give students a pair of questions to consider as they watch the film, which we spend time exploring in the following class meeting: 1) In what ways does Wadjda challenge stereotypes (yours or American society’s more broadly) about Islam; 2) In what ways does Wadjda confirm stereotypes about Islam? These questions are straightforward, but I find that they work well because they set a tone that invites students to share their experiences, without risking right or wrong answers at the very beginning of the semester. The questions additionally push students to reflect on the complex choices and characters in the film as well as on their own complexity as agents in the world. Naturally, American students enter a course on Islam with any number of sensational ideas about Muslims. Western cinema, moreover, often presents Muslim characters as nothing more than bloodthirsty villains or quaint Orientalized simpletons (or both), which Jack Shaheen adroitly explores in Reel Bad Arabs (both the title of a monograph and documentary film). Indeed Wadjda could well be the first film college students ever see that portrays Muslims as something other than caricatures. By and large students like the film, but I do struggle with how to make the plot sound more intriguing when I tell students about it on the first day of class (i.e., it’s about a girl who wants a bike?); trailers are helpful. Because Wadjda features primarily female characters, it pushes Western viewers all the more, given the naïve ideas many of us have not only about Muslims in general but about Muslim women in particular. The context of the film also offers much for reflection. It’s the first feature film directed by a Saudi woman. It has received acclaim across many venues, including “Rotten Tomatoes” and the New York Times, which refers to the film as “sweetly subversive.” It was also nominated as best foreign language film for the Academy Awards and adapted in 2015 as an English-language novel. Despite all the benefits from assigning the film, I find that subtitles tend to invite a minority of students to complain, as the labor of viewing while reading taints their experience with the film. While I appreciate this as a consumer—plainly, subtitles can create more work for the film viewer, who often prefers a more passive than active experience—I think it also symbolizes a valuable struggle when encountering new cultures and new ideas. Additionally, unless the viewer knows to interpret a small clue (a shirt with KSA on it), or previously learned the context for the film, it’s actually not even completely clear where the film takes place. Throughout the film, Wadjda’s aloof father explores the possibility of a second marriage, while her mother struggles to provide for her family and create a good life for her only child. Like many good films, the characters in Wadjda are complex and believable. Wadjda argues with authority figures and listens to Western music but also lives innocently in her own challenging world of early adolescence. Toward the goal of acquiring her prized bicycle, Wadjda learns to negotiate a few under the table deals with members from her community (e.g., delivering secret messages between sweethearts), but her primary strategy to earn money involves entering herself in a Qur’an recitation competition. She practices with dedication and her hard work shows. Students won’t usually catch a certain subtlety at this part of the film, but the verses recited in the competition (including their translations in subtitles) speak to many of the themes in the film—thus this scene on its own could work well pedagogically in a number of contexts. While the film resolves the question of acquiring the bike (with an endearing twist), the overall ending leaves Wadjda’s future open to interpretation. I think it leaves a key question for my students: How can Wadjda and other females in the film demonstrate such agency and complexity if Muslim women are supposed to be oppressed? Even though this question presupposes a monolith of “Muslim women,” I think that the first part of the question, which acknowledges complexity and nuance, works well to emphasize one of the main themes of my courses: you can’t study religion without also studying people. Indeed, a required visit to a local mosque is among the most memorable aspects of my course for many students, so starting the semester with a drama helps set the stage for thinking about humanly complicated interactions with our course topic. What makes the film so effective, though, is that it’s not just a central question that the film raises. It touches effectively on so many themes, subtly and explicitly, central to what I want my students to engage throughout the course: gender, Islamophobic stereotypes, “religion” vs. “spirituality,” public vs. private religion, multivalent characters, polygamy, and non-English languages. Islam functions subtly in the film, moreover, which works well pedagogically for communicating how religion often works in people’s lives—as an integrated but still striking aspect of culture and society, in relationship to the lives of individuals, with unique stories and experiences. I’ve introduced other courses I’ve taught, as well, with feature films, and in this way, I think my approach with Wadjda is largely transferable as a model to begin a course. I would like to argue, as well, that it’s a strategy that could do well to receive more attention. After all, how important is the “hook” in any rhetorical expression? I’m of course not arguing that films are necessarily the best hook to capture students’ attention—I think this is largely a matter of taste—but I wonder to what extent that opening a course with a feature film is often overlooked because it doesn’t fit into the typical paradigm of how a college course is supposed to begin. Indeed, how is a college course supposed to begin? Do you use films to frame your courses? What kinds of questions best help your students to make sense of their themes? Have you screened Wadjda for your students? Please leave your thoughts in the comments section below!    

This is the third and penultimate blog in a series of posts in which I have sought to meditate on the question of how one might present theoretical/conceptual arguments to students in an introductory course on Islam in a manner that does not burden them with theory talk. To recap, in the last two posts, I shared some thoughts on this front in relation to teaching about the category of religion and in regards to teaching Sufism. In this post, I want to continue this theme by reflecting on the topic of what could broadly be categorized as “Islam and colonial modernity.” Through this topic, I want to reflect on the experience of teaching two central and interconnected theoretical arguments: 1) that tradition/modernity is not an oppositional binary, and 2) that conditions and discourse are always intimately connected such that new conditions generate new kinds of argument and ways of arguing. These two points are by now staple to the humanities and to the study of religion. But what are some specific ways in which they might be impressed in an introductory Islam course? Here are some examples that speak to this question. In this context, I have found most helpful working with collections of primary texts, such as the anthology of Muslim Modernist writings (edited by Charles Kurzman) and the anthology of Islamist texts (edited by Muhammad Qasim Zaman and Roxanne Euben). Let me walk you through some moments from my teaching when I draw on these anthologies. I employ the relatively straightforward tactic of locating and then discussing places in a primary text where the author’s argument is indebted to modern conditions. So for instance, in the Modernist Islam sourcebook, we find the example of the 19th century Indian Muslim scholar Sayyid Ahmad Khan (d. 1898) arguing that Muslims should alter their explanation for why the Qur’an was miraculous. Rather than attach the Qur’an’s miracle to the inimitability of its language (a long running argument in the tradition), he argued that Muslims should instead locate the miracle of the Qur’an in the inimitability of its meaning and guidance. More crucial than the argument here (which was not altogether novel) was the logic behind the argument: namely that a linguistic explanation for the Qur’an’s miracle “cannot,” in his words, “be put forward in confrontation with nonbelievers” (Kurzman, Modernist Islam, 300). He continued tellingly, “it will not satisfy their mind” (Ibid). Clearly, the new condition of missionary activity and competition in colonial India had a lot to do with the content and framing of Khan’s argument. Similarly, elsewhere in the same anthology, we find the Lebanese/Egyptian scholar Rashid Rida (d. 1935) expressing his admiration for European “nationalism” (Ibid, 82). And even more illustrative is the case of the 20th century Central Asian intellectual Abdurrauf Fitrat (d. 1938) who championed a new system of education as a way to cultivate “perfectly civil, patriotic Muslims” (Ibid, 247).  I have students reflect on the question of how desires such as nationalism and patriotism might be contingent to the emergence of the nation state as the center of modern politics. Would these desires have existed even a couple centuries ago? What would they have looked like? Again, what I am after in posing these questions is to have them ponder, even if indirectly, the interaction of conditions and discourse. Perhaps the most effective case study for this task is the extract from the 20th century Egyptian thinker/activist Sayyid Qutb’s (d.1966) landmark text Signposts Along the Road in Zaman’s and Euben’s anthology of Islamist thought. There are many moments in this text that can be mobilized. Let me offer one particularly cutting example. In pushing for an exclusively Qur’an centered understanding of tradition, Qutb exclaimed that Muslims should read the Qur’an “like a soldier studies ‘the daily command’ to act immediately upon what he learns in the battlefield” (Zaman and Euben, Princeton Readings in Islamist Thought, 141).  “Knowledge is for action” (Ibid), he had memorably continued. Again, these quotes provide an opportunity to have students think about possible connections between approaching the Qur’an as a soldier’s manual and new technological conditions such as the efflorescence of print and the concomitant materiality of the Qur’an as a bound printed book. Having worked through some of these examples, I put on the board a list of different categories of conditions including political (rise of the nation state, colonialism etc.), technological (print, commerce, railways), institutional (new educational institutions etc.), and epistemic/intellectual (valorization of science, championing of secular reason and progress etc.). In another column, I list the discursive moves of the authors we have examined that depended on and were made possible by any of these conditions. The point of this exercise is to show students that in analyzing discursive arguments, it is important to carefully consider the conditions, the terrain so to say, that make those arguments thinkable in the first place, and that shape the modality of their articulation. This of course is the now familiar conceptual point advanced and executed most forcefully in the work of Talal Asad. A careful navigation of and commentary on illustrative primary texts holds the potential of at least attuning students to such a conceptual orientation that takes seriously the interaction of discourse, conditions, and ultimately, power. There are two limitations of this method that I should like to briefly mention by way of conclusion. First, while this exercise is effective in demonstrating the dynamicity of tradition by showing ways in which it adapts, responds, and negotiates modern conditions, it is less successful in interrupting a celebratory teleology of modernity. “Ok, Muslim scholars can also desire modern stuff” is an all too convenient conclusion that some students might draw. Constantly reminding them about the power differentials involved in how modern conditions shape indigenous discourses and about the violence of colonial modernity (physical and otherwise) is thus very crucial. It might also be useful to frame modernity as a “narrative category;” a narrative that dramatizes its own claims to have eclipsed the past and tradition. I have found that students respond favorably when asked to think carefully about the kind of story modernity tells about itself and to reflect on the problems attached to that story. And second, the teaching tactic described in this post makes acutely palpable the absence of a substantive anthology that engages the work of Muslim traditionalist scholars (the ‘ulama’). Certainly, many among the modernists and Islamists were also trained in traditionalist methods. But still, there will be much to benefit from a reader (like Kurzman’s and Zaman’s and Euben’s) that takes as its focus the writings of modern Muslim traditionalist scholars. Such a resource will be especially useful for discussing continuities and ruptures in Islamic legal and ethical reasoning in the modern period, a topic that adds a particularly rich layer to this discussion.    

I was scheduled to write a blog post on teaching about controversial issues and how they are shaping contemporary Muslim identities in North America. Guessing, however, that many readers may be fatigued from the barrage of unfavorable events – from the U.S. travel ban on citizens of seven Muslim-majority countries to a horrible attack on a mosque in Quebec – I have decided to dedicate this particular blog to one of my favorite pedagogical tools for inspiring hope as well as a lasting sense of personal connection to the subject matter: the telling of a story.  Storytelling is one of the oldest techniques that human beings have used to teach one another. From pre-Islamic times to the present day, all Muslim societies have been shaped by orality in the form of tales, fables, myths, legends, and narratives. As I have emphasized to my students, there are many purposes for storytelling: for spiritual and moral guidance; for creating a sense of the supernatural, the metaphysical, and the existential; for inspiring learning, wonder, and adventure; for critiquing self and society; and for reinforcing historical narratives, in ways that can create positive social identity as well as stereotypes, prejudices, and even a basis for ongoing conflict. Whether I am teaching an introductory course on Islam or a graduate course on Sufi expressions of Islam, some of my greatest moments in class are when I share with students a story of my living experience of traveling to particular places in the Muslim world. For this blog I would like to share a story from a visit to Egypt more than a decade ago, as a window into diverse aspects of Arab and Middle Eastern culture (I also sometimes share this story when lecturing on traditional Islamic cities). While my particular story will differ from the stories other instructors will use in their own teaching, I hope that the manner in which I communicate different realities and experiences will prompt others to harvest their own distinctive experiences, and consider which aspects of those experiences might be richest in content for students – particularly those whose ideas about Muslim-majority and Middle Eastern societies are abstract and largely gleaned from news and popular culture.   In 2003, I had the honor of planning and coordinating a conference at the Library of Alexandria in Egypt. After the conference was over I lingered in Egypt for a number of days, and on my last day I wanted to go shopping for books on Sufism in Cairo. (I would share with my students that Cairo and Damascus have long been two of the greatest cities in the Middle East for finding and buying books on Sufism.) A list of books in hand, my husband and I went from one bookstore to another and then another until we finally encountered, at the very back of one store, a beautiful elderly man who wrote and then recited the following sentence on a piece paper: “You must find Abdul Rahman at 5:00 pm in Azbakeya.” Inspired by this new lead, we set out to find Azbakeya but no one knew where it was. Finally, after much searching, we found it – an area in Cairo where there were booksellers of every kind, clustered in row upon row of small metal shacks. Somewhat daunted about where to start, we began to ask where we might find Abdul Rahman. As so often happens in the Middle East, many people were willing to stop, listen, and try to help, leading us from one person to the next but still no Abdul Rahman. Eventually, though, we did find Abdul Rahman and promptly showed him the list. How long, he asked, would we be in Cairo? “We leave tonight,” we informed him. Hearing this, he physically closed his shack for the day and said, “Follow me.” Surprised by this turn of events and uncertain about exactly where we were going, my husband and I then started to follow Abdul Rahman through the busy streets of Cairo, swerving this way and that. The sunset prayer had just begun and people were bustling about – some going home, some praying on the street, and others on their way to whatever events they had planned for the evening. Abdul Rahman then did a strange thing. He climbed into the front passenger seat of a taxi cab and beckoned us to get into the back of it. Still unsure of our destination, we complied with his request and felt good about this new, unforeseen but promising development. As a professor once told us, “Surrender to the grace of the moment.” As we made our way down paved but dusty streets, we started to realize that our cab was approaching “the City of the Dead” (I would share with my students how this is an area known to be both one of the largest cemeteries in the Middle East and also a place where the poorest of Cairo’s poor find spaces to live.)  Abdul Rahman was taking us to his home. The cab dropped us off in front of a modest mausoleum building, and Abdul Rahman yelled up to the second floor where his beautiful daughter, perhaps 8 or 9 years old, was holding a baby. She peeked out, ran down to the front gate, opened it, and handed the baby to her father. We then entered the building and followed Abdul Rahman to his living quarters, where there were books on all four walls, and books in boxes as well as on top of boxes and tables. We could not imagine fitting more books into one space. Abdul Rahman then handed the baby to my husband before proceeding to search his stacks, and I thought to myself, “This is the first time I have seen my husband hold a baby and it was in the City of the Dead!” Knowing his collection well, Abdul Rahman moved efficiently from one stack to another and brought forth a stack of books on Sufism. Some, he pointed out, were hundreds of years old – for instance, an early edition of Ibn al-‘Arabi’s Futuhat al-Makkiyyah. Even though we did not want to bargain – no easy task for us in any event, made somewhat more awkward by the circumstances – we then had to haggle for the books. (I would share with my students the social significance of haggling and the art to a good haggler!)  Soon, after a few purchases and some small talk about baby names (Abdul Rahman cited a hadith of the Prophet to explain his own preference for boys’ names starting with Abdul [meaning servant of a particular divine quality] and etymological variations on Muhammad [which translates literally as “praising and praiseworthy”]), it was time for us to leave. We had to get back to our hotel, check out, and then leave for the airport to catch our flight. Abdul Rahman went outside and hailed a taxi for us in the City of the Dead. While conversing with our young cab driver, we discovered that he was a Nubian, with roots in Egypt’s culturally distinctive south. Upon hearing that we had come from the United States, he smiled and, with a thumbs-up signal, articulated a single word with much drama: “Schwarzenegger!” We immediately grasped his meaning, though this was our first news of the matter: Arnold Schwarzenegger had won the election, becoming governor of California. Unable to resonate with his obvious excitement, we felt what might be described as the beginning stage of reverse culture shock. My husband and I looked at each other, and could read the same meaning in each others’ faces: “We are going back to that.” In an attempt to change the subject, we tried to steer the conversation to Egypt and Egyptians – so much hospitality, and so many amazing things to see. Our driver was happy to hear of our positive experience, and appeared to enjoy the exchange. Then about five minutes before arriving at the hotel our driver pulled over to the side of the road, and turned to us with a hand signal that every visitor to the country must learn within the first day or two: “Please wait just a minute.” He then hopped out of the car and left us in it! Once again we consulted intuition but things felt good and we “surrendered to the grace of the moment.” A few minutes later, our driver popped out of a small roadside shop, slid into the driver’s seat, and turned to present us with a single rose in each hand. He looked at us with light in his eyes and said, “Welcome to Egypt!”  Many of my students over the years have told me that this is one of the stories they remember. Like other stories, it beckons them to encounter the Muslim world with openness, wonder and awe rather than fear, perplexity, or prejudgment. With this story, I invite my students to enjoy the process of entering into the same sense of discovery experienced by a traveler abroad on some new journey, never quite knowing what to do or what to expect, but open to common humanity, curious about cultural nuance, and eager for the inevitable experience of surprise.        

As anyone who takes on the task will appreciate, teaching the Qur’an is an incredibly challenging undertaking. The scripture bears out multiple layers of meaning and finds expression across a range of literary devices: parables, similitudes, hyperbole, sacred narratives, direct exhortations, and so on. Moreover, my students – like most that we encounter – rarely have the ability to access the Qur’an in its original Arabic, through which much of the scripture’s polysemy is most evident. Adding to the difficulty of teaching the Qur’an is that there is a pedagogically valuable array of exegetical traditions that have emerged from the innumerable engagements Muslims have had with the scripture across history. While it is certainly possible to teach the Qur’an on its own in English, I have always felt compelled to draw my students’ attention to these many interpretative communities and to expose them, at the very least, to some of the hermeneutic concerns held therein. In short, I want to teach my students something about Qur’anic exegesis alongside the Qur’an itself. How, then, have I done this for my largely English-speaking undergraduates? I have expanded upon and adapted a set of “exegetical exercises” that Farid Esack used when I served as his teaching fellow over a decade ago. The point of these assignments was to expose students to different interpretative resources and techniques in graduated stages so that by the end of a semester they were prepared to undertake a focused interpretative analysis of their own. What I’d like to do here is share some of those pedagogical techniques that I’ve used in different iterations of my Qur’an course. Translation Comparison One of the first tasks I assign is the reading of a short Qur’anic passage, usually Q. 96 or Q. 97, across multiple English translations. While I allow students to go out and find credible translations of their own, I also state that they must all reference specific translations in order to ensure a common starting point for everyone. At present I require the translation by M.A.S. Abdel Haleem published by Oxford, Michael Sell’s Approaching the Qur’an: The Early Revelations, and the Study Quran from HarperCollins. Narrowing their attention to a small set of verses has proven ideal because it compels them to comb through a translation word-by-word. The assignment is essentially about attention to detail. In the short essay, I ask them to write on these verses, they identify noteworthy differences, comment upon how these small changes affect their understanding and then opine on why some choices are made over others. Why translate it this way over that? For example, students often spend much of their time thinking through the interpretative implications of a keyword in Q. 96:2 that is variously translated as “clinging form,” “blood clot,” “embryo,” and “congealed blood.” When we discuss our findings in class, I make it a point to turn also to the translators themselves and situate each translation project by referencing the introductions of their respective translations to better understand their objectives and methods. While most of my students may lack familiarity with Arabic, this exercise impresses on them the nuances of language and word choice and introduces them to an important method of interpretative investigation. Qur’an Commentaries in Translation Another step that students take is to look at Muslim Qur’an commentaries or tafsīr in English translation. While the overwhelming majority of the extant corpus of Qur’an commentaries remains unavailable for my students, there are several works that offer students a window into this scholarly world. Two helpful compilations are The Quran and Its Exegesis: Selected Texts with Classical and Modern Muslim Interpretations (Oneworld, 1996) by Helmut Gätje and An Anthology of Qur’an Commentaries: Volume I – On the Nature of the Divine (Oxford University Press, 2010) edited by Feras Hamza, Sajjad Rizvi, and Farhana Mayer. Both works allow students to see different commentators weigh in on the same topic or passage. A harder to find book, but one worth excerpting is J. Cooper’s abridged translation of the beginning of the tafsīr of al-Ṭabarī (d. 310/923) (The Commentary on the Qurʾān, Oxford University Press, 1987). This translation provides students with a sense of how a classical work of exegesis was structured and approached. There are, of course, many more translations of Qur’an commentaries emerging and the site http://www.altafsir.com furnishes online access to some of these. Exegetical Reference Works The end goal is to provide students with the resources and tools to undertake some preliminary exegesis for themselves. With that in mind, I find it worthwhile to introduce my students to the research and literature being produced by scholars of Islam in the Euro-American academy. Typically I arrange a library research session when – working with a librarian – we expose students to important reference works like English-language Qur’an concordances and Brill’s Encyclopaedia of the Qur’an and Encyclopaedia of Islam. These reference works are often a good starting point for further research into topics and persons appearing in the Qur’an. Given the idiosyncrasies of all these works, students find the guided hands-on experience in the library invaluable. We also spend time familiarizing students with Arabic transliteration conventions (and variations) as well as how to successful navigate the journal databases. While the secondary scholarship on the Qur’an is substantial and growing, it is often difficult for undergraduates to successful find and identify the best that is out there. These library sessions are aimed at providing them with some grounding and guidance for their work. While this is not an exhaustive look at the exegetical exercises I use, the above points represent what I believe to be some of the most helpful activities for preparing new students to do some preliminary exegesis of their own. I offer them models and tools so that they can explore their own lines of inquiry and raise their own questions in response to this incredibly dynamic and multi-layered text.

Since Trump became a candidate in the 2016 US presidential race, educators have continued to reflect on how his political presence might influence pedagogy. Personally, I find myself in a familiar quagmire: to what extent do I focus on current events in my Islamic studies courses? If I wanted to, each class session could devote itself exclusively to political developments, domestic and international; this has been the case for years. Trump’s incendiary comments, policy moves, and cabinet picks who malign Muslims, exacerbate this quagmire. Trump, for example, said that “Islam hates us” in a March 2016 interview with CNN’s Anderson Cooper. His cabinet picks and advisors have endorsed similarly disturbing, perhaps willfully ignorant, positions and rhetoric. In this blog post, I will discuss some strategies, as well challenges, for how Islamic studies teachers might react to a Trump administration in a classroom context, with special attention to building positive narratives in addition to challenging existing ones. A recent Executive Order bans travel to the US from nationals of several Muslim-majority countries. In the language of The Intercept’s Zaid Jilani, “If we bombed you, we ban you.” As students, professors, and researchers—even those with green cards—find themselves in limbo, the EO has already sent reverberations across the lives of Muslims in the US and abroad. Fortunately, many scholars of Islam remain positively engaged in public discourse and efforts toward bridge-building and political problem-solving on an ongoing basis. Ilyse Morgenstein-Fuerst wrote a blog post for the University of Vermont, “Trump 2016: The View from Islamic Studies,” in which she details the connections between Trump’s rhetoric, cabinet choices, and their consequences. Caleb Elfenbein, an author for this “Teaching Islam” blog, has contributed to an important project that maps anti-Muslim crimes in the US. Also chilling is Mohammad Fadel’s article for The Islamic Monthly that details worst-case scenarios for Muslims under a Trump administration, including comparisons with Japanese internment camps. This is all to say that there are simply too many, individual as well as cumulative, momentous and worrisome news headlines to introduce to an undergraduate Islamic studies course while still covering other material in the course. Are the Challenges (that) Different than Before? Effective pedagogy includes understanding one’s context, including institutional goals, student demographics, and the current political landscape. An effective way, I find, to invite students to draw personally meaningful connections to course material is to always keep in mind popular symbols and ideas that bear, even indirectly, on what we study. The absurdity of mainstream media coverage of Islam can also offer some cathartic moments of laughter, which also helps ease students into challenging discourses. In terms of noteworthy contributions that Muslims make to American public life, we saw Linda Sarsour—a Palestinian American activist—lead organizing efforts for the Women’s March on Washington. Keith Ellison, the first Muslim member of Congress (now in his sixth term), received the endorsement of Bernie Sanders for chair of the DNC, and the funeral of Muhammad Ali in June 2016 attracted international media attention, including its full broadcast on Fox News. In a beautifully narrated but also depressing account, NPR’s Asma Khaled details what it was like, as a Muslim woman, to cover Trump’s campaign during the election. As Amir Hussain adroitly argues in his recent book, Muslims and the Making of America (Baylor, 2016), we have much to learn about American cultural fabric by studying the role of Islam and Muslims in our history, even as it continues to unfold. In my capacity as host for New Books in Islamic Studies podcasts, I have interviewed a number of scholars—including Amir Hussain, Sophia Arjana, and Todd Green—about how current political affairs impact the lives of Muslims in the US. I keep my students in mind as one audience for these interviews, and I have repeatedly assigned my students the interview I conducted with Todd Green, on Islamophobia (which prospered in the American mainstream long before Trump reached the national spotlight). The Good, the Bad, and the Mystical Despite the many humanizing accounts about Muslims that my students study, these same students also tell me that they aren’t surprised to learn about the pervasive Islamophobia in the news cycle. But don’t some details shock them, even a little bit? In a 2015 Public Policy Poll, for example, about 30% of Republicans and 19% of Americans supported bombing Agrabah—the fictional city from Disney’s Aladdin. Among Trump supporters: 41%. As I wrote in a previous “Teaching Islam” blog post, students can use current political tensions, and how they respond to them, as a way to make sense of Sufi conceptions of spiritual growth. “Do I,” students might ask themselves, “harbor anything related to these views that I find so toxic and ignorant?” I’m currently teaching Islamic Mysticism for the third time, and I’ve implicitly chosen in past iterations to focus less on current events than I do in my introductory courses on Islam, or even in my courses on the Qur’an in which we explicitly explore contentious political topics. This time, however, I find myself taking closer stock during class time of political context, and not only because of the most recent presidential election. I think students likewise crave a balance between attention to (depressing) current events and engaging with aesthetics and intellectual discourse that don’t immediately relate to the latest fake news (or “alternative facts”?) on their social media feeds. In conclusion, I would like to include a brief reflection on student activism and its connection to teaching. As a graduate student at UC Santa Barbara, I witnessed some student groups host anti-Muslim ideologues including Dennis Praeger, David Horowitz, and Daniel Pipes. Frequently, I would watch many other student groups respond with formal protests, which I found both heartening and problematic. Indeed, protest is perhaps part of the human spirit; it encapsulates much of what it means to thrive in a democratic society. It’s also an effective catalyst for change as numerous examples from history attest. At the same time, however, I regularly remind myself that part of the difficult intellectual work of teaching and learning involves building narratives, not only challenging visible narratives. Both are necessary, and my course on Sufism helps me, and I hope my students as well, appreciate the significance of this balance, the complementarity between jamal (beauty) and jalal (majesty)—two sides of the same human condition. Where do you strike your balance in terms of navigating planned course material with course-related current events as they arise throughout the term? Please share in the comments section.

Daniel Madigan, my mentor when I first began teaching Islamic studies, considers his introductory course an opportunity to help students understand Islam as a religious choice and vision. This, in contrast to a politicized framework wherein Islam, is a problem to be solved. Marshall Hodgson also refers to the vision of Islam early in volume one of his series, The Venture of Islam. He writes, “Islamicate society represents, in part, one of the most thoroughgoing attempts in history to build a world-wide human community as if from scratch on the basis of an explicitly worked out ideal.” In an earlier blog post, I recommended the use of graphic novels and comics in teaching Islam because they are substantive and because students benefit from the engagement with visually rich, multimodal texts. Courses in religious studies have an unfortunate tendency toward abstraction. Separating ideas from their cultural expression is a disservice to our students and Islamic or Islamicate culture itself, which represents the “highest creative aspirations and achievements of millions of people;” Hodgson again. If we are to help students appreciate a vision, we must show them how that vision is lived, and the cultural heritage it has built over the centuries. In this post, I want to highlight some of the online resources available through museum websites, particularly the website of The Metropolitan Museum of Art in New York, and provide ideas for how these tools could be used in the classroom. In conjunction with a virtual exploration, it would be ideal to send or accompany students on a museum visit but this is not always practicable. Fortunately, museums are committed to education and the advancement of knowledge in their mission statements and their online resources are often exemplary for that purpose. Teaching is sometimes isolating because it can be accomplished in isolation. A busy professor can close off the classroom and get through the term without doing the work of engaging outside institutions. But to do this job right, we need partners whose missions intersect with our own. In my experience, museum professionals are eager to help and they have created a wealth of resources to draw from. A small investment of time spent researching museum offerings or reaching out to a museum education office can pay huge dividends in terms of student learning and engagement. In fact, a more student-driven classroom can save time in the long run. Letting students take charge of their own learning means they are doing more of the work. Anyone who has visited The Metropolitan Museum of Art knows it is an overwhelming experience. Thanks to a sense of direction that allows me to get lost in my own neighborhood, I have spent the better part of an hour just trying to find my way to the right wing in the Met. Their website can provoke a similar experience. It requires a certain amount of detective work to identify the right online resource for your students and a significant amount of scaffolding to guide them to its best use. But there are unique opportunities to be found! Five decades of Met publications are available to search and download, sometimes in their entirety, for free. This collection includes a full online copy of Art of the Islamic World: A Resource for Educators that pairs well with an online lesson plan on “Arabic Script and the Art of Calligraphy” suitable for modified use in the college classroom. The Met website is also home to 82nd & Fifth, a series of two-minute videos in which curators discuss works of art that changed the way they see the world. These videos, including an engaging presentation on the official signature of Süleiman the Magnificent, are also available as part of a YouTube playlist. Projects like this provide useful modeling for classroom activities. A student can be tasked with exploring Islamic art and creating their own short video on how it has changed the way they view the world. The most powerful resource on the Met website is the ability to search its collection as a whole. Students searching for “Islam” will bring up thousands of entries, including photographs, historical information, and links to related objects and textbooks as available. This is a fantastic opportunity but it must be used wisely. Casting students into this sea of information without a clear purpose is not likely to be successful. As a colleague once instructed me, “Throwing everything against the wall to see what sticks is not a sound pedagogical strategy.” Certainly, the Met collection can inform garden-variety research papers and projects begun in the classroom but it can also provide an initial inspiration for detective work. Students might start with an item from the collection and generate questions based on its features and provenance. Finding an elaborate illustration of a drunken party from the Diwan of Hafiz, students may wonder about the relationship between intoxication and mysticism. Confronted with a folio from the Blue Qur’an, they might want to know more about the aesthetic and practical features of other Qur’anic manuscripts. The key is that students are puzzling over museum objects and formulating their own paths of inquiry leading to a more holistic understanding of Islam. Advancing toward the highest, creative and comprehensive level of Bloom’s Taxonomy, you could ask students to curate their own virtual exhibition using an online collection. Seeking out meaningful threads of continuity between temporally and geographically disparate objects is an enormously challenging task but the rewards for a job well done are great as well. Such an assignment, carefully wrought, has the potential to help students consider the vision of Islam as it was realized in material culture; not in abstraction, but as a source of creative renewal and inspiration across time and space.