Resources

In remote teaching we all wrestle with how to effectively translate our typical assessments of student learning, and possibly, how to create new assessments.  This requires (re)determining what we most want our students to achieve and thinking creatively about how they can best demonstrate their learning in an online environment.  While there are tips to discourage cheating online, many instructors are concerned about academic integrity in online high-stakes, closed-book exams. Because students are more likely to learn from (and less likely to cheat on) assessments that provide authentic experiences or reflection on learning, it is valuable to think broadly about how best to assess our students learning in creative ways online. The principles of inclusivity and sustainability can guide our development of online assessments from the beginning to the end of the course. Sustainable assessments are those that help students develop skills necessary to direct and monitor their future learning.  Shifting students’ expectations from all feedback originating from the instructor to using self and peer assessment will help them reflect on their learning processes, and identify gaps in their skills and understanding. Making this shift will allow students to begin to assess and monitor their own learning, making it sustainable a skill that students can use after leaving your course. Inclusive assessments are those designed to measure students equitably, and in ways that are sensitive to cultural, economic and social differences. Transparency and clear communication regarding expectations for successful completion of work is key so that students understand its purpose, the necessary tasks to successfully complete the work, and upon what specific criteria they will be evaluated. This approach levels the playing field for diverse students while facilitating learning for all students. To apply these principles in your online course: Begin by seeking input from your students At the beginning of a course, surveys can be used to discover students’ incoming knowledge and skills as well as something about them as a person.  Rather than focusing on knowledge ‘deficits’ that the curriculum must fill, this kind of preassessment will allow you to discover students’ interests, lived experiences and motivations.  Equitable assessments should be accessible and responsive to students whose abilities, access to computational tools and reliable high-speed internet, access to quiet work spaces, and extent of flexibility in setting their study schedules may vary. Therefore, it will be important for you to know about your students for your course planning. Ask students to share what they are most excited about in the class, unique skills they are proud of, past educational experiences, and their own perceptions of their current knowledge and skills.  Use students’ input to help them build connections between the course content and their interests. To help them take ownership in creating spaces that welcome all members of the class, invite students to contribute to ground rules for class interactions. Where possible, provide opportunities for students to make choices about an assessment topic or format that leverages their skills and interests to help them feel more empowered and engaged in the course.  Use frequent low-stakes assessment to guide students’ learning throughout the course As your course progresses, assessments are a learning tool that can develop the students’ sense of belonging in the course community, as well as a shared responsibility for and awareness of their learning. There are many ways to accomplish this. Here are a few: Include a variety of low-stakes activities and assignments early and frequently such as short quizzes, reflective writing prompts, group projects, and synchronous or asynchronous discussions. This allows students to calibrate your expectations, get feedback they can incorporate, and understand their individual progress. Use online discussions to build opportunities for interaction that develop students’ sense of belonging, and motivate them to learn from each other in their responses and question of each other.  In both asynchronous discussions and synchronous sessions, guide opportunities for effective peer feedback by modeling it yourself, highlighting examples of productive exchanges, prompting them to ask each other guiding questions and asking them to use rubrics / clear criteria to guide and assess their responses. Before students hand in work, ask them to self-evaluate according to the grading criteria and to identify areas where they would most benefit from your feedback. Culminate the course with authentic applications of course knowledge and skills with integrative assessments Students can demonstrate their achievement of the course goals by applying disciplinary tools to real-world situations, analyzing authentic data or exploring solutions to so called “wicked problems.”  These are problems that have changing parameters, are resistant to solutions, involve incomplete data, or are difficult to recognize (Hanstedt 2018).   Creative projects with formative feedback will support students in developing the sustainable assessment skills necessary for lifelong learning. Consider To synthesize key ideas or reflect on what they’ve taken away, have students write research reports or papers. These can provide opportunities to practice disciplinary language and styles of communication.   To creatively demonstrate learning, have students create artifacts such as maps, figures, photo essays, journals, videos, blogs, podcasts, or portfolios. Structure checkpoints and opportunities for formative feedback to support students in successfully completing these projects.  To learn to self-assess the quality of their work, have students use use rubrics, peer-feedback, and/or compare it to exemplary examples.  Whatever forms of assessment you choose, clear communication is critical to their success.  Consider starting each unit with a brief overview of how all the course components fit together and alerting them to upcoming deadlines.  Make sure to inform students how each assessment will be useful for their learning, make expectations as transparent as possible, and be clear about where students can find answers to questions as they arise.  Learn More The Art & Science of Successful Online Discussions (Faculty Focus) Five Discussion Ground Rules for the Online Classroom (Colorado State University Online Blog) Professors Share Ideas for Building Online Community (Inside Higher Ed) Alternative to Exams for Remote Teaching (Teaching@Tufts) Creating Epic Finales or Limping Across the Finish Line (Teaching@Tufts) Curricula for Wicked Problems (Wicked Problems Project) Transparency in Learning and Teaching (TILT Higher Ed) Inclusive Assessment: Equal or Equitable? (Teaching@Tufts) Selected References Dewsbury, Bryan, and Cynthia J. Brame. “Inclusive Teaching.” CBE—Life Sciences Education 18, no. 2 (April 26, 2019): fe2. https://doi.org/10.1187/cbe.19-01-0021. Gikandi, J. W., D. Morrow, and N. E. Davis. “Online Formative Assessment in Higher Education: A Review of the Literature.” Computers & Education 57, no. 4 (December 1, 2011): 2333–51. https://doi.org/10.1016/j.compedu.2011.06.004. Hanstedt, P. (2018). Creating wicked students: Designing courses for a complex world. Stylus Publishing, LLC.   Kelly, D., J. S. Baxter, and A. Anderson. “Engaging First-Year Students through Online Collaborative Assessments.” Journal of Computer Assisted Learning 26, no. 6 (2010): 535–48. https://doi.org/10.1111/j.1365-2729.2010.00361.x.

Is the study of theology worth it? That’s a question you and I might pose to our students at the beginning of every semester. At times, we may have to answer this query for ourselves. At the beginning of each semester, I presume this is a question that students have, particularly because at my university students are required to take three theology courses. The first day of theology classes, then, I offer a value proposition. (Now, mind you, I generally teach moral theology classes primarily to business and pharmacy students.) I tell my students that this course may not position them for their ideal job in a corporation or biomedicine, but that a theology course can help students think, write, and speak with a depth and breadth they before had not known. The subsequent question every term is, “but how will that help me advance in my career?” These developed skills, I tell them, will aid them in living out the challenging and, perhaps, painful realities of life. That has never been truer than in these days of Covid-19. One of the first topics I teach is “narrative.” I invite my students to consider what the foundational stories for different religions are. Conversations extend from the metanarratives that undergird traditional monotheistic religions to Rastafarianism, Wicca, and Mormonism. These class days tend to be lively ones as we move into discussions of the Branch Davidians and the Westboro Baptist Church. Good narratives mature over time as profound experiences impact and challenge them. My parents’ generation had Martin Luther King’s “I Have a Dream” speech on the steps of the Lincoln Memorial, the Second Vatican Council, the assassination of John F. Kennedy, and the rise of Fidel Castro’s Cuba. Honestly, it made me jealous. I wanted stories to add to my collection, but could not imagine having any of such historical impact as they had. How young and naïve I was! GenXers and I have experienced stories that have forced us too to reevaluate the foundational narratives in which we were grounded. The students in front of me, now on my computer screen, were curious about my generation’s stories. Mind you, when I first started teaching, as I suspect all of us are/were, we are/were our students’ older sibling. Now, I could be their parents and for that reason, they are curious. When asked, I speak of how marginalized groups and their allies consistently have fought for equality, particularly LGBTQIA+ citizens, communities of color, and immigrants; seemingly endless wars in Viet Nam, the Gulf, Afghanistan, and Iraq; governments, including the United States, having a wide range political scandals; 9/11; and, of course, the information technology revolution. For some reason or another, they are fascinated, and I suspect hungry like I was when I was younger to have their own stories. While some have alluded to the global digital transformation in their lives, there has never been a clear consensus as to what might unite GenZers in a common narrative. Now, there is. They get it. Students recognize that they must understand the profound effect this global health crisis has had on them, and on their narrative. For those who have been grounded in an understanding of who and what God is for them, they will have additional work that may take them places about they least expected to go. What will be required is what the study of theology provides:  some deep thinking, critical writing, and clarity in speaking.

I, like so many, have been flooded with a mixture of emotions during this pandemic and self-isolation. While feelings of fear and anxiety often overcome me, I also have a profound sense of gratitude. I am privileged to be able to take a step back and ask religious questions those deep questions of meaning and value–with fellow religious educators. It is from phone conversations in isolation that Dr. Kathleen O’Gorman and I came to wonder what is this emergent curriculum, or “curriculum of pandemic,” that has descended upon us all, teaching us? What might we learn and how we are we called to respond in meaningful, educative ways?  The first place Kathleen and I thought to process this emergent curriculum was with our learning community, to learn from this pandemic with our students and alums. We invited a small group of about 10 people, all of whom were enthusiastic about this gathering, into a process of introspection and learning. It was apparent from our initial correspondence leading up to and during our first session that we all want to feel connected in some way right now. This affirmed for me the need not just for community, but to create an intentional learning community. I­ –we– longed for a “community of conversation”–to connect and make meaning together. For me, the calling to teach means both teaching and learning and this pandemic called my colleague and I to be more intentional about our praxis as teachers and learners together. Kathleen coined the titled for our virtual sessions “Pandemic Pandemonium.” There is no script or textbook that tells us what we can learn and how we should respond to this global crisis; therefore, we developed a framework of four sessions from which will flow a process of unpacking this curriculum of pandemic. Drawing inspiration from Kathleen’s gifts of music and aesthetics, we framed each one around a different song to evoke our affective sensibilities. In our first session, we set the context for our process of teaching and learning through the pandemic by listening to Sam Cooke sing “A Change Is Gonna Come” set to a video with still images of people standing up for their human rights across the world throughout different moments in history. In sharing our interpretations and insights from this video and song, we discussed how we might connect these historical movements for change to the change emerging before us right now. What change do we want to see from this experience of sheltering in place, from teaching in learning through new modes and mediums, and from recognition the earth is healing itself while we remain still?  We concluded that first session by observing how each movement for change in society was a movement towards deeper inclusion. How, then, is this curriculum of pandemic guiding us towards greater inclusivity? This set the tone for our next session, “Go to your room” (something Mother Earth seems to be telling us right now), and the introspection on our feelings and emotions as we withdraw from everyday life. Following John Lennon’s song, “Isolation,” we invited our group to start thinking about how this time away has opened new patterns of living. How have our feelings given rise to new ways of thinking and experiencing the world and how might we help others (those we serve, family, friends) discern the meaning and value of isolation as we are experiencing it?  Our third session will reimagine how we “Come Together” (using the Beatles cover song by Gary Clark Jr.), by asking: What now? What is the meaning of all this?  What are we learning from gathering in new ways and how does that inform and transform our praxis as religious educators; how does this change in patterns of living call us to rethink our curriculum and praxis towards greater inclusivity? In our final session, we curated a curriculum of closure to be the start of a new beginning. With help from The Beatles again, “Let it Be,” we reflect the meaning of  Sabbath during this time as we ask what is Mother Earth telling us? How are we called by Mother Earth to Let it Be? We end our session with a pastoral plan informed by what we learned and how we are called to respond. I hope to return to these reflections as our process unfolds in the coming weeks. In the meantime, I am sharing this experience in developing a process curriculum to invite others, if you have not already begun to do so, to engage in a process of introspection and discernment with your learning community to uncover how your teaching and learning can respond to a curriculum of pandemic.

With the peculiar upheaval of COVID-19, and the recent, flagrant events of racist violence, what competencies are needed by institutional leadership? What does it mean to lead change in this moment of volatility? What courage is necessary? What approaches in higher education will bring new stability in a more equitable society? Dr. Nancy Lynne Westfield hosts Rev. Stephen Lewis (FTE - Forum for Theological Exploration) and Rev. Matthew Williams (Interdenominational Theological Center).

So many of us are struggling to connect meaningfully with our students during this period of unexpected distance. When we don’t get in-person connection time, it’s critical for us to build social and spiritual connection with our students within the online learning space. Giving our students numerical feedback and written feedback on submitted assignments is not enough. While some of my students have a strong network of relationships and resources to sustain them during this time, some do not. I see it as my responsibility to provide some opportunities for students to maintain and deepen connections with each other, themselves, and God. Live check-ins In my live, online classes, we check in with simple questions to start the session. I lean toward the veiled spiritual direction during these times—directing my students’ attention toward where God *is* present, rather than where God isn’t present. For example: • What is working for you in this time of isolation? • For what are you grateful right now? • Where are you finding light within so much darkness? It is my hope that students will take inspiration from each other’s answers. To be clear, this is not to approach the pandemic with a ‘Pollyanna’ point of view, but rather to illuminate that God is still at work, even when we are confronted with challenging circumstances.  Student-led prayer on live meetings At the start of each live meeting, there is a student responsible for leading prayer. I instruct my students to choose a video, piece of art, or poem to share with us. We follow it with a minute or two of silent reflection and close with “words directed at God”—in other words, prayer. I provide them with links to prayers and examples of “words directed at God.” We do this in the classroom as well, and I find it to be a nice piece of continuity with the online learning environment. Collect evidence or fun or frivolous “accomplishments” I had my students check in one day with “What’s something fun or frivolous you’ve ‘accomplished’ during the shelter-in-place?” I found it important to clarify the idea of ‘accomplishment’ for this exercise. I explained the capitalistic assumption that we can still produce during this quarantine. This is not that. Rather, what are they doing for fun? Which hobbies are they picking up—either from a while ago or for the first time? We collected video and photographic evidence of their ‘accomplishments’ on a Padlet, a handy, potentially private, online board where students can creatively post their work. Students posted audio clips of music they composed, videos of themselves walking in the woods, and photos of knitting creations or plates of cookies, to name a few. It’s important for us to demonstrate to our students that having fun, letting loose, and being creative are critical parts of being a full human being, especially when we might feel like our usual outlets are cut off for these activities. It is my hope—again—that students might be inspired by others and offer support and encouragement to their classmates’ endeavors. Community building on FlipGrid I like the online learning platform of FlipGrid because it allows me to connect asynchronously with my students face-to-face and voice-to-voice. This is especially helpful for students who face challenges making it to the live online meetings. I recently posted a prompt for a simple game of two truths and a lie for my students. It was a fun, simple way to connect and communicate while getting to know each other better. Here’s a great article with even more ideas for ways to connect with students. All in all, it seems more important than ever to be attentive to the social aspect of our classroom learning environments, especially in the field of Religious Studies and Theology. I hope these steps will be helpful for you in nourishing this facet of your students’ academic lives!

Parasite, directed by Bong Joon-ho, is the first non-English-language, subtitled film to win Best Picture in the Oscars’ 92-year history. President Trump censured the award of the foreign film in a February 2020 campaign rally, wanting to get back to the 1939 classic movie “Gone with the Wind” often criticized for its racist stereotypes. The distributor of Parasite immediately responded to the President with a tweet: “Understandable. He can’t read.” In an earlier speech accepting the Golden Globes Foreign Film Award, Bong observed, “Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.” In contrast to #OscarsSoWhite, the US President’s view of Oscars-not-quite-so-white reminds me of the connections between cultural texts and imperialism Edward Said explores in his work. I want to bring this discussion to my teaching context. When social justice is addressed in the classroom, one may assume that the teacher should discuss particular social issues or subjects that exist outside the classroom. Yet, if social justice is primarily about power, privilege, and oppression, a curriculum is inevitably a site in which social justice issues emerge. Curriculum selects, structures, and reproduces knowledge while authorizing certain constructions of knowledge and hence, producing the truth. How have knowledge and the truth been constructed? The western academy and education are rooted in a modern liberalism that presupposes “human” as the white European male. This ideology is racist and colonialist. In a Wabash podcast, “After Whiteness,” Willie Jennings points out that western education has been shaped by the dominant image of formation, “becoming”—becoming a “white self-sufficient man” and suggests an alternative view that highlights “belonging.” It was enlightening to understand where my frustration, along with a sense of inferiority, arose throughout my fourteen years of theological education in South Korea and the U.S. What you are going to “become” is not only unidentified but also, instinctively, unattainable. In my seminary, I was introduced to Luther, Barth, Bultmann, and Moltmann, just to name a few, by all male professors who had earned their doctorates in the U.S. and Europe. In my first year of Master’s studies in the U.S., I couldn’t believe that I was being taught by the prominent male professors whose names I had only seen in books. One of the professors, whom I respected greatly, said to me, “Korean students’ exegesis skills are good, but there is something they lack.” The second part of his words haunted me and I desired to have what I did not have without knowing what it was. Obviously, the professor did not mean that it is whiteness that I lack. Yet the ghost of whiteness surfaces in classrooms in various forms. The student-led campaign in the U.K., “Why is My Curriculum White?”, argued that the course content at universities served to reproduce the ideology of whiteness. This argument can apply to any discipline which was founded on the work of Anglo-European white males, including theological and biblical studies. What’s wrong with using their profound work that has influenced not only Western civilization and Christianity, but also the minds of people in other parts of the world? Why am I anxious about not using one of the canonized textbooks, which white male scholars authored, for my New Testament introduction course? Because we are speaking about power structures that normalize whiteness and white privilege. Institutional whiteness is incorporated in and reproduced through curriculum. As Jennings reminds us, that is how minoritized students and faculty in religious and theological education suffer the “racially formed sense of inadequacy.” Including one or two recommended readings written by non-white scholars in the syllabus is not enough, though one may start from there. Multiculturalism often promotes diversity by including a few minority individuals or groups, while still concealing power structures that perpetuate white supremacy and racism. In order to overcome white curriculum, the teacher needs to disclose the effects of racism embedded in the discipline and institutions, dismantle the ideology of whiteness inscribed in the textbook, and develop students’ ability to critically evaluate knowledge. There are “so many great [white] movies,” as the President said. Breaking “the 1-inch-tall barrier of subtitles” is more than watching a foreign film. Students know, or need to know, how to read subtitles. Can I read? Asking the question of whether my curriculum reads as white is a matter of social justice—the matter of death-dealing or life-affirming in the classroom.