Resources

There’s no one way to go about developing a course. More often than not, it’s an individualized process driven by standards, one’s academic field, the course intent, and personal preferences, and habits. Below is one way to approach the development of your online or hybrid course. FIRST Prepare your syllabus and outline your course. Choose the course structure that best fits your student learning outcomes and the pedagogy appropriate to that end: fully online, hybrid, tutorial, synchronous or asynchronous, concepts-mastery, competency, skill-attainment, scaffolding, etc. Using a mindmap or a scope and sequence worksheet to plot your course can be very helpful. Determine the assessment of learning practices or instruments you will apply. Discern how much you really need in your syllabus and what best resides on your online course site. Hint: you really only need a two-page (printable) syllabus! SECOND Prepare the course learning support content: course reading checklist, handouts, bibliography, assessment rubrics, course project descriptions, work samples or models, etc. Post all documents in PDF format unless they are editable worksheets. Determine the student learning activities that support your course objectives, including assignments, quizzes, exams, course projects, discussion forums, exercises, etc. Be sure the student learning activities align with course learning outcomes. If your LMS uses competencies frameworks, be sure to align and link your student learning activities to the appropriate competencies framework. Rule of thumb: do not teach what you will not assess. THIRD Write the copy for your online course, including Induction components: introductions, orientation, transitions, closure, directions, instructions, prompts for forum discussion or exercises, session and course closure session, etc. Determine the pedagogical function of the discussion forums (discussion and dialogue, analysis, providing evidence of comprehension, critical reflection, theological interpretation, reflection on experience, etc.). Not all online courses or course sessions require student “discussion.” Avoid superfluous material: align learning objectives with content, student learning activities., and assessments. Repeat: do not teach what you will not assess. FOURTH Determine interactive and media components for your online course. The online environment is a visual and experiential platform, exploit that advantage to enhance the learning experience. Make wise choices and applications of media: recorded Powerpoint slides (Do not post Powerpoint format files), videos (a 20-minute video is too long), internet sites, recordings, etc. The criterion is that every component needs to have a pedagogical function related to your learning outcomes. Avoid superfluous material: align learning objectives with content, student learning activities, and assessments. Again: do not teach what you will not assess. THE LAST THING YOU WANT TO DO The last thing you want to do is set up your online course site. Determine the course format (weekly, thematically, etc.) Create a course banner to give your course site personality. Create your course modules using your copy from step 3 (copy and paste). Create your online Gradebook. Assignments you create should automatically populate your Gradebook. Determine how you will use the Gradebook (e.g., will you make it visible to your students?). Link writing assignments to the Turnitin function on your LMS if your institution uses it. Ask a colleague or your instructional design staff to review your course site.

With the spike of mental health issues, and the fear, loss, and uncertainty students are facing in the middle of this coronavirus pandemic, connecting with students is critical. In some cases, life-saving. Yet, amid our transition to online teaching, the complete disruption of “normal,” and personal issues to deal with, creating a connection with students can seem prohibitively difficult just when we need it most. Can this time of crisis present an opportunity for us to be conduits of hope, assurance, and inspiration to students? In a time when students are fearful as they face unchartered territory, we can help calm their fears and encourage them, by sharing our own struggles and how we overcame them. Our personal stories of overcoming challenges communicate to students that everything will be ok—that they will make it through this dark time. When my institute, Palm Beach Atlantic University, responded to our county order to close the campus, many students were distressed and scrambling to find a new residence. Seniors felt great loss as the reality sank in that they may not see their roommates, classmates, or professors again, and that there would likely be no graduation ceremony. How could I reassure and comfort the class? In our live conference, I talked about my own struggles. I began by admitting that I had uncertainty—I couldn’t yet answer most of their questions about residence, graduation, or internships. I disclosed that for me this pandemic had triggered memories of a trauma I experienced several years ago and had heightened my anxiety, and that with the world “falling apart,” I, too, was finding it hard to stay focused and motivated. I added, with a bit of humor, that the most stressful item keeping me awake at night was fear of running out of toilet paper and diapers for my baby! (Focusing on the minute is a typical response to trauma.) Then, I shared the story of when I survived a near-death experience and a difficult recovery. I made it through, and in the end, I was much stronger for it. Sharing our struggles builds immediate rapport with students. They realize that we’ve lived through hardships like theirs. We survived, and so will they. Our times of crisis—whether relational, health, financial, or otherwise—built our character, made us wiser, helped define who we are today, and revealed that we were stronger than we thought. This is a message that our students need to hear! It’s risky and humbling to share the story of one’s trauma or hardships, but our vulnerability creates a safe space that invites students to respond with openness and honesty. Letting students get to know us provides the personal connection that increases student learning. This atmosphere of student learning and engagement is vital for our current online settings. How can you connect to students in your online classes? Here are some practical suggestions: Create time and space in your class for connecting. Set aside the first few minutes of class time (or a conference) to give the students an opportunity to discuss how they are doing. It doesn’t need to be emotional or drawn out—you can say, “We only have a few minutes, so just take just a few seconds each and let us know how you are doing.” Assure them that it’s fine to be “great” as well. Jot down any major issues. Follow up with those students when the class is next together—perhaps invite them to give an update. (Remembering their comments and following up is a powerful demonstration of a truly caring professor!) These few moments provide insight into how the class is doing overall and can help you know their learning needs. Tell the students you support them, you care about them, you are thinking about them. These simple words can be life-giving—assuring the students that they are not alone. Remember, many of our students lack positive role models and a support network. You might be the only voice of reassurance and comfort to your students in this time of crisis. Communicate to the students that you understand and can relate to the struggles they are facing. This has never been easier because we actually are facing the same issues! Share some of your own difficulties in working off campus, changing your routines and schedule, and needing to stay isolated. Create a venue for students to share with one another and support each other, such as a discussion group. Have you connected with your students in other ways online? Please share below.

Students are in crisis. How can they keep up with their academic life when the pandemic has all but assured that their personal and emotional lives are experiencing some measure of turmoil or trauma? The novel coronavirus has upended every area of society. There is no sector of public or private life that it has not affected. Faculty at institutions of higher education have been reeling from figuring out how to transform their in-person classes into a virtual format in the blink of an eye. On the other side of these virtual classrooms, students are themselves reeling from all of the changes. Professors are telling stories of students flooding their inboxes with messages expressing anxiety, an inability to focus, and an inability to keep up with their assigned work. As a result, many realized that students are carrying so much emotional and psychological distress that they need professors to be sensitive and mindful of their circumstances outside of the classroom. Without a doubt, they are right; students are drowning and they need faculty to throw them a lifeline. Professors are seeing that they need to “shift gears” to exclusively online formats and shift their expectations and requirements for students. Higher education in the age of the Covid-19 has professors making changes that are sensitive to what is happening in the students’ lives outside of the virtual classroom. Many have taken their cue from those like UNC-Chapel Hill Professor Bandon L. Bayne who made headlines after he amended his own syllabus and expectations for his students when classes were forced to go entirely online. Bayne explained that he discovered that his students not only had “a whole range of differential access to material,” but also that students were all treading water trying to navigate their own anxieties about the pandemic and their varying family and life contexts. Thanks to the pandemic, many in higher education are realizing what has always been true--that they must keep in mind the whole student when teaching. They are learning that teaching during a pandemic means that being an educator entails more than pedagogy, it includes structuring classes around the premise that student circumstances outside of the classroom have a direct impact on their ability to navigate the classroom and to meet classroom expectations and requirements. Faculty are learning that this was always the case, even in the pre-pandemic world of higher education. In our current Covid-19 world, many rely on the Centers for Disease Control (CDC) for guidance and updates about this relatively unknown virus. Yet, the reality is that the CDC had already warned of a public health issue that has a direct impact on the functioning of students in higher education before they ever heard the words “Covid-19” or “coronavirus.” In November 2019, a few months before Covid-19 began spreading across the globe, the CDC declared trauma a public health issue. Additionally, before the CDC made this declaration, faculty across disciplines were seeing college students navigate what seemed like ever-increasing mental health crises. Increasingly, students have been dealing with mental health barriers coupled with rising rates of mass gun violence and campus sexual assaults. Experts have long suspected that many college students carry the effects of childhood trauma well into adulthood, in addition to having to navigate the challenges and realities of modern college life. Many of us who teach in higher education can testify to this pre-pandemic reality. We have known students whose educational experiences have been marred by mental health crises. Many bright and promising students are forced to forgo their educational pursuits in order to tend to untreated and unresolved trauma which commonly manifest themselves during the college years. Other students may not forgo their educational pursuits, but lean on maladaptive coping mechanisms or sacrifice the quality of that educational experience with an academic performance that is not indicative of their ability. These are all pre-pandemic realities. As a result, the needs of students during this pandemic is teaching educators to always be mindful of students’ circumstances outside the classroom in order to educate the whole student in the classroom. The students of this pandemic are tasked with more than meeting the expectations and requirements of the classroom (virtual, or otherwise). In this respect, while everything has changed, nothing has changed.

My teaching style has always been a bit on the lighthearted side; I crack jokes, use ridiculous metaphors, draw inelegant pictures on the whiteboard and make my students guess what I’m trying to convey in an odd version of academic Pictionary. Being funny is a great way to keep students engaged! But now that my school, along with everyone else’s, has gone fully online for the duration of the semester, I’ve had to reframe my humor–what I usually think of as a useful teaching tactic, I now see as an indispensable tool for teaching effectively in a global pandemic. It’s already cliché to say that everybody’s stressed out by this health crisis, but the sheer variety of ways to be stressed is staggering, and my students seem to embody every one of them. I teach at a women’s college where traditional undergraduates learn alongside non-traditional working students; about a quarter of whom are parents. We’re heavy on the health sciences, so while lots of our undergrads are suddenly unemployed from their server and retail jobs, those who work in pharmacies, elder care, and hospitals are being begged to pick up extra shifts. My classes are an eclectic combination of the desperately bored and the profoundly overworked. The only thing they all seem to have in common is how badly they need a laugh right now. I can’t cure their anxiety, but I can offer them a momentary opportunity to forget about it while they’re smirking at one of my quips. These little breaks are a big part of how we can cope with our new normal. I usually rely on reading a room for my jokes, so I’ve had to get more creative. I’m terrible at creating dynamic PowerPoints, for example, and I’m now using them for nearly every lecture. To keep things interesting, I insert snarky comments into my slides making fun of my own dismal formatting and don’t call attention to them while I present, leaving them like Easter eggs for the attentive watcher. When I require Zoom meetings, I ask every attendee if they have a nearby pet or small child they can put on screen for the rest of us to coo over before beginning our discussion. I’m still teaching loads of content in the midst of all these less-serious moments, but it’s obvious that the content flows better when I make space to be a little silly. When my students pop up on webcam to talk about their upcoming papers, they’re visibly tense–this disappears almost immediately when I say that I do want to talk about their paper, but I also insisted on this meeting because I’m lonely and want to be reminded that other humans exist. They smile, I smile back, and for a second or two, they feel better–and then are better able to listen and learn. Beyond benefiting my students, prioritizing humor also helps me look forward to teaching and gives me a hint of that refreshing energy I used to get from being in the classroom with so many personalities. Staring at my laptop for hours on end is a little more bearable when I’m also thinking about whether there’s a way I can insert a picture of a chicken into my presentation so it’ll flash on screen at random intervals while I’m talking. Teaching is a haven for me amid my own apprehension, and it feels even more purposeful when I can try to make it haven for my students too. There is no one teaching style that will spell perfect success in this tumultuous time, but for even the most serious professor, I urge you–try for some silliness! Change your Zoom background so you look like you’re lecturing from the middle of the zombie apocalypse, offer pictures of your  pet as a reward for students completing required tasks, come up with a rude nickname for your online learning platform (I like to refer to Canvas[1] as “that jerkwad”) and use it whenever part of your haphazardly constructed course site doesn’t work the way you thought it would. Give yourself the gift of being a little ridiculous, and you’ll find that your students’ attitudes–and their work–will benefit from the break. [1] No offense to Canvas. It is a beautiful, elegant system, even when I can’t for the life of me figure out why it keeps taking assignments off of the student to-do list.

The previous blog in this series focused on “long shot” (“big picture”) editing, specifically, revision tasks related to changing scenes and cutting. This final blog in the series zooms in to “medium-shot” and “close-up” editing. I realize that not all preachers have time to focus on revisions every week. While I cannot offer extra time, I can offer recommendations from filmmakers to preachers who have only 30 or 45 minutes to revise their sermon prior to Sunday morning. Medium-Shot Revisions Choose one major move/section of the sermon and focus on setting the scene with vivid language that sparks a variety of senses. The preacher does this by first visualizing the scene and providing a “thick description.” Filmmakers can be helpful guides since they make hundreds of choices in order to provide scenes that create the desired impact on the viewers. Looking carefully at their craft can hone the preacher’s skills for description. Try this exercise: Choose a scene from a favorite film. Press pause and write your responses to the following questions. Where is the scene? How do you know? What objects appear in the scene? What details give you clues about the characters in the scene? What is the major color scheme in the scene? What mood does it create? What do you think happened just prior to this scene and what is likely to happen after? What in the scene involves your hearing? your sense of smell? Now go back to the major move in the sermon and describe your scene using the same prompts. This process helps you visualize the scene so that you can describe it in a way that helps your hearers visualize it . . . without a screen. Writer Janet Burroway summarizes this well: “The first requisite of effective setting is to know it fully, to experience it mentally; and the second is to create it through significant detail.”[1] One caveat: refrain from getting carried away with details that don’t actually advance the main trajectory of the sermon. In other words, not everything from the exercise will appear in the sermon. Keep only those descriptors that move you to the next section. Close-Up Revisions We now zoom in on individual phrases and words. The art of choosing just the right word is not lost on the preacher. In fact, sometimes we agonize over just the right word. I would like to recommend that preachers spend time on the particular phrases that serve as transitions from one major move (section) to the other. Once again, films can assist. Take a segment of the film you engaged above and watch the film until you’ve identified two to three scene changes. Once you’ve done that, take a closer look at the transitions themselves. How does the filmmaker guide us from one scene to the next? Are there hints in the previous scene that we will be moving to a new scene? Or, is the scene change abrupt? If so, why? What effect does an abrupt scene change have on a viewer? Once you’ve engaged the transitions in the film, return to your sermon draft to analyze its transitions using similar questions. The first step is to make sure that there are transitions. Second, identify the roles the transitions play. In his book, The Witness of Preaching, homiletician Tom Long suggests that connectors (his word for transitions) accomplish four communication tasks: provide closure for previous segment indicate how upcoming section is related to previous anticipate the content of the next section helps listeners adopt a stance Finally, be creative and not clichéd. There are common transitions that belong specifically to the genre of sermons, for example, “In today’s gospel reading . . .” You’ve heard it. You’ve said it.  But why not be more creative, especially since when you begin to talk about Peter, we know you are referring to the section of scripture that was just read. Instead, if you are transitioning from a contemporary story to something that happened with Jesus and disciples, try this: “We weren’t the first to be in awe of Jesus’ capacity to calm the treacherous seas of life. The disciples saw it first-hand . . .”  Again, while I cannot gift preachers extra time, I hope these recommendations, gleaned from the wisdom of filmmakers and their work on the screen, might at least offer some editing possibilities if and when preachers find they have extra moments once they’ve got their “rough cut” on the page. [1] Janet Burroway, Imaginative Writing: The Elements of Craft (147).

Staying connected to students will be very important in the coming months–for their sense of well-being, for their academic success, and for their persistence. Managing student needs and expectations while teaching remotely can be more challenging than in the traditional classroom where students might catch you before or after class. Students might be in different time zones, have responsibilities that make it hard for them to participate in synchronous activities (in real time), or they may lack the technological capability necessary to connect. You will want to consider both synchronous and asynchronous options to make sure that all students have equitable access to your support.   Asynchronous Options  Despite the asynchronous nature of communication in many online courses, students often expect an immediate reply to their questions without considering the time of day they posted, or the possible complexity of the reply. One method for effectively addressing this concern is to clearly establish virtual office hours and a policy on when and how you will respond (e.g., within 24 hours).  • Forums are a good way to respond to students if questions are relevant to more than one student and do not require confidentiality. On Canvas, you might occasionally post a discussion prompt such as “What questions do you have about the upcoming assignment?” You may just tell students that you will respond within a certain period of time. This reduces multiple email responses to the same question and also archives the questions and responses for later access. • Toward the end of a challenging unit, you might ask students to submit to you their “muddiest point”–what is it they still do not understand or are confused by. You could ask them to email you or answer anonymously through a Qualtrics survey. This allows you to respond in one post, video, or email to address the biggest challenges students are having with the material. • You can also ask students to post their questions about the material in a Google doc or discussion board in Canvas and let them respond to each other’s questions if they know the answers. This helps create connections and increases peer learning. In this strategy, you may want to wait to chime in until a pre-communicated period of time has passed so that you don’t inhibit participation.  • Email can also work quite well, though you may want to designate a specific, consistent subject line (e.g., “Question about CHEM 100”) to keep track of the topics. You may be able to respond to the common questions or concerns at one time in a Q&A format.  Synchronous Options   Zoom, WebEx, and the good old-fashioned phone can work for real-time meetings. However, you will want to poll your students to determine possible times for everyone.   • Synchronous office hours are sometimes an individual affair, but they also can be for groups when the focus is a need common to many students. This can be more fun and will save you a lot of time! In Zoom you have the option of setting up a waiting room where you invite students in one-by-one. You can have students make individual appointments with you, or in the case of a larger class, assign them to come in groups. You can also create “common concerns office hours” where all students can elect to join. • One way of determining common concerns: At the end of a virtual class, you can ask students to post their “muddiest point”using the whiteboard in Zoom or through Qualtrics to preserve anonymity. Or you can give them a few minutes to put their questions in the chat. You can then offer virtual office hours to respond to themes that emerge. You can also meet with groups about projects, conduct reviews before an exam, or host a drop-in Q&A–remember to record the session for those who can’t make it. • Providing a contact telephone number is another option, although instructors should clearly designate appropriate calling times, as well as how and when they will respond to voice mail messages. For some students, this might be their best way to join you. Students will often be working in the virtual classroom at all hours of the day or night, so maintaining clearly understood communication channels is essential for the ongoing success of the online course.  Some additional things to plan for  • The times during the semester when students will need more support, e.g., a week before an assignment is due or an exam will be held.  • Whether you want students to drop in or schedule an appointment (in Zoom there is a virtual waiting room, and you can let a student or group of students in at their scheduled time)? 

We’re in the middle of a pandemic with no clear end in sight. At the same time, many of us are taking a crash course in teaching online that we didn’t sign up for, and we’re handling it with varying degrees of success. Given all that, what should we focus on during the remaining weeks of our classes? Start by taking your students into account. How are they doing? I’m at a small, Catholic college, and I’m teaching required, first-year general education classes this semester. My students were OK for the first two weeks of online classes, but they seem worn out now. They tell me that their professors were understanding at first, but then they returned to business as normal, creating a pileup of papers and exams just as the students were getting more tired and discouraged. I didn’t like hearing that. For this semester, please, don’t worry about covering content and let’s lower our academic standards whenever it seems appropriate. Let’s focus on what our students need. So, what do our students need right now? Most important, they need our compassion and patience, and they need simple explanations of critical information. Even my stronger students are struggling to retain information because they are anxious, unfocused, and tired. Many of them worry needlessly and endlessly. One girl has asked me five times whether I’ll punish her for her intermittent Internet connectivity problems. I’ve reassured her repeatedly, but I suspect she’s still worried. And all that worrying is making her even more tired and less able to learn. I now spend the first few minutes of each class checking in, reassuring them, and reviewing basic information like course registration dates. With some trepidation, I promise that their other professors are reasonable people, and I coach them on how to talk to them. I use anonymous surveys to surface their concerns about their classes and the college. We discuss stress management and try to calm down. I’ve ordered all of them to take at least one full day off over Easter. I reassure, and explain again and again. I’ve lowered my academic expectations. When my students struggle with understanding basic instructions, it’s counterproductive to assign them long and difficult readings. So, I shorten the readings, and I use videos or pictures instead whenever possible. Comparing Michelangelo’s “Creation of Adam” to Harmonia Rosales’ reinterpretation, which presents God as a black woman, allowed us to discuss many of the same issues as the feminist reading I had on my syllabus. And dropping the reading made my students just grateful enough to engage with the images when I asked. I’m also revising the content of the last part of my course. As instructors in philosophy, theology, and religious studies, we are well positioned to have existential conversations with our students. After all, such questions are at the core of our disciplines! I’m focusing on questions at the intersection of my background and the current moment: Is happiness a choice, or do our circumstances determine whether we can be happy? What can we know and what should we do in the absence of certainty? Who do we trust? Why does God allow suffering? Does suffering make us better and stronger? How can religion be a source of strength? What about people who don’t believe in God? I’m inviting my students to draw on their experiences in their papers. They are crafting arguments about why God might allow the COVID-19 crisis and about how their experiences are making them stronger (or not). They are considering ways in which the burdens, yet again, fall disproportionally on some groups and asking how that might complicate the picture. They reflect upon how the crisis is affecting their own faith and on the possibility of staying happy and resilient in a crisis. I’m drawing on texts I’ve already read and questions I’ve thought about before. I’m too tired right now to invent anything new! Your version will be different, focusing on your questions rather than mine, using texts you’ve read, movies you’ve seen, and art that has moved you. Experiment. Invite the students into a conversation that uses your discipline to help make sense of their experiences right now. But don’t drive yourself crazy. If nothing comes to mind, stick to a gentler version of your original plan. Be kind to your students, but also to yourself.

Quarantine strips life down to the bare essentials. My work gets me out of bed each morning and through each day. Admittedly, before quarantine, the demands of work structured most of my days and a significant portion of my life. The difference is that during quarantine I am more willing to admit that I have been reduced to my work with little else left that is life-giving. Facing this reality allows me to face the truth that I have been living through a series of stressors. My life over the past five years has been marked by transitions: relocation to a new city, a new administrative role, a divorce, co-parenting arrangements for pre-teen, now teen boys, purchase of a new home and the attendant address changes, packing and unpacking. These were papered over by a full professional life packed with teaching, academic writing, professional conferencing, mentoring, administration, leadership in my various academic groups. These stressors built to a full boil with the death of my brother in mid-March and the experience of having to view his burial via YouTube. Quarantine has brought escape routes and pathways for deep connections that the hectic pace of academic life under “normal” circumstances would have eliminated with the constant demands for productivity and keeping on top of schedules. Quarantine has reduced my work from its tangible realities to greater screen time that facilitate the escape habits I have honed over the course of my career. Teaching online is not entirely new to me; what is new to me is teaching from the space where the majority of my life and critical life moments are lived out in front of screens and through pixilated images. As waves of grief have come over me in the past weeks, I recognize how work forces me to acknowledge and name my teaching as a coping strategy. The routines of the week require me to perform and to show up for class times, respond to discussion posts, read and grade student writing, attend meetings. I pushed myself through with sufficient practice of showing up and pretending competence. I now see that teaching during these times sits within a simulated world. Simulation has always fed my need to escape, as it has for many other persons. Simulating grief, pain, loss, and stress can only go so far, for as Bessel van der Kolk reminds us, “the body keeps the score.” Teaching can be a means of pretending things are ordinary. Making minimal changes to the syllabus, expanding topics to take account of the current context, or adjusting grade expectations. All these adaptations are coping mechanisms for me to tell myself, and my students, that we were carrying on with the ordinary events of academic life. In these online spaces, we facilitate a grand simulacra and escape to familiar worlds of knowledge and competence. I am fine with the escape only because it is a means of survival at this time. I recognize all too well that the theories of online education presume that the digital world serves as the adjunct to the flesh and blood realities of teachers and learners. Now we are truly in flipped classrooms where flesh and blood encounters form less and less of our daily realities and the digital becomes the default reality. In these days of disconnection, I am finding that other forms of social gatherings in online settings need to be named as pale reflections of the real thing. Part of my grief is wishing I had been next to my parents and siblings as we said goodbye to our older brother. I long for real connections, preferring the comfort of a friend’s voice over an email expressing condolences. I long to be in real conversations with a worshipping community, and not listening to someone talk at me through a screen. These real connections that formed the parts of our real-world communities are a long way off. Until then, I face the reality that I am my best human connection. In normal times I might find this thought too self-absorbed. If disconnection gets me to fall in love with me again, to love the parts of me that are energized by teaching, to love fiercely the liberative work of my academic research, then I am achieving what Derek Walcott refers to as loving “again the stranger who was your self.” Now I am thinking of ways to teach through my body and my responsiveness to my body’s pain, my vulnerability, and longings. This means inhabiting biblical characters with greater empathy and asking students to stretch their imaginations away from orthodox inspired interpretations of biblical texts to find real connections with the feelings, fears, and experiences of biblical texts that in many ways have been formed in the midst of trauma. I’m developing exercises that ask students to read texts as they look through their windows at the world they mostly experience through imagined senses and translate those experiences into looking at the ancient world in the Bible as if peering at them standing at the window of their homes. I am learning how to harness the genius of D-Nice’s Club Quarantine parties that call people together around a screen event lived out in bodily movements in individual homes. To teach online now not only means attending to the onscreen activities, the strategies of well-crafted pixilated pedagogy, but also doing the hard work to pay attention to what happens offline with us as teachers and with our students.

Discussion forums in online classrooms are unfortunately named. The name evokes just talking about stuff. This can be a good use of the discussion forum; dialogue is an important part of higher education. The opportunity to test and develop ideas in conversation with trusted colleagues, both classmates and professors—yes, the discussion forum is a place to do that. But, I find I often get into a rut in these forums. I introduce and assign readings, then ask a series of questions to jumpstart a conversation. At its worst, this is about making sure that students are doing the reading and making some sense of it, a kind of accountability busy work. At its best, this is a way to integrate and work critically together with those materials in ways that help them come alive and become true conversation partners for the developing wisdom of my students. I am always looking for other ways to better use these dialogical spaces with students. One of the metaphors that has been helpful for me is to use these spaces for students to “curate” materials for one another. By “curate,” I mean something like this: “to collect, select and present information or items such as pictures, video, music, etc. for people to use or enjoy, using your professional or expert knowledge.” For example, wise curating is what Maria Popova does in her excellent podcast and website, “Brain Pickings” (https://www.brainpickings.org/). Curating in discussion forums can take all sorts of forms, depending on your purposes and the disciplined knowledges you are attempting to teach. Here are some of the ways I have used it as a religious educator and practical theologian: • Curating Examples from Daily Life: When I am reading dense theoretical pieces with students (imagine Pierre Bourdieu or Paulo Freire), I invite them to find a website, image, or current event that illustrates one of the key theoretical concepts in the reading. This brings about a great deal of reflection on the concepts as the students try to imagine what might serve as a useful example of the concept in action. They often consider and reject many concepts as they try to find the one they will share, thus generating a more careful review of the reading. They post a link to the event or website and explain the concept that they see it illustrating to their colleagues. This has the subtle effect of helping them imagine that engaging these theories is not to demonstrate their competence for a grade, but to gain tools to better understand how the world works. It also serves as a test for the theories as we begin to see which ones have heuristic value making sense of daily life. • Curating Images: When we are working in my practical theology class on forming theological questions grounded in human experience, I invite students to offer a photographic image from their home or neighborhood that raises significant theological questions for them. As the collection of images are curated, they begin to see how questions are related to particular contexts and communities, as well as begin to think about what makes a question theological at all. Their colleagues’ reflections on their images generate a range of different theological questions and demonstrate the role of perspectival framing not just in the answering of questions, but also in their initial framing. • Curating Practices: In a religious education class I ask students to search the web for examples of contemporary religious educational practice happening inside or outside of communities of faith. They share the examples and analyze them, naming their strengths and limitations and how they might imagine using them in their own practice as educators. This not only gives them practice in identifying and analyzing resources, but also expands all of our knowledge about what is currently happening in the practice of the field and how it relates to the academic texts we have been reading. • Curating Stereotypes, or Common Misunderstandings and Misrepresentations: In youth ministry classes, I have students curate examples of the ways that adolescents are stereotyped and used as tropes in popular culture. They then take apart those stereotypes and tropes and compare them to what we’ve gleaned from developmental, sociological, and cultural studies of adolescence we have been reading. This enables them to identify where the tropes may have roots in those theories, but also where they have become distorted. Curating would serve different purposes in different disciplines, and I am sure you have creative ideas here. Students might curate examples of a particular Biblical text or historical event in visual art, poetry, literature, or song and talk about the interpretive choices made in that artwork. They might collect examples of practices from religious traditions in popular culture, or on YouTube, and analyze how they are represented in those forums in relation to the academic interpretations you are reading about those same practices. They might curate helpful video lectures or social media posts of an author you are reading, giving them a chance to listen to their embodied voices and discover something of the human behind the academic work you are reading. They might find examples of how historical events that you are studying are depicted on websites intended for elementary or middle schoolers and talk about the implications of historiographical choices made in those settings. They might curate academic articles that build on the theory you are reading in an area that is relevant to their own vocational path. The beautiful thing about online discussion forums is that curating, posting a photo or link, and then writing a brief analysis of the artifact, is very easy to construct. It leverages the investigative power of the students and allows them to follow their interests, integrate knowledge, engage in application and analysis, and discover connection between the subject matter and the broader world in which they live.

In the last few weeks, the undergrads I teach have responded to moving off campus and courses shifting online with a mixture of confusion and sadness. While their generation is well equipped to utilize digital resources, the sudden dismantling of our daily community and rhythms deeply challenged all of us. I have been grateful to find that course content and online strategies have permitted us to connect with and support one another in the uncertain, liminal space of seated courses forced into online venues. By fortunate coincidence, my GenEd class on the Psalms was scheduled to discuss post-exilic psalms during our first week of online instruction. Through theological engagement with Georg Simmel’s essay “The Stranger” and Catherine Brun and Anita Fábos’ article “Making Homes in Limbo? A Conceptual Framework,” it was my goal that my students develop a greater understanding of the human experience of migratory displacement—and ultimately respond to that understanding with empathy and action.[1] In previous semesters of this course, some students found relating to migrants a foreign idea; this term, however, found us in the midst of a very productive and personal conversation around the concept of “home,” as students grappled with their own recent experiences of displacement and isolation. Not only did I witness students thinking through course materials in a more committed manner than usual, but I also emerged from this week feeling like I know my students individually and collectively much better. In this way, current circumstances and the shift online have been gifts that enrichen the connection this class had already established in person. Here are some specific strategies that I found facilitated connection for my undergraduates this past week: Building on in-person connection: I created discussion groups composed of students who had regularly gravitated to one another in the seated classroom. We utilized these discussion groups in directed discussion forums and for Zoom breakout room exercises. Students provided feedback that interaction with known peers helped motivate them to complete work, and encouraged them to support one another. While I do like to mix up discussion groups from time to time, current shifting circumstances have made it valuable to spend time in the presence of trustworthy and familiar faces. Developing new collaborative projects: In conjunction with some individual assignments, I found that my students responded positively when we used the Zoom breakout room time for them to collaboratively craft responses to discussion questions in a shared GoogleDoc. The process of creating a shared product helped them to focus this time and consider together how they might reflect their individual viewpoints in the document. When I briefly dropped into each group, I was able to answer individual questions regarding execution of the assignment and to discuss some of the content that was on their minds. In addition to this synchronous collaboration, I found it effective to have students respond to digital “presentations” asynchronously in their end-of-the-week reflections. Earlier in the week, presenters had posted their creative renderings of selected psalms to class forums, and in students’ individual reflections at the end of the week, I asked them to explain how they connected those presentations to the week’s readings and discussion. By referring to their peers’ creative projects, it gave the sense that students were interacting with each other’s thoughts while processing the course materials. Applying course learning to present experiences: The final piece of their individual weekly reflections was to relate the discussion of displacement and “home” to their current experiences in self-isolation. While they had been connecting to the material throughout the week through the readings, video lecture, presentations, and Zoom discussion, most of them went above and beyond the requirements of this reflection because they wanted to work through their present experiences. They demonstrated an ability to empathize (yes!) with the idea of “Homes in Limbo” from the Brun and Fábos article, and shared with me about their lives in ways they hadn’t before. I believe they felt supported simply because I asked them how they are thinking about “home” during this time—and I was honored by the raw and open responses they provided. As we look to not only convey information through online education, but also to continue forming students theologically, I wonder how else we might creatively connect with our students in the midst of these unique circumstances. Even if our methods are not perfect, the students certainly appreciate any efforts on our parts to see them, hear them, and respond to them. I hope I can continue to share with my students how they are transforming me, as a teacher and as a person, while we go forward into this liminal space together. [1] Simmel, “Der Fremde”; Brun and Fábos, “Making Homes in Limbo? A Conceptual Framework.”