Resources

Amy Oden offers this Christian mindfulness practice for faculty and students who may need to pause occasionally during this time of disruption and anxiety in order to be more fully present. The practice draws on attentive breathing and embodiment from traditions of Christian spiritual practice. In this audio file, Oden walks through the 4 steps of 1) attentive breathing, 2) attentive embodiment, 3) acknowledgement and 4) discovery as outlined in her book, Right Here, Right Now: The Practice of Christian Mindfulness (Abingdon Press, 2017). 4 Steps To Christian Mindfulness Audio File Dr. Oden is also featured as a guest in the Wabash Center's Dialogue On Teaching Podcast.   Episode 10 - A Teacher’s Imagination during the Crisis: Conversation with Amy Oden

I’ve been reviewing instructional video presentations for a project. Primarily I screen them to review how effective the presenter is in applying sound pedagogy. It’s amazing how many basic rules of good communication presenters break—consistently—-even professional speakers and celebrated “master teachers.” The other side of the equation that puzzles me is the level of tolerance audiences seem to have for poor presentations. I wonder sometimes if we’ve seen so few well-delivered presentations that we’ve lowered our expectations, and therefore, demand so little of presenters. Most of the presentations I see are entertaining but not educational, even when they portend to be. Here are five elements that are consistently ignored or poorly handled by presenters—lecturers, instructors, or workshop leaders. If these had been given attention every presentation I reviewed would be improved tremendously. Focus. Presenters need to have ONE focus for their presentation or lecture. The question to ask oneself is, “What is the ONE thing this presentation is about?” When you identify it, then stick to that one thing. The most powerful presentations make the “one thing” a concept, sometimes called a "big idea." Therefore, the better question is, “What is the one concept I want to present?” To maintain focus, it is critical to avoid "scattered dialogue," digressions, or any verbiage that is not on point. If something is not related to or derivative of your big idea, don't talk about it. Scope. Scope has to do with coverage. Any one thing (concept) we choose as our focus can still be complex. The question is, “What is the cope of my treatment for this one thing I want students to learn and master?” Every element of the presentation—from illustration to visuals, should support and legitimately connect with the one concept you are presenting. Pace. The brain has its own rhythm for how it processes information. One element is the role of “attention span.” People have a longer attention span than we give them credit for due to the brain's capacity to "chunk" and make connections with the information it receives; but we have to help students make the connection. One key to helping students process information is the pace of the presentation. An effective rule is to change the learner’s focus every five to seven minutes (using "stimulus variation"), and you want to shift the pace every ten to fifteen minutes. Acquisition. In order for your presentation to be meaningful to the learners, they must be able to “acquire” the concept you are trying to teach. Students cannot learn what they don't understand. The question is, “Do my listeners comprehend what I am communicating?” Therefore, you need to build in points of “testing for comprehension” throughout your presentation. This includes testing for misunderstanding and providing correctives. The flow is: (1) provide exposition, (2) assess comprehension, (3) provide correctives, (4) link to previous, (5) bridge to what is next. Application. The final element that most often is missing from presentations is application. If your listeners or students are not able to immediately apply, at some level, what you are presenting then (1) it is not meaningful to them, and, (2) it will result in a failure of retention. If you cannot make immediate application of the one concept you are teaching, then your learners will tend to forget it as soon as they walk out the door. The next time you prepare a lecture, class, session, or workshop presentation, check to see how well you address each of the five elements for effective instruction.

[caption id="" align="aligncenter" width="562"] Egypt https://www.flickr.com/photos/ralphwatkins47/43570551171/in/album-72157669384150857/[/caption] What is the promise of documentaries for teaching and changing the world? Is the documentary the new pedagogical model for everyday classrooms? Is the professor of tomorrow not a lecturer or one who uses the Socratic method, forums, discussion boards, and blogs, but rather are they documentarians? Is the professor of the “now “ one who makes their own documentaries as content for their classes? Is this the game changer?  Nick Fraser, in his book Say What Happened: A Story of Documentaries says, “. . . docs have morphed into contemporary essays, becoming a form whereby we get to experience highly provisional stabs at reality, but, far more than fictions, which are usually finished and fixed in their own reality, they are transformed by it. . . . . The best docs celebrate a sense of the accidental. And they matter.  Like unknowable bits of the universe, they come into existence when a collision occurs.”[1] Fraser argues in his book that documentaries matter, they change the way we see and engage the world.  Documentaries educate us, transform us, and challenge us. Fraser argues that the documentary is the new long form essay, it is what people are watching as they read. We are no longer a culture that is rooted solely in the literate and oral tradition, but a new tradition has emerged and it is the documentary as reliable scholarly source. If Fraser is right, and I believe he is, then how does this new reality expand our opportunities to teach in ways that are truly transformative and liberating? In my Evangelism and Social Justice course I assigned Michelle Alexander’s book The New Jim Crow: Mass Incarceration in the Age of Colorblindness along with Ava DuVernay’s, Oscar nominated documentary, 13th: From Slavery to Criminal with One Amendment and to my surprise this pairing was a game changers.[2] The students got it because they read, they saw, they felt it, and our conversation was transformative. The students were able to weave the two forms of scholarship together. In this class, we were wrestling with the fact that God calls God’s church to spread the gospel and that gospel is one of justice. God is on the side of the oppressed and God calls us to set the captives free. God calls us to see injustice, call it out and address it by correcting it. We spread the gospel by being the gospel. My students got it. One of my students said to me, “I finally get what Black theology is all about. I get it and I have to do something. Thank you so much for assigning the documentary. I see it now.” When she said, “I see it now!” this was eye opening for me (pun intended). It was the wedding of these two, the written word and the visual demonstration of that word, that help my students see. My students are used to watching Netflix, all of my students had a subscription or access to someone’s subscription and this viewing came natural to them. They live in the visual world and I have found that documentaries, like books, are a part of their scholarly diet. Why not feed this appetite? Do documentaries really make a difference? Can they change the way we see the world and then make us act on behalf of justice? Let me cite one case as example of just how powerful documentaries can be. The Fall 2019 edition of The ARTnews reported, “Agnes Gund believes in giving her art away, with donations of hundreds of works from her collection to the Museum of Modern Art spanning decades and others to the many institutions she has supported. But the 81-year-old philanthropist thought she could achieve more by selling a treasured painting after seeing 13th (Ava DuVernay’s,13th: From Slavery to Criminal with One Amendment). Feeling a call to action, Gund choose to sell her favorite holding . . . for $165 million to billionaire investor Steve Cohen, after refusing his overtures for years.  She then used $100 million of the proceeds from the sale in 2017 to launch the Art for Justice Fund, a partnership with the Ford Foundation and Rockefeller Philanthropy Advisors currently working against the scourge of mass incarceration through concrete and poetic means.”[3] Agnes Gund’s worldview was changed by engaging the work of Ava DuVernay. Gund saw and she acted! Can we get our students to see and act? Can we employ the use of documentaries in our classes in similar ways we have employed readings in the pass? Can we make our own documentaries and have them replace our lectures? What does it take to make your own documentary? All it takes is a camera, editing software, and our no-permissions-asking selves to just go and do it. In my African Roots of Black Theology class, I created a two-part documentary to start the class. The students engage my asking the question in the context that gave rise to the question. It is a new and more visceral way for them to engage in a new form of contextual visual education. My students got to travel with me as I traveled through Egypt. I used the daily vlog as way to tell the story, share my questions, pondering and musings. The students go with me to where my story begins and it begins in Africa. I also created photo albums for all major stops along my journey so that students could pause and admire the still images in conversation with the moving images. I offer these examples as a testimony of my first attempts and I look forward to seeing yours as we ask what are the now / next in pedagogical practices? Sample Documentaries: Vlog Style [su_vimeo url="https://vimeo.com/355109032" title="Part #1: Out of Egypt"] Part #1: Out of Egypt I’ve Called My Son: A Son’s Journey Black to Africa (https://vimeo.com/355109032) [su_vimeo url="https://vimeo.com/355118012" title="Part #2: Out of Egypt Final Cut"] Part #2: Out of Egypt Final Cut ) Portraits of Egypt https://www.flickr.com/photos/ralphwatkins47/albums/72157669384150857 Giza Pyramids https://www.flickr.com/photos/ralphwatkins47/albums/72157693534362690 Sakkara, Step, Red & Bent Pyramid https://www.flickr.com/photos/ralphwatkins47/albums/72157697707740291 The Cairo Museum https://www.flickr.com/photos/ralphwatkins47/albums/72157696165977282 The Temple of Aset https://www.flickr.com/photos/ralphwatkins47/albums/72157698917086034 Edfu and Komombo https://www.flickr.com/photos/ralphwatkins47/albums/72157699345621995 Luxor https://www.flickr.com/photos/ralphwatkins47/albums/72157669383738737 Karnak https://www.flickr.com/photos/ralphwatkins47/albums/72157698915679014 East Bank Temples https://www.flickr.com/photos/ralphwatkins47/albums/72157671458282618 Denderah https://www.flickr.com/photos/ralphwatkins47/albums/72157696165292492 Abu Simbel https://www.flickr.com/photos/ralphwatkins47/albums/72157697695476081 References [1] Fraser, Nick.  Say What Happened: A Story of Documentaries. Faber & Faber; London, 2019. p. 28. [2] Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. The New Press; NY, 2012. DuVernay, Ava. 13th: From Slavery to Criminal with One Amendment. Netflix; 2016. [3]Sheets, Hilarie M.. “Justice League: How Agnes Gund’s $165 Million sale of a beloved painting helped get others to join the fight against mass incarceration.” In The ARTnews Fall 2019 VOL. 118, NO. 3, p. 75-76.

We are in the midst of unprecedented social upheaval. Many colleagues are being asked to migrate their teaching formats to online learning and curtail their interactions with learners to the digital spaces. Even so, I believe our roles as teachers can assist our students as we move through this crisis, together.  Teaching during crisis can seem as if we are taxed beyond our capabilities, pushed beyond our job descriptions, and stretched beyond our capacities. According to the scientists and medical professionals, this particular crisis will last longer than a few days. The pandemic which grips our nation, and the world, will likely have a duration of months.  We do not know how many months.  We are likely participating in a paradigm shift in higher education. Before our very eyes, this crisis is likely causing long-term societal shifting. The abrupt behavioral shifts of the society are and will continue to affect the patterns and habits in our schools and classrooms. Practices of social distancing will likely linger in our society after the threat of the pandemic has been eliminated. The advantages of online learning will become more utilized as the threat of human proximity lingers in our shared memory. In the midst of so much abrupt and radical change - still yourself. Ask yourself not to panic, but to find balance and calm.   The health, healing and wholeness of our schools and communities will require all of us to be attentive to this situation. Resist the impulse for “business as usual.” In these emotionally charged times, teachers are looked to as role models, as responsible people who set the tone and tenor in our classrooms of students as well as in our own families and communities. We are called to be a non-anxious presence even when we are struggling in anxious times and with our own personal anxieties. Faculties are being asked to immediately shift from a face-to-face format of course design to online learning. Teachers are having to quickly redesign 1,2,3, and in some cases, 4 courses to an online format in a matter of days. Migrating courses from face-to-face formats to online is not impossible, but it takes thought and preparation. Returning to the basics of your course seems key in this unusual/unprecedented situation. Format affects teaching, but it does not have to diminish or weaken your standards. Resist surrendering to your own frustration. Relax your typical standards for what “has to be taught.” A key is to keep your students engaged and keep your learning aim and goals as your guide – there are many, many ways to get to any one of those goals. What do you do? Do enough and do it well enough – it will not be how you planned, but it will be good enough. Do new and needed activities with your students. Remember the learning activities maybe new to you, but likely not new to your students.  Do differently than you planned. Migrating from one format to another is no small task.  Lean into the difference and know that teaching differently does not mean that your teaching will become inferior or bad.  Change does not have to compromise quality. Remind yourself of the metaphor you employ when you think of yourself as a good teacher – in the best of times. Typical metaphors or similes for the good teacher are: gardener, light bearer, guide, architect, chef, builder, dancer. The list could go on. Each of these metaphors has in its wider narrative and iconographic knowledge the role of teacher in a crisis. For example, the gardener knows ways to combat drought or flood; the light bearer knows ways to keep the wicks trimmed and burning; the guide knows alternative routes should one path be blocked or destroyed; the chef knows how to save a ruined dish; the builder knows how to correct architectural errors; the dancer knows how not to get caught unaware when the tempo of the music suddenly changes. In this moment of unimaginable circumstance, use your imagination to encourage yourself for the ways you need to adapt your teaching and teaching persona.  Refrain from allowing your classroom time (online or face-to-face) to dissolve into conversation exclusively about the health crisis. Continue to teach your course, even in its modified and adapted forms.  Students are still enrolled in degree programs and still seeking graduation. Stay focused upon your course topics. It is likely that concentrating upon something other than the crisis will be refreshing to you and your students.  Consider that this is also a time of opportunity, adventure, and new learning. The foil to crisis is creativity. Creativity is the tool of innovation and invention. Let go of that which would have you stay mired in established ways and current semester plans. Allow yourself to think new thoughts about your own old, rehearsed modes of teaching. Let the tropes go! Suspend judgement about the fictitious standard of teaching which no longer applies in this peculiar moment and let yourself be creative. Finish the semester strong by finding ways of engaging with your students on the course themes – it could be that straight forward! In this moment of social distancing, hand washing, quarantine, suspicion, and fear continue to take notice of your students. Inherently, teaching is a communal act. Even in online classrooms, pedagogical intimacy can encourage, strengthen, and hearten students. Students depend upon our words of assurance, our gestures of care, our attitudes of warmth and belonging. Be empathic with your students, remembering that they too are in crisis. The Wabash Center has provided a dedicated page for online teaching - https://www.wabashcenter.wabash.edu/resources/teaching-online/.  We have also published podcasts of many interviews with colleagues who are well versed in online learning https://www.wabashcenter.wabash.edu/resources/videos/.