Resources

I am not a scholar of Religion or Theology. However, my work as a creative writer and professor of Creative Nonfiction often involves identifying everyday divinities; finding the sacred in small things, the flawed, and the profane. Many of the readers/contributors to this blog might recognize my name as a kind of curator for this space. I serve the Wabash Center as an Educational Design Manager, a job that has brought me great opportunity to learn, share and reflect approaches to teaching and the teaching life. When I became aware that one of our blog publishing dates would fall on Juneteenth, I wanted to take the opportunity to write about it and perhaps encourage others to learn and teach more about the subject…Juneteenth: What is it?June 19, 1865: Gordon Granger of the Union army arrived in Galveston, Texas, to inform enslaved African Americans of their freedom and that the Civil War had ended. General Granger’s announcement put into effect the Emancipation Proclamation, which had been issued nearly two and a half years earlier, on January 1, 1863, by President Abraham Lincoln.Juneteenth is an annual commemoration of this event and the end of slavery in the United States after the Civil War. It has been celebrated by African Americans since the late 1800s. It is the longest running Black holiday. Also known as Freedom Day, Jubilee Day and Cel-Liberation Day.The day was first recognized as a federal holiday in 2021, when President Joe Biden signed the Juneteenth National Independence Day Act into law after the efforts of Lula Briggs Galloway, Opal Lee, and others.I grew up knowing nothing about Juneteenth. This history was not taught to me in my public schools. I first became aware of the day and its significance in college, thanks to my first African American literature professor, and the book by Ralph Ellison. When I heard the story, I was angry. Understandably, I think. The idea that slavery in the United States continued quite a while after the Emancipation Proclamation was deeply frustrating. But I was also upset with the fact that this event seemed whitewashed from my education. Why wasn’t this major moment in African American history discussed every Black History Month? Why wasn’t this made a part of the curriculum I was given?Another part of me was unsurprised. As a Black person in America, I am familiar with the ways my homeland can defer its promises of equality, and how inconvenient histories can be overlooked in order to affirm narratives of American exceptionalism. The story of Juneteenth complicates our understanding of the Civil War, Lincoln’s legacy, and the 13th Amendment to the U.S. Constitution.I wouldn’t encounter Annette Gordon-Reed’s Juneteenth until I was a teacher myself, assigning it to myself and my graduate students to read together. Together, along with other supplementary texts, we’d learn more details about the factors which led chattel slavery to continue in America years after it was said to have ended…States with little or no Union Soldier presence refused/ignored the order to free enslaved people.Border states, including Delaware, Maryland, Kentucky and Missouri, and of course Texas, ignored emancipation.Slave owners threatened to kill slaves if they tried to leave. Some slavers moved to Texas to keep people enslaved. Galveston, Texas was the last stronghold.The Emancipation Proclamation didn’t apply to Indian tribes. The five “Civilized Tribes” (Cherokee, Choctaw, Muscogee, Chickasaw, Seminole) owned Black, Mixed and Indigenous slaves. Chattel slavery among these tribes was not officially ended until 1866.These factors demanded considerable time and effort to navigate and prompted questions that were uncomfortable for the learners and for me as well. But I believe more was gained by engaging with Juneteenth in the classroom—a greater understanding of ourselves in relation to our citizenship, our communities of belonging, and one another.I wish I had the opportunity to have learned about the event sooner in my life and more often throughout my matriculation through academia. Even if it would have been awkward at times. I wish to have been able to observe this commemoration of freedom earlier, and the chances I might have had to unpack its significance with teachers and fellow students.There is no real discussion about freedom in America that does not invoke the lived experience of Black people. As the poet Terrence Hayes suggests, Black people share a historical and constant relationship to freedom. To take this further with a question: in lessons about the liberation found through God’s grace—the freedom from fear discovered in faith and divine will—why wouldn’t we center the lived experiences of a systemically subjugated population? Why not ask students to engage with a moment that signifies a turn toward a more moral universe? I would like to make a case for making Juneteenth a point of discussion in classrooms across all fields of study, but especially in theological and religious education with its potential to position scholars who lead communities and shape public thought. There is so much to be gained in the teaching of Juneteenth.Here is a resource, a Juneteenth Reading List cultivated by the Smithsonian’s National African American History Museum: CLICK HERE. As we consider how we might craft lessons around this holiday, making sure to read as much as we can on the subject feels imperative.If there are readers who have had success teaching Juneteenth and would like to share a reflection on their experience, reach out at quistd@wabash.edu.

We walk into our classrooms, be they virtual or face-to-face, and we see the eyes of our students with screens in front of them. Those screens may be laptops, desktops, tablets, or phones but the screens are there. On those screens our students spend an average of four hours per day, engaging moving and still images. We then ask them to read and process something that was written by someone they will never see or hear. We expect them to be fully engaged by the reading. The social justice issues they are reading about are hidden beneath text on a page. While reading is essential, it is limiting, and it especially limits the mental capacity of the students we teach today whose minds are wired to engage moving and still images via stories. Our students need to see to fully connect with that we are studying. If we are to teach to their strengths we need to show them the subject matter. The way we show them is by using documentaries as the foundation of course design. Listen to Albert Maysles as he speaks on the power of documentaries: [embedyt] https://www.youtube.com/watch?v=L_yABhT20Hs[/embedyt] Documentaries put students in the midst of the social justice issues we are studying. They can see, feel, and connect, not just with the issue, but also with the real people who are affected by injustices. Nick Fraser says in his book Say What Happened: A Story of Documentaries, “docs have morphed into contemporary essays, becoming a form whereby we get to experience highly provisional stabs at reality, but, far more than fictions, which are usually finished and fixed in their own reality, they are also transformed by it.”[1] Documentaries are the new essay; we have access to a new type of reading made just for the generation of students we are teaching. We need to honor them by showing them and in the showing they are seeing what was, what is, and what can be. We work in an industry that values the written and spoken word over the visual. We were taught to plan our classes starting with the reading—readings that were written years before our time mostly by dead white males. I always found these readings alien to me when I was a student, and even those I connected with were usually written by people many years my senior. There was still this disconnect because of the faded pages from which I read; I was removed from them by time and space. None of what I have said makes these works irrelevant or useless but it highlights the limitations of readings. When I think about the students I teach today who view more than they read I see that they are deep thinkers, they are intelligent, they can read and write, and they also bring a more expansive set of communicative and interpretive skills to the classroom than I did when I was a student. The question I am raising in this blog is: How do I engage what my students bring to the classroom so that I can show them what I want them to learn? Yes, show them. To answer my question, I am suggesting that we show our students the social justice issues we are discussing in class while showing them how movements work by engaging documentaries as the core content for our courses. I am not dismissing books and readings, but I am displacing their historical place of privilege. Why documentaries? Documentaries speak to the head and the heart. Documentaries help students see and feel by eliciting the emotive response in the visual. More centers of the brain are activated by sound, movement, light, story, and real life characters who lived in the movement. Students see history and how they can make history. I have also found that conversation after a documentary is democratized unlike those after reading discussions. Reading discussions privilege certain types of students whereas discussion around documentaries has a way of leveling the playing field. Students feel more equipped to talk about that which they have seen, engaged, and understood. As Cathy Chattoo says in her book Story Movements: How Documentaries Empower People and Inspire Social Change, Documentary is a vital, irreplaceable part of our storytelling culture and democratic discourse. It is distinct among mediated ways we receive and interpret signals about the world and its inhabitants. We humans, despite our insistence to the contrary, make individual and collective decisions from an emotional place of the soul—where kindness and compassion and rage and anger originate—not from a rational deliberation of facts and information. By opening a portal into the depth of human experience, documentary storytelling contributes to strengthening our cultural moral compass—our normative rulebook that shapes how we regard one another in daily exchanges, and how we prioritize the policies and laws that either expand justice or dictate oppression.[2] Documentaries connect with us because we are wired for story and true stories told well speak truth to us and set us free to be part of the freedom movement. So if we are to start with documentaries as the foundation of our courses, and use readings to complement the documentaries, where do we start? Let me offer a few questions that might get you thinking: What do I want my students to see? Why is the visual experience of this course as important as the reading(s)? What do I want my students to hear? What do I want my students to feel? Why is it important for my students to engage the sights and sounds of this experience so as to bring to life that which we are studying together? What do I want my students to do about social injustice as a result of experiencing this course? How can I create and curate a visual experience that is buttressed by quality readings that will make this course be more than memorable, but will make it serve as a launching pad for social justice initiatives and actions in the real world? How can I make the viewing experience a communal experience and make it as unlike the isolating experience of reading as possible? What documentaries are worth my students’ time, in that they are well told stories, well researched, historically accurate, factual, and emotionally stimulating? So now you might ask what could this look like? What are some documentaries one might consider? There are of course many but allow me to offer a list I have used for courses where the Civil Rights Movement of the 1950s and 1960s has been the foundation of the course. The list below is just one such list to get you thinking about what a curated list of documentaries would look like, and about the order which they would be engaged. A Civil Rights Course Lineup (in this order): The Murder of Emmet Till (2003) 53 minutes Directed by Stanley Nelson The Black Press: Soldiers Without Swords (1999) 86 minutes Directed by Stanley Nelson Eyes on the Prize: Season #1 – 1952 to 1965 (1987) 42 minutes each Directed by Henry Hampton and others Mavis (2015) 80 minutes Directed by Jessica Edwards 4 Little Girls (1997) 102 minutes Directed by Spike Lee Mr. Civil Rights: Thurgood Marshall & The NAACP (2014) 57 minutes Directed by Mick Cauette Black Panthers: Vanguard of the Revolution (2015) 115 minutes Directed by Stanley Nelson Brother Outsider: The Life of Bayard Rustin (2003) 90 minutes Directed by Nancy D. Kates and Bennet Singer Movin’ On Up: The Music and Message of Curtis Mayfield and the Impressions (2008) 90 minutes Directed by Phillip Galloway Freedom Riders (2010) 117 minutes Directed by Stanley Nelson John Lewis: Good Trouble (2020) 96 Minutes Directed by Dawn Porter King: A Filmed Record Montgomery to Memphis (1970) 240 minutes Directed by Sidney Lumet King in the Wilderness (2018) 111 minutes Directed by Peter W. Kuhardt The Black Power Mixtape 1967–1975 (2011) 92 minutes Director Göran Olsson Wattstax (1973) 103 Minutes Directed by Mel Stuart Chisholm ’72: Unbought and Unbossed (2004) 66 minutes Directed by Shola Lynch I Am Not Your Negro (2017) 93 minutes Directed by Raoul Peck Documentary Associations and Resources: Fireflight Media http://www.firelightmedia.tv PBS Civil Rights Documentary http://www.pbs.org/black-culture/explore/10-black-history-documentaries-to-watch/ HBO Documentaries https://www.hbo.com/documentaries International Documentary Associations https://www.documentary.org Doc Society https://docsociety.org Odyssey Impact https://www.odyssey-impact.org Impact Field Guide https://impactguide.org American Documentary https://www.amdoc.org/create/filmmaker-resources/ PBS POV http://www.pbs.org/pov/ Netflix Best Documentaries https://www.netflix.com/browse/genre/6839 Notes [1]Nick Fraser, Say What Happened: A Star of Documentaries (London: Faber & Faber Press, 2019), 28. [2]Cathy Borum Chattoo, Story Movements: How Documentaries Empower People and Inspire Social Change. (New York, NY: Oxford University Press, 2020), 207.

We are celebrating the 50th anniversary of Paulo Freire’s magnificent book Pedagogy of the Oppressed and the Wabash journal, Teaching Theology and Religion, has published a Forum to to celebrate the book and Freire’s legacy. Very few books in recent history have made their way around the world expanding the ways people think about education and learning processes. Freire’s legacy is one that will always be developed and challenged. Developed by those who care for deep, critical thinking and challenged by people and governments who see the danger of Freire’s thinking. Regarding the latter, Jair Messias Bolsonaro, the new president of Brazil, where Paulo Freire is from, sees a danger in Freire’s work and legacy. While campaigning, the new president said that he would go into the Ministry of Education with a flame-thrower to burn anything associated with Paulo Freire. Even though Mr. Bolsonaro most probably has never read any of Freire’s books, he claims that Freire offers a sectarian and socialist education whose Marxist teachings undermine the education of the student. Along with Bolsonaro, the Brazilian new conservative movement called “Schools Without a Party” also blames Freire for making students receptacles of ideologists who want to put socialist interests before the love of Brazil and threaten the “Christian values” of family, property and church. It is with good reason that the president of Brazil and conservative sectors of society are all concerned with Paulo Freire. Freire’s education helps people to figure out their own lives more fully, to develop critical minds, to engage into social mobilization, to gain their own sense of liberation, and become subjects of their own history. This process helps people to see, judge and act, challenging all forms of power. Education for Freire is the unfolding of worlds for the one who is learning. It is a way to gain conscientization of one’s own life and the environment in which one lives. When Paulo Freire is teaching a village of fishers, he starts by asking people “what is a fish?” Then he asks what is the meaning of the fish to the community, and how fish and fishing are connected with their own ways of living, as well as how they relate with other fishing villages, the environment, and even big fishing companies. Through pursuing the meaning of the word “fish,” the fishers describe several power relations around their lives. In the end, people learn not only how to spell and write “fish,” but also how “fish” tells people about their lives, their world, and the other worlds with which they are connected. Done this way, education is a path from being oppressed to become free. Education is a way of giving voice to the voiceless and gaining conscientization that unleashes the struggle against the domination of those in power, of realizing that everyone has the strength to organize and struggle to change their lives. This form of education is everywhere in the world and as educators we must go where transformation is at work. In order to continue to honor Paulo Freire, we must acknowledge that popular education is present in the movements of resistance and emancipation. For us to get a better sense of what Freire’s pedagogy can do, we should listen to those who are at the bottom of society trying not only to survive, but to thrive. It is from those places that we gain a much better sense of what Freire’s pedagogy of the oppressed means. As Oscar Soto says: The popular education of Paulo Freire is the possibility that workers, peasants, landless workers, excluded and marginalized people will think and re-invent themselves in the transit from being spectators to become genuine creators of the material conditions of life. It is not in vain that the language of the pedagogical rebellion of the oppressed is spoken in the popular movements, in the base communities, in the theories of dependencies, the sociologies of exploitation, the liberation theologies, the Latin American socialisms, the research/activism, participatory action and so many traditions of resistance in Our America.[1] On the other hand, Freire’s pedagogy can also be relevant for teaching contexts with privileged students in elite universities. It can help students gain a sense of vincularidad[2] or deep relationality, of unbalanced power, exploitation, and class struggle. By gaining consciousness of our lives in the relation with others and larger societies, we learn how to act towards somebody else, and move from protecting our own groups into seeking common justice for all. This opening of the world of oneself into the world of another brings a demand with it, namely that we engage in each other’s worlds. What happens then is that I have to check how my own ways of thinking and living are related to other forms of thinking and living, how my habits of eating fish relate to fishing villages and the massive destruction of the sea life by big corporations. This consciousness of our common situation and the fundamental sense of vincularidad challenge teachers and students in any school, poor or rich, to engage in uneven exchanges. Freire’s education for consciousness is the beginning of the unfolding of a vast world of wonders and imperfections that need to be engaged. For instance, if we want to deeply honor Paulo Freire and his legacy, we must respond to one of the most fundamental challenges of our times: patriarchy/fascism and the “masculine mandate.” Rita Laura Segato calls our attention to the war against women and how the new forms of fascism are aimed at the destruction of the women.[3] How can we engage pedagogies of liberation that help us engage and relate with this those being oppressed by it? How can we find tools, together, to understand it and create conditions of possibilities for transformation? Our lives, and the life of our planet, depend on forever-expanding forms of conscientization that keep demanding freedom, and justice for every person. In this way, the work of Paulo Freire, developed by the work of women, indigenous voices and popular movements, can reach any and every school and community, connecting us deeply with the work of Martin Luther King who said “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.” (Letter from Birmingham Jail) [1] Oscar Soto, Freire, Mariategui y una educación popular campesino, Noviembre 22, 2018, http://contrahegemoniaweb.com.ar/freire-mariategui-y-una-educacion-popular-campesina/ [2] Walter D. Mignolo and Catherine E. Walsh, On Decoloniality: Concepts, Analytics, Praxis (Durham: Duke University Press Books, 2018). [3] Rita Laura Segato, La Guerra Contra Las Mujeres (Madrid: Traficantes de Sueños, 2016).