Resources

In a seminary setting with a daily rule of prayer, students and professors can easily fall into a trap of distinguishing between teaching students how to advocate for justice in the “real world” and the “in-church” liturgy of prayer and worship of seminary life. At times, the liturgical rhythms might even appear to be an intellectual or temporal straitjacket: hindering the work of classroom learning or service to the community and work for justice. However, in my own experience teaching in both Roman Catholic and Episcopal/Anglican seminaries, where the traditional Christian liturgy of the hours determines the structures and rhythms of the students’ lives and learning, I have found that teaching social justice in synergy rather than opposition to the liturgical tide has provided opportunity for teaching social justice rather than a hinderance. In fact, this immersion in the liturgy can transform teaching social justice into an act of recollection and connection building, rather than creating an oppositional dynamic. This “calling to mind” in beginning to teach social justice which immersion in liturgy permits has two crucial components. First, the daily liturgy of the Roman Catholic and Anglican tradition provides substantial content for beginning to discuss and understand the need for social justice and its objects. While there are calls to pursue justice throughout the scripture, the liturgy of the hours or of Morning and Evening Prayer, creates a special focus on the book of Psalms. In these liturgies, students will generally read in unison throughout the entire book every month, and then turn around and do it again. This means that students begin and end almost every day with the cries to instantiate God’s justice which fill the Psalms in their mouths and in their minds. Beginning a pedagogical engagement with social justice in the Christian tradition therefore begins with an acknowledgement of the Word which is already in their mouth, and then broadens to seeking to understand that word in the context of the present day. This grounding of the classroom discussion of social justice in the liturgy is, of course, far from novel, but stretches back through the Christian tradition. Explaining this tradition and explicitly linking it to their own immersion liturgy then prepares students for the task of analogical translation into their own world, of the ways in which Christians, from John Chrysostom through abolitionists to the Oxford Movement to Oscar Romero, have seen the liturgy as the point of departure out into the world to seek justice and serve the poor. Just as important as starting a discussion on what God’s justice might demand of them is helping them understand how their formation in the liturgy has better prepared them to work for social justice in the world. By its very nature, formation in liturgical worship demolishes the temptation to autonomy and the urge to seek the spotlight, and rather trains students to be communal, listen to others, and be patient with the small steps and slowly developing processes. For example, when students are taught how to chant the Psalms in choir, they learn that the goal is never to declaim, to take up the most space, to push their own voices forward. Rather, they are taught to listen to the tones and pitches of others, to join in the one communal sound, and to use their breath to sustain rather than project. In another example, students come to realize that the liturgy is only made possible by the invisible labor of the sacristans, who ensure that everything needed for the Eucharist celebration is clean, prepared, and its place, but who are never at the front or receive praise or applause. This approach is the exact opposite of what Martin Luther King, Jr. referred to in a famous homily a few months before his death as the “drum major instinct”: the urge to assume that you are better than other people because you are out in front and people notice you first (https://kinginstitute.stanford.edu/king-papers/documents/drum-major-instinct-sermon-delivered-ebenezer-baptist-church). Rather than surrendering to this instinct, King urged his listeners to walk in the steps of Jesus Christ, who disdained the drum major position in order to be faithful in the unacknowledged work of bringing about God’s justice in the world: feeding the hungry, clothing the naked, and visiting those in prison, rather than focusing on their own success or prominence in the eyes of those around them.       Oriented properly, students formed in the liturgy have already developed the virtues and praxis which make this type of service which Dr. King describes possible. They are ready to pursue the slow work of justice, neither demanding the spotlight nor seeking to drown out fellow laborers with their own voices or opinions. Rather, they are already equipped for service, and the task of the teacher simply becomes how best to show them the way. *Blog Originally published October 21, 2020

In this inaugural volume of the Theological Education between the Times series, Willie James Jennings shares the insights gained from his extensive experience in theological education, most notably as the dean of a major university’s divinity school—where he remains one of the only African Americans to have ever served in that role. He reflects on the distortions hidden in plain sight within the world of education but holds onto abundant hope for what theological education can be and how it can position itself at the front of a massive cultural shift away from white, Western cultural hegemony. This must happen through the formation of what Jennings calls erotic souls within ourselves—erotic in the sense that denotes the power and energy of authentic connection with God and our fellow human beings.

This timely and compelling book conceptualizes Ethnic Studies not only as a vehicle to transform and revitalize the school curriculum but also as a way to reinvent teaching. Drawing on Sleeter’s research review on the impact of Ethnic Studies commissioned by the National Education Association (NEA), the authors show how the traditional curriculum’s Eurocentric view of the world affects diverse student populations. The text highlights several contemporary exemplars of curricula—from classroom level to district or state-wide—illustrating core concepts in Ethnic Studies across a variety of disciplines and grade levels. A final chapter considers how research on P–12 ethnic studies can be conceptualized and conducted in ways that further both advocacy and program sustainability. Transformative Ethnic Studies in Schools is essential reading for educators working to transform schools by rehumanizing learning spaces for all students. (From the Publisher)

Museums are public resources that can offer rich extensions to classroom educational experiences, from tours through botanical gardens to searching for family records in the archives of a local historical society. With clarity and a touch of humor, Quinn presents ideas and examples of ways that teachers can use museums to support student exploration while also teaching for social justice. Topics include disability and welcoming all bodies, celebrating queer people’s lives and histories, settler colonialism and decolonization, fair workplaces, Indigenous knowledge, and much more. This practical resource invites classroom teachers to rethink how and why they are bringing students to museums and suggests projects for creating rich museum-based learning opportunities across an array of subject areas. (From the Publisher)

Volatile social dissonance in America’s urban landscape is the backdrop as Valerie A. Miles-Tribble examines tensions in ecclesiology and public theology, focusing on theoethical dilemmas that complicate churches’ public justice witness as prophetic change agents. She attributes churches’ reticence to confront unjust disparities to conflicting views, for example, of Black Lives Matter protests as “mere politics,” and disparities in leader and congregant preparation for public justice roles. As a practical theologian with experience in organizational leadership, Miles-Tribble applies adaptive change theory, public justice theory, and a womanist communitarian perspective, engaging Emilie Townes’s construct of cultural evil as she presents a model of social reform activism re-envisioned as public discipleship. She contends that urban churches are urgently needed to embrace active prophetic roles and thus increase public justice witness. “Black Lives Matter times” compel churches to connect faith with public roles as spiritual catalysts of change. (From the Publisher)

Learn how to foster critical conversations in English language arts classrooms. This guide encourages teachers to engage students in noticing and discussing harmful discourses about race, gender, and other identities. The authors take readers through a framework that includes knowledge about power, a critical learner stance, critical pedagogies, critical talk moves, and vulnerability. The text features in-depth classroom examples from six secondary English language arts classrooms. Each chapter offers specific ways in which teachers can begin and sustain critical conversations with their students, including the creation of teacher inquiry groups that use transcript analysis as a learning tool. (From the Publisher)

Issues tied to race and culture continue to be a part of the landscape of America’s schools and classrooms. Given the rapid demographic transformation in the nation’s states, cities, counties, and schools, it is essential that all school personnel acquire the necessary knowledge, skills, and dispositions to talk, teach, and think across racial and cultural differences. The second edition of Howard’s bestseller has been updated to take a deeper look at how schools must be prepared to respond to disparate outcomes among students of color. Tyrone Howard draws on theoretical constructs tied to race and racism, culture, and opportunity gaps to address pressing issues stemming from the chronic inequalities that remain prevalent in many schools across the country. This time-honored text will help educators at all levels respond with greater conviction and clarity on how to create more equitable, inclusive, and democratic schools as sites for teaching and learning. (From the Publisher)

The first edition of Film as Religion was one of the first texts to develop a framework for the analysis of the religious function of films for audiences. Like more formal religious institutions, films can provide us with ways to view the world and the values to confront it. Lyden argues that the cultural influence of films is analogous to that of religions, so that films can be understood as representing a “religious” worldview in their own right. Thoroughly updating his examples, Lyden examines a range of film genres and individual films, from The Godfather to The Hunger Games to Frozen, to show how film can function religiously. (From the Publisher)