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Over the past few months, the entries in this blog series have attempted to provide guidance and insight related to the pedagogical challenges of teaching traumatic materials. The series was initiated to provide a sense of reassurance about facing these challenges. By discussing the range of challenges, the variety of approaches, the multiple potential topics, and the significant questions, it may, of course, have had the opposite effect. Readers of the series may be even less confident that they can engage such topics in their classrooms. In my final entry, then, let me try and make the case for why—pedagogically—traumatic materials belong in our classrooms. First and foremost, and this is consistent with everything I’ve said in my contributions, as teachers of religion, we don’t decide to introduce traumatic materials into our classrooms; they are already the warp and woof of our subject matter and of our students’ lives. We can make decisions to avoid such materials and topics or to try and ignore their affective charge, but we can’t avoid them if we are treating our subject well. Since we have to engage traumatic materials, we should be mindful of what they can do in our classrooms, to our teaching, and for our students. Traumatic materials are, for all kinds of complicated, and unpredictable, reasons, interesting. They have a charge that engages and enlivens students. They demand a response. Traumatic materials are complex. They require a wide range of approaches—both disciplinary and interpretive. To treat traumatic materials well, students will have to think like historians, like textualists, like rhetoricians, like sociologists, like psychologists, like ethicists, like political theorists. They will have to think about questions of nation, identity, power, race, sex, class, and cultural difference. Traumatic materials cannot be mastered. They cannot be mastered by teacher or student. This means they necessarily create a collaborative learning environment in which everyone has a chance to shine and everyone has a chance to listen. They require patience, and attention, and stillness, and reflection. But because they are so complex, when we begin to understand them, there is a genuine feeling of accomplishment that not only vivifies the learning environment but also gives students (and teachers) a sense of capacity and competence. Finally, and perhaps most importantly, traumatic materials are difficult. Not just difficult to comprehend and interpret, but emotionally, affectively, psychically difficult. They demand something of us. They demand something more from some of us than others. But this means that teaching traumatic materials generates a situation that calls for a certain ethical attentiveness. Students and teachers are required to listen to each other more carefully, to respond to each other more thoughtfully, to sit with each other more patiently. We must learn how to recover from slips, and mistakes, and hurts. In his Netflix special, “Thank God for Jokes,” comedian Mike Birbiglia notes that jokes are sites of offense, insult, and even danger because jokes are always about someone. (He references as an extreme case of this problem—the Charlie Hebdo shootings—a traumatic event that brings together jokes, violence, and religion.) Similarly, traumas always impact someone. But Birbiglia goes on to observe that because jokes are always about someone, they create an invitation to attend to each other with great care and sensitivity, to make sure that we are not rushing to judgment, or taking each other’s words out of context, or quickly ascribing ill motives. The attention that Birbiglia claims jokes can foster in us sounds a great deal like the habits of scholarly attention that we want our students to develop. Let me be clear: we should not use traumatic events and materials instrumentally to build skills in our students. The last thing we need is to establish some new pedagogical trend that posits trauma as the new tool for engaged student learning! At the same time, we should not be afraid of the challenges posed by traumatic materials because, as I’ve said in my contributions to this series, the challenges are not so different than the challenges posed by teaching generally. And, as I am suggesting here when there are sound reasons for considering and investigating traumatic events, the rewards of engaging them with our students are quite rich and profound.
Over the past several years, there have been any number of events that have prompted professors to abandon their syllabi and lesson plans and create space for addressing events unfolding outside the walls of the classroom. This in-breaking of the contemporary, this pressure of the immediate, is often traumatic in nature. It frequently relates to histories of racism, nationalism, imperialism, xenophobia, misogyny, or homophobia. It may stem from global, national, community, or even campus contexts. Not all professors and students will feel the force of the blow in the same way. Addressing the affective, psychic, cognitive, and physical after-effects of our “shared” reality transpiring alongside course content poses any number of significant pedagogical challenges. As much as current events may require a certain agility, presence, nimbleness, and attentiveness, I want to think instead about the pedagogical challenges of teaching course material that demand similar skills. What happens when one is teaching a topic that is still unfolding? In some ways, virtually anything taught in the religious studies classroom is still “live” in important ways: this, in fact, might be something that we are trying to get our students to understand. If I am teaching Hebrew Bible, I will have to grapple with the ways that Christian students read those texts because of what they’ve heard in church or Sunday school. If I am teaching about material religion, I will have to grapple with disputes around Confederate memorials, insofar as they are sites of sacred meaning—left or right—for many people. And, of course, if I am teaching about Islam or new religious movements, I will have to negotiate the complex and disparate motivations and (mis)understandings that prompt students to enroll in my classes. But some topics, of course, are more alive than others. As I’ve mentioned in previous posts in this series, I recently taught a course on the Catholic sex abuse crisis and am scheduled to teach it again in the coming academic year. Although Church officials and apologists are invested in characterizing the crisis as something that is finished, resolved, and in the past, this is a polemical position, not one grounded in the evidence. New allegations of abuse surface on a weekly—if not daily—basis. New information about what bishops, cardinals, Vatican officials, including the Pope, knew, did, and failed to do surface with as much frequency. We continue to gain greater insight into the global scope of the scandal—both historically and contemporaneously. With every positive step forward—in terms of policy changes or the rhetoric of pronouncements—there are just as frequently significant strides backward. There are stories about study commissions, and institutional apologies, and advocacy groups, and the vagaries of each that continue to shape the crisis and its meanings. And, then, of course, there are the parallel stories of sexual abuse and misconduct as it has been practiced and ignored by a range of other institutions. When I was last teaching the course, I would always make sure and spend an hour prior to going to class to see whether some big story had broken since we last met that I needed to address in class. Sadly, the Internet in all its glory never failed to provide. Although this ever-moving target of what I need to include in my course is anxiety provoking, there’s also a calming freedom in these circumstances. I don’t need to try and master the material because I can’t. This inability, on my and my students’ part, creates a very different classroom dynamic. I never had to come up with strategies and practices to encourage collaborative learning; I only had to pay attention to what we were trying to understand. We necessarily had to cooperate, to pool information, to treat each other as equal partners in our common endeavor. I was able to drop the weight of the fantasy of “coverage,” which let both me and my students slow down, breath a little, and reflect on the material in front of us more thoughtfully. And, of course, the attempt to understand—rather than the accomplished feat—is always at the forefront of everyone’s minds, underscoring the invaluable lesson that learning is a process and not an achievement. While the Catholic sex abuse crisis—and some other topics—are obviously and keenly living animals that demand this kind of pedagogical attention, we can learn something from such material about how we might want to teach generally. What do you teach your students about that continues to grow and change, to influence and shape the contemporary moment? How can you attend to those features and dimensions to create a different experience of learning, conversation, and inquiry?
Walking along the long stretch of beach, the cross-section of the dunes revealed the stringy roots of the foliage penetrating and crisscrossing below the surface. This suggests that despite the shifting of the sands comprising the dunes, the roots help anchor the plants and enable them to continue thriving. Similarly, deans can draw upon their knowledge of the school’s history and roots to maintain a certain stability despite significant changes taking place around the institution.
The 2017-18 Deans’ Colloquy was constituted by a diverse group of deans representing 11 schools in the USA and Canada. Drs. Deborah Krause (Eden Theological Seminary), Luis R. Rivera (Garrett-Evangelical Theological School), and Paul Myhre (Wabash Center for Teaching and Learning in Theology and Religion) were the facilitators. The group met in Mustang Island for the second half of the colloquy. One of the topics for reflection was: “the Dean’s leadership role in times of deep changes in theological education.” The Deans were given an assignment to spend 45 minutes walking around the beach to identify aspects of the physical environment that may evoke thoughts or visions on the topic. They returned and shared their findings in small groups and then in plenary. It was a rich conversation. The group decided to share some of their reflections in the Wabash Center’s blog series for Theological School Deans. Instead of presenting thoughts in one particular way, they decided to do it freely . . . like the wind . . . like the waves . . . . The next 10 posts in this blog series represent some of those reflections.
I don’t recall ever meeting anyone who sought out their own trauma. Those most prepared for the causal event were still caught unawares. As I’ve said before, trauma insists on passivity. That’s why I am a bit weary of valorizing people who did the so-called right thing in the face of trauma. Should we honor the person’s resilient responses? Absolutely. Can we do so without reducing their story to a marketable remedy or idol for veneration? If we don’t, then we may end up down a slippery slope of objectification. We would do well to learn from people without making them an object lesson or essentializing an ability. It takes commitment to refrain from tokenizing those dealing with trauma. I see the struggle play out around the water cooler. Faculty are shooting the breeze in between classes. Small talk turns to a hot-button issue ripped from the headlines or the grapevine. Someone presses the point that the weighty issue should be brought up in the classroom. “But how?” another asks; the quickest solution, leave it to the most affected colleague to lead the way or do it all. They’re a natural fit, right? Crisis averted. Here’s the thing—no one’s a natural fit for dealing with trauma. The experience of trauma isn’t a virtue. It’s a burden. And when we add to it, we not only bring insult to injury but also a stumbling block to those committed to addressing it. I know. I know. In my last post, I emphasized how dealing with trauma isn’t always your problem. But struggling to face it isn’t a sign that it’s not your problem. Dealing with trauma in your classroom is hard. And no taught subject is a natural fit for addressing trauma because it stymies the active participation that learning requires. I think honoring this is worth a moment of reflection. Once you embrace that dealing with trauma isn’t a natural fit, what might you do when trauma finds its way into your class? I’ve found comparison to be a useful too. Comparison thrives in the reality that classification is where humans dwell. When you realize that nothing you do is going to ever solve the thing, you can begin to acknowledge the freedom at your disposal. Put differently, you can talk about the thing without talking about the thing. Here’s what I mean. First, name the trauma in a way appropriate to your learning setting. “Do no harm” is a good tact here. Surface the trauma to acknowledge the situation but do so without violating the trust, privacy, or boundaries that bind your learning community. For example, when a “bias-related incident” or climate-changing event happens on your campus, actually acknowledge that it happened. Second, name your desire for the teaching moment. Given the difficulty of this teaching task, I like to lower the bar . . . and then lower it again. I teach on religion and the politics of social difference. I’m not out here trying to bring world peace or end racism. I’m upfront with students that I intend to facilitate a substantive 15-week conversation without a body count. The same expectation holds true for even a single class session. Other than that, if students leave the session asking better questions, seeking sharper answers, or are more skillful in pursuing either given the topic, that is well. Maybe this philosophy won’t win you “Teacher of the Year,” but I do find that it helps me be present in the moment. Third, present something besides the trauma to discuss. This can be something you find relatively pertinent. It can be a historical example from your domain of expertise. It can be a piece of art or news story that keeps popping into your head. I don’t want to put limitations on this because nothing naturally fits. Just make sure that it meets the criteria of steps one and two. For me, I find it least helpful to compare similar type of incidents (e.g. blatant discrimination, sudden death of a community member, a major institutional change). Comparisons that are similar limit the potential of the activity because the similarities immediately standout as co-incidents. Instead, I might set up a comparison based upon what I see as similar power relationships (e.g. feeling of a lack of agency), eerily similar diction across vastly different contexts (e.g, Where else have people expressed an inability to breathe?), or in the case of images, artistic motifs. On this last, I used Romance paintings to help students process the arrest of artist-activist Bree Newsome after she pulled down a Confederate Flag from the South Carolina State House. Fourth, invite your students to reflect on the thing on paper. You can be so blunt as to ask, “Why am I showing you this?” I like to have students freely associate and hypothesize the comparison for themselves. I think this extends a grace in which students can relish in the messiness of the learning process without pretense or fear of reprisal. Fifth, share the grounds upon which you found your “something” comparable to the named trauma. Why is it that your selection is worth discussing? How do you see its relevance? Is it because of the subject matter or a social dynamic you recognize? Is there a historical connection? Retrace how you connected the dots. One connection will give you plenty to discuss. Sixth, give students an opportunity to reflect about the trauma on paper. You can see that we are now going through the steps backward. Seventh, ask what needs further reflection given the lessons learned from the comparison. Encourage these to be described openly—perhaps with one word. These can be shared aloud and recorded on the board. To maintain the “do no harm” ethos, remind them of your desire for this moment. Lastly, let the students go free to name the trauma (or not) as they choose. Also, give a sense of what comes next in the course schedule. This helps to situate the day’s class session within the rhythm of the course, inviting them to make further connections on their own. For all the steps listed here, this exercise appears more complicated than it is in execution. Take it as an attempt to strip down teaching-learning to the basics so that those involved can recall that there can be possibilities, connections, and community in the face of trauma.
This conversation between the editors of Teaching Theology and Religion and Joanne Maguire Robinson continues an occasional series of interviews that has previously featured Jonathan Z. Smith, Stephen Prothero, Mary Pierce Brosmer, and Mary Elizabeth Mullino Moore. The exchange takes as its point of departure the teaching statement that Professor Robinson produced in support of her candidacy for the American Academy of Religion's Excellence in Teaching Award. Issues addressed include the impact of institutional context on one's teaching, teaching the humanities in universities that are ever more focused on job training, making the transition from a graduate program focused on research to teaching undergraduates who are unlikely to take even a second course in the study of religion, and ways in which women are challenged to navigate multiple responsibilities while striving to make their way in a male‚Äêdominated academy.
“Greenscreen Teaching” explores how the stresses of institutional and social change impact teaching and learning, and the creative resourcefulness born out of instability. In precarious institutions and social contexts, relevant outcomes for theological learning include developing attentiveness, robust moral discernment, and courageous speech seasoned by maturing convictions and pastoral sensitivities. I utilize greenscreen acting as a suggestive metaphor for describing four creative teaching strategies targeting these outcomes. Subsections gather insights from: Etymology of disaster‐related words: Capitalize on the moment and “go big.” Creative method: Improvise and keep it sharp. Ritual theory: Creatively repurpose familiar but underutilized traditions. Service learning: Widen the networks of community connection. Each subsection also revisits moments and learning activities from a graduate course in feminist theology. Navigating constant transition impacts every aspect of the classroom. Nevertheless, a teaching scholar can resource this precariousness as creative agency for voice, solidarity, and mutual learning. 5/3/2018
One page Teaching Tactic: structure, prompts, and evaluation rubric for final summative exams conducted orally with individual students.
One page Teaching Tactic: a test-prep strategy in which students prepare a 30 second "elevator speech" in the character of one of the course's major thinkers, that they then present to each other in pairs and have to determine each other's characters.
Wabash Center Staff Contact
Sarah Farmer, Ph.D
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Wabash Center
farmers@wabash.edu