Resources

This book presents readers with eleven compelling autoethnographies that combine critical theory and scholars’ lived experiences. Each contributor deserves its own recognition for the courageous act of opening up private spaces for public discussion, utilizing their own experiences as data. Described as a “nontraditional way of knowing,” autoethnography, as a form, “challenges the criticism of traditional positivist epistemologies regarding ‘objectivity, absolute truth, and ‘validity’’” (13, 7). The text’s editors, Felicia M. Briscoe and Muhammad A. Khalifa, remark that they choose critical autoethnography as a genre because it “allows us to represent knowledge outside a traditional European framework” (13). Western academe is itself a culture – one historically dictated by White middle-class male norms. Autoenthographies produced by those belonging to marginalized and often silenced groups counter and disrupt narratives of the dominant academic discourse. Each of these scholars tells their own story and documents their experience of ‘becoming critical’ when they recognized the oppressive power of relationships at work in their worlds, reacted to them, and in the end, endeavored to steer society towards “greater social, political, and economic equity” each in their own way (10). These autoethnographies are, in short, counter-narratives for social justice within higher education. Drawing from such disparate sources as Comedy Central’s Chapelle’s Show to renowned theorists such as Patricia Hill Collins, Paulo Freire, and Pierre Bourdieu, these texts pull from a diverse range of mediums. While the experiences are varied and multifaceted, much of the theory drawn upon overlaps. Many of the authors use a Foucauldian understanding of the power/knowledge relationship (splendidly illustrated in Briscoe’s chapter) which suggests that power is not totally in the hands of one person. As Briscoe states, “people cannot be neatly divided into oppressors and the oppressed... we are oppressors in other ways” (120-121). Other common theories pervade the series, such as CRT (Critical Race Theory) which highlights the endemic nature of racism in American society. Many of the authors give a cursory nod to Judith Bulter’s concept of one’s identity as performative. However, Miguel De Oliver’s “We’re All Half-Breeds Now…in a Not so Ivory Tower” describes how, for the “racially ambiguous,” the space that one occupies becomes the “key to presumptions of identity” (228). In his experience, he need only occupy a particular space to be ascribed a specific identity (foreigner, Latino, “White,” Navajo, “Black athlete,” and so forth) (225-241). Whether the chapter is about a Gusii woman (Damaris Moraa Choti) living in a world of male domination, experiencing cultural pressures (from primarily women relatives) to undergo clitoridectomy, who finds solace in her family’s Christian faith and love of education or a Black, male, Muslim’s (Muhammad A. Khalifa’s) encounter of being automatically singled out in class to respond to a Boyz N the Hood trailer because in the “White imaginative” Black males are expected to identify with the gangster nature, readers will be challenged by the worlds presented and drawn into the experiences described. Sadly, there are no easy answers and speaking out against institutional injustices often has very real material consequences (as noted in the chapter “Too Black, Yet Not Black Enough: Challenging White Supremacy in U.S. Teacher Education and the Making of Two Radical Social Misfits” by Brenda G. Juarez and Cleveland Hayes). The case studies are divvied up by the contributor’s experience based on race and gender but perhaps the most instructive section focuses on the case studies documenting scholars’ intersecting dimensions of identity (race, gender, ethnicity, class, religious, and so forth). The autoethnographies in this section track how the authors embody multiple (sometimes conflicting) identities, occupy a myriad of roles, and negotiate their personal and professional identities amid the confines of higher education. In the chapter, “Working the Hyphens: Ethnographic Snapshots in Becoming Critical-Female-Black-Scholars,” El-Amin, Henry, and Laura fight the notion that there is “no room for real PhDs to take seriously scholarship that is politically, historically, and personally rooted in multiple identities” (208). These scholars’ stories – in fact, their very existence – explode the myth of the monolithic scholarly experience. As the American university becomes exponentially diverse, college professors and administrators will need to be well-versed in critical theory as well as actively engaged in dialogues on difference. This book exposes the reader to both. Readers need not be educational professionals or “theory heads” to benefit from the stories presented here; anyone invested in social justice and educational equity will be rewarded by hearing these voices.

Academic identity, like all identity, is fluid. This volume places questions about academic identity in the equally fluid context of “Europe,” which is here defined as at once united and fragmented, particularly after the economic crises of 2008. This volume pulls together thirteen articles in three sections: Frameworks and Perspectives, Academic Trajectories, and Formations and Re-formations. The authors are not sociologists of life course or scholars who study academic identity; they are, more usefully for this volume, speaking from their own contexts and experiences in European higher education from the late twentieth into the early twenty-first centuries. The editors have done a fine job choosing and grouping these essays, many of which were written by authors in their second or third languages to comply with market demands for English publication. This is one of the many strengths of the book, as it illustrates the kinds of demands that are placed on European academics that are absent in many ways from American contexts. Nevertheless, much is familiar here: academics in neoliberal systems of mass higher education struggle with ever-increasing bureaucracy, top-down management, and the encroachment of academic “professionalism.” Pressure to be represented well in world rankings tends to encourage institutional systems of assessment and auditing of outcomes that shape the academic enterprise as an inward-looking, self-serving part of a labor-driven economy and individual academics as cogs in the machine. As Jon Nixon states in his introduction, treating academic work like labor, as a matter of “pre-specified outcomes and destinations,” produces an unfortunate mismatch: “Academic identity is – to come full circle – a process that is uncertain in direction and indeterminate in outcome” (13). To treat academic work as labor is to misunderstand the potential benefits of outward-looking institutions that value intellectual autonomy and innovation above target-setting and performance measures. Many of the chapters in this volume could stand alone as case studies; each presents its own particular balance of interrogating biographical, institutional, or broader contextual identities and each brings a coherent and defined voice to the shared project. It is impossible to capture the richness of each of these chapters here, and each somehow manages to consider an individual life within the vast institutional, sociocultural, historical, and political contexts in which that life is lived. Although there is nothing specific to either religious studies or theology in this volume, there is much here that will resonate with academics who struggle with being pulled away from research and teaching to comply with institutional mandates. This volume should help academics in all disciplines to reflect on the power of context and particularly institutional context to shape lives and careers. Implicit here is a call to embrace the best in higher education despite the “regulations, financial incentives, rewards, quality standards, as well as academic, public, and professional values” (6) that constrain and give shape to our identities. These essays hint that a mix of resilience and subversion might well be the academic’s best allies.

My grandmother used to speak in adages, parables, metaphors, similes and symbols. Now I call her proclivity for language, literature, and meaning-making “wisdom-speak.” Then, I thought she was being corny. She knew her wisdom-speak was meant to teach me enough until I am ready to know more. Her adages came from bible verses, poetry lines, and quotes from novels, cultural remembrances and living life as an African American woman in the USA, born in 1887. Folks like Langston Hughes, Booker T. Washington, Sojourner Truth, Pearl Bailey, Jesus, and Sarah Vaughn were regularly invoked. Wisdom-speak is colorful, witty language - easy to recall and recite, with a depth of multiple meanings. Wisdom-speak is part of everyday conversation. It is a pithy quote or well-placed refrain woven into a conversation like salt on fried fish. It is accompanied by a hmmm or tongue click, a foot pat, a shoulder shrug or an eye roll. Wisdom-speak is a body, mind and spirit lesson. Grandmother Vyola would say, “All that is is not visible.” As a child, I thought she meant that there is more to creation than what can be witnessed with the naked eye. If knowing is only about what is directly in front of us – then we miss so very much of all that is. Learning to see the invisible is the task of knowing. Learning the ways of the wind and the saints, angels, ancestors, cherubim and seraphim; the dream world and the day dreaming world; the ways of prayer and meditation are the learning of the invisible. Then as a young adult, I decided she was talking about identity politics and the politics of domination. The genderless politics of patriarchy, with its racist undertones and dictates, considers much of “all that is” to be too much for women, many children, and most men. The truncation of imagination engineered by systems of domination and control renders the capacity of many people as inferior thus negating all that is. Poverty drastically limits opportunities for in-depth exploration – so when we meet persons who have carved out an education in the wake of social depravity we should be in awe.   As a young adult, I came to understand good teaching meant finding ways of seeing the manifestations of oppression in my own classrooms, church, society, and world. And I encountered Alice Walker and figured Grandmother Vyloa was talking about what Dr. Walker was talking about. Grandmother Vyola is resonant with novelist, poet Alice Walker’s four-part definition of a “Womanist” from In Search of Our Mothers’ Gardens: Womanist Prose, 1983. The first part of the definition reads in part: “….Wanting to know more and in greater depth than is considered ‘good’ for one.” It seems as though Vyola and Alice were cut from the same cloth. In the last few days, I have turned my attention exclusively toward preparation for school. I have my head down as I put finishing touches on my syllabi, design learning activities, schedule guest colleagues, locate films, and order art supplies. My mode is one of efficiency and my mood is closed off. I am, in my planning, working from an attitude of indubitability. I have a clarity about what I will teach, how I will teach and what my students will learn. While immersed in my preparations, grandmother whispered in my ear. Grandmother Vyola says that patent planning is not good for me or my students. She advises that the better way is to be more opened ended – like Jesus’ parables. Allow the students’ voice to affect most aspects of the course design, not just the convenient parts. Consider that you cannot see all there is to see so leave room for your own learning while you teach. Most of all, the plan that that which is revealed will be marvelous and know it is unplannable, but can be readied for – Get Ready! I have learned to pause when grandmother speaks. I take a second look at my plans and see that I have relied, a bit, on stale redundancy and a few too many current conventions. I recognize that when I start telling myself I know what will happen, what can happen in my own classroom – I am in danger of not allowing for surprise, the unexpected, or the un-expectable activity of Spirit. My grandmothers Vyola and Alice remind me that my certainty is likely a trap. If I plan for only what I know, only what I can see, only for what I can do – then I am not being womanish, not acknowledging all that is in the world. With this wisdom, I have begun to incorporate more ways of acknowledging the hegemonic forces which hide in our midst. I have adjusted and added ways which invoke the freedoms of learning for my students – freedoms like their own questioning, curiosity, and concerns being integrated into the full length of the course.   School starts the week before Labor Day --- I am less certain of my plans and better for it.