Syllabi Archive
A course by Kevin Lewis at the University of South Carolina aims at "critically appraising meaning and method in films meant to stir reflection on potent material."
A 2011 course by Richard Marks at Washington and Lee University approaches "20th-century authors writing in Yiddish and Hebrew . . . as literary expressions of religious themes and as responses to the historical and religious crises of modern Jewish life in Europe, the United States, and Israel."
A 2013 course by Jack Hawley at Columbia University on selections of the poetry attributed to Surdas and the "genesis and development of the Sur tradition."
A 2012 course by Sean Hayden at Louisville Presbyterian Theological Seminary uses Wendell Berry's "poems, fiction and essays . . . . [to] build up a perspective on the meaning of life with depth and coherenceâa philosophy of life" around selected theological themes.
A 2004 course by Annette Reed at McMaster University analyzes "stories from the Hebrew Bible, âApocrypha,â and New Testament from the perspective of their narrative artistry, approaching biblical literature as literature."
A 2013 course by Judge James Menno at Boston College explores the "relationship between man-made law created by the courts and the legislature and moral and religious value."
A 2017 course by Guy Grimes at Gateway Seminary "designed to teach students the process of ethical and legal decision making in the practice of Christian counseling."
A 2010 course by Ken Frieden at Syracuse University examines the "representation of Israelis and Palestinians in literature and film, focusing on how each group views the other."
A 2001 course by Casey Haskins at Purchase College examines questions such a show film serves "as a vehicle for philosophical ideas" and what film is.
A 2014 course by Reid Locklin at University of Toronto raises "critical questions of social justice and international development from diverse religious and disciplinary perspectives."