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The student dramatic performance is an effective way for undergraduates to learn biblical studies. In this article I will give an example of a dramatic performance assignment that I developed over a number of courses and used most recently and most successfully in an undergraduate course in the Hebrew Bible at a small liberal arts college in the Midwest/Appalachian region in 2008. Drawing on my own experience as a teacher, as well as on the ideas of philosophers, educators, playwrights, and biblical scholars, I will explain why such performances are effective teaching tools. I will also give guidance on how to use dramatic performances effectively. I intend to show that the success of this assignment depends on, and ultimately validates, two basic trusts: trust in the intellectual and creative capacity of students, as well as trust in the wealth of meaning in the biblical text.

This paper presents an overview of a newly developed spectrum pedagogy of Christian ethics that emerged from the authors' experience of teaching a contemporary Christian ethics course for seven years. A spectrum pedagogy is a comprehensive approach to teaching Christian ethics that combines the modeling of key dispositions using specific tools (issue-specific spectrums and ethical theories) and learning experiences (engaging multiple positions and responding to concrete situations). The pedagogy gains its name from the issue-specific spectrums used by instructors to orient students to contemporary debate on a given issue and by students in their ethical reflection. The goal of this pedagogy is to empower students to construct their own responses while respecting differing viewpoints without resorting to relativism. This article surveys the essential elements of a “spectrum pedagogy,” describes its implementation into a semester-long course, and identifies multiple benefits of using this pedagogy.