Resources

Developing a more learner-centered course design does not have to mean pulling everything up by the roots. A good start is to examine the activities already happening in your courses, finding where good learner-centered design principles already exist. Here, I look at two versions of an activity that is common in my own course designs: Peer Review. The first example is simple; the second example is more complex. Both are fully asynchronous, allowing learners to manage their time as their lives require. (Honoring learner time and agency is a learner-centered principle.) Along the way, as in the last sentence, I keep an eye out for learner-centered design principles that I can identify and name. Example One: Peer Review and the Short Writing Prompt: In small groups on an online discussion forum, learners write a short weekly post in response to a writing prompt asking them to integrate course readings with their own contexts and insights. (Constructivism is a learner-centered theory.) During the week following a due date, small-group classmates offer each other 2-3 sentences of substantive informal engagement, followed by a peer review embracing three yes-or-no elements: Balance (every element of the prompt receives attention); Engagement (the whole work is engaged substantively with the course and its materials); Mechanics (spelling, grammar, organization, citation). For the first 1/3 of the term, peer reviews are purely diagnostic: no revisions are needed, but learners MAY reach out to the instructor for guidance in response to feedback. (Learners taking responsibility for learning is a learner-centered principle.) For the middle 1/3 of the term, learners getting two or more "No's" from peers must reach out to the instructor. For the final 1/3 of the term, learners getting any "No's" must reach out to the instructor. In practice, my role as instructor is mostly to provide guidance in the early weeks, rewarding (via recognition) social goods like risk-taking and commitment. (Guide-on-the-side-style facilitation is a learner-centered practice.) Example Two: Peer Review and the Final Paper: Bear with me on this one. There's this final research/thesis paper, see? (My course is "Introduction to the Hebrew Bible," and this is the notorious exegesis paper.) But a complete draft is due at the midterm...and by "complete draft" I mean Complete Draft: it's at the full word count and includes all of the expected elements of the final paper. Why? For many reasons, but relevant here: your small-group classmates need something complete to be able to peer-review it! So that's the "bad news" on the draft: it must be complete. What's the "good news"? The draft does not have to be particularly good! Because the Complete Draft does not count toward the student's grade in the class: this peer review is a formative evaluation, not a summative evaluation. (Formative evaluation is a learner-centered practice.) So, learner: in your draft, take risks! Try things! Get out on a limb! Pull out all the stops to try to articulate the things you are trying to say. (Creating conditions for student voice is a learner-centered principle.) In order to promote informed, substantive peer review--something more illuminating than "I liked it; it was good"--students are armed with two (2) rubrics. First, there is the rubric for the final paper itself, made available to learners at the start of the term. (Instructor transparency and accountability in assessment is a learner-centered principle.) If reviewers have so far neglected this document or struggled with it, now they are put in a position to have to get to know it better and work with it constructively and ask for help if needed. The second rubric is the rubric for the peer reviews themselves. (Are the reviews engaged with the draft being reviewed? Are they engaged with the final-paper rubrics? Are they constructive as well as affirming?) Here I include one coercive element: 20% of a student's peer-review grade requires that *their own draft* be complete and on time, and this element is a binary: you get 20 points, or you get zero points. And here's the thing: the evaluation for peer reviews is not formative, but summative. This thing must go smoothly and tightly, or the wheels fall off. (Don't ask of learners more self-motivation than reasonable for their level: scaffolding is a learner-centered principle.) Closing notes: Learner-centered course design principles didn't descend from the sky on stone tablets. Rather, they arose from the reflected-upon experiences of educators like yourself. By joining in this process of reflection and discovery, you join in the construction of applied learner-centered pedagogy. Where can you discover some more of the learner-centered principles that you're ransacking your course designs for? Do a web search for "student centered learning"; "learner centered instruction"; "learner-centered assessment" (or "student-centered assessment"); "learner centered teaching"; and so on. Good luck and have fun.

Like many teachers, I was trained to expect student’s participation in the classroom to be many things at once:  prepared, right on the issue at stake, ready to offer deep insights and if possible, be passionate. I also was trained to exclude the needs and subjective experiences of my students, expecting them to bracket their suffering, their sorrows, and their traumas, at least during class time. Oh, and I was trained to expect students to be as text-based as I am, even though reading habits have changed. I still resent it when the connections made in class are not related to the texts. After a while, it is so easy to catch students who are just pretending that they have read or make a comment based on a line on page 78 without having actually read the text. I get really frustrated when students don’t read the assigned texts or when they are not fully present, having their hearts and minds elsewhere. All of these forms of participation in class demand practical responses from the professors that are not as clear as we might hope. Let me give an example: one day a student offered a harsh critique of the book we were reading. I asked him to name what in the book he didn’t like. After 3 attempts to continue with his critique, it was clear he didn’t read a thing. What do I do? Call him out in front of everyone? Talk to him in private? Wait until the end of the semester? Other forms of participation, or non-participation, are part of the experience of the class. Students who “participate” by sleeping in class, or using their phones and computers. There is the gaze of the one who is checking emails and looking at Facebook. And there are the smiles, facial reactions, and even laughter when they are texting. All this is why I tend not to let students use computers or phones during class. But how to do that when the readings are on their computers, or when the cares of the world are (often) more compelling than what our students find in our classrooms? When we have only their bodies, and not their minds and hearts and spirits, passions and convictions, strong yesses and necessary nos, then what? Maybe we have to be open to the possibility that some of our students are part of conversations they cannot tell us unless we ask and are open to what we will hear.  Besides the objective forms of grading participation regarding reading texts, there is so much more that is at stake when our students are in the classroom. I had a student who would sleep every day in my class. For a long while, I thought about sending him an email saying he couldn’t make this class his bedroom. But then, I decided to talk to him personally. We met and he then told me that life had been very difficult for him, that he was working overtime to take care of his unemployed mother, his little brother, and teenage sister. He apologized. What do I do? Tell him if he continues this way he cannot pass? Find ways to help him when I don’t have time to help? Keep him in the class for as long as I can until he resolves his problems? Another student was quiet all the time. Couldn’t speak. Talking to her I learned she was going through very difficult personal times, but couldn’t say what it was. She kept quiet. What to do? Flunk her? After the semester was over she decided to talk to me and told me she had become pregnant but had lost the baby. She could not make sense of her life, and the only places she found some sort of sustenance, relief and perhaps even coherence was the classes she took that semester, including mine. Another student received the news that his mother was terminally ill. He missed more classes than he was allowed in order to pass this class. What was I supposed to do? Objectively speaking, knowledge is a composition of several issues. Knowledge is not only about the present of abstract thinking but also by what is around us, with its feelings and emotions, the composition of social classes, objects and images used, sensations around expectations, fears and hopes, general conditions of life. The best forms of learning are the ones that can integrate all these aspects of life in direct and/or transversal ways. But for students in crisis, the ‘best forms of learning’ may require each teacher to bend a bit, to listen a little longer, to walk with the student an extra mile as she is able. Does that mean that every teacher needs to be a therapist or a chaplain? Yes and no. Perhaps more yes than no? Well, yes because when we teach we are teaching about the whole life and not only about the specifics of a certain discipline/knowledge. Even the specifics of a certain knowledge influences the whole way of living. And no, absolutely no, since we are not professionals in these areas, and we do not have the required formation, and cannot offer the appropriate care. In classrooms, there are so many borders to negotiate and fundamental boundaries that must be kept and honored. To deal with each case that arises in our classrooms is always so difficult to discern. But if I am unwilling to listen, or if I am captive to my objective model of learning, I may be injuring my students while professing rigor, standards, and policies. How teachers and students learn together is a wonder for me! How we survive a whole time together is a mystery to me! And when we witness transformed lives is a miracle to me! These truths are sometimes too much for me. For you, too?

Daniel Madigan, my mentor when I first began teaching Islamic studies, considers his introductory course an opportunity to help students understand Islam as a religious choice and vision. This, in contrast to a politicized framework wherein Islam, is a problem to be solved. Marshall Hodgson also refers to the vision of Islam early in volume one of his series, The Venture of Islam. He writes, “Islamicate society represents, in part, one of the most thoroughgoing attempts in history to build a world-wide human community as if from scratch on the basis of an explicitly worked out ideal.” In an earlier blog post, I recommended the use of graphic novels and comics in teaching Islam because they are substantive and because students benefit from the engagement with visually rich, multimodal texts. Courses in religious studies have an unfortunate tendency toward abstraction. Separating ideas from their cultural expression is a disservice to our students and Islamic or Islamicate culture itself, which represents the “highest creative aspirations and achievements of millions of people;” Hodgson again. If we are to help students appreciate a vision, we must show them how that vision is lived, and the cultural heritage it has built over the centuries. In this post, I want to highlight some of the online resources available through museum websites, particularly the website of The Metropolitan Museum of Art in New York, and provide ideas for how these tools could be used in the classroom. In conjunction with a virtual exploration, it would be ideal to send or accompany students on a museum visit but this is not always practicable. Fortunately, museums are committed to education and the advancement of knowledge in their mission statements and their online resources are often exemplary for that purpose. Teaching is sometimes isolating because it can be accomplished in isolation. A busy professor can close off the classroom and get through the term without doing the work of engaging outside institutions. But to do this job right, we need partners whose missions intersect with our own. In my experience, museum professionals are eager to help and they have created a wealth of resources to draw from. A small investment of time spent researching museum offerings or reaching out to a museum education office can pay huge dividends in terms of student learning and engagement. In fact, a more student-driven classroom can save time in the long run. Letting students take charge of their own learning means they are doing more of the work. Anyone who has visited The Metropolitan Museum of Art knows it is an overwhelming experience. Thanks to a sense of direction that allows me to get lost in my own neighborhood, I have spent the better part of an hour just trying to find my way to the right wing in the Met. Their website can provoke a similar experience. It requires a certain amount of detective work to identify the right online resource for your students and a significant amount of scaffolding to guide them to its best use. But there are unique opportunities to be found! Five decades of Met publications are available to search and download, sometimes in their entirety, for free. This collection includes a full online copy of Art of the Islamic World: A Resource for Educators that pairs well with an online lesson plan on “Arabic Script and the Art of Calligraphy” suitable for modified use in the college classroom. The Met website is also home to 82nd & Fifth, a series of two-minute videos in which curators discuss works of art that changed the way they see the world. These videos, including an engaging presentation on the official signature of Süleiman the Magnificent, are also available as part of a YouTube playlist. Projects like this provide useful modeling for classroom activities. A student can be tasked with exploring Islamic art and creating their own short video on how it has changed the way they view the world. The most powerful resource on the Met website is the ability to search its collection as a whole. Students searching for “Islam” will bring up thousands of entries, including photographs, historical information, and links to related objects and textbooks as available. This is a fantastic opportunity but it must be used wisely. Casting students into this sea of information without a clear purpose is not likely to be successful. As a colleague once instructed me, “Throwing everything against the wall to see what sticks is not a sound pedagogical strategy.” Certainly, the Met collection can inform garden-variety research papers and projects begun in the classroom but it can also provide an initial inspiration for detective work. Students might start with an item from the collection and generate questions based on its features and provenance. Finding an elaborate illustration of a drunken party from the Diwan of Hafiz, students may wonder about the relationship between intoxication and mysticism. Confronted with a folio from the Blue Qur’an, they might want to know more about the aesthetic and practical features of other Qur’anic manuscripts. The key is that students are puzzling over museum objects and formulating their own paths of inquiry leading to a more holistic understanding of Islam. Advancing toward the highest, creative and comprehensive level of Bloom’s Taxonomy, you could ask students to curate their own virtual exhibition using an online collection. Seeking out meaningful threads of continuity between temporally and geographically disparate objects is an enormously challenging task but the rewards for a job well done are great as well. Such an assignment, carefully wrought, has the potential to help students consider the vision of Islam as it was realized in material culture; not in abstraction, but as a source of creative renewal and inspiration across time and space.

Tat-siong Benny Liew Class of 1956 Professor in New Testament Studies College of the Holy Cross At the Annual Meeting of the Society of Biblical Literature last year, the Student Advisory Board organized an interesting session titled, “What I’m Telling My Students.” I find this a wonderful question for every