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Experienced teachers recognize the need to continually learn about the art and craft of teaching. With the aim of improving our own teaching, a group of Wabash Center colleagues and I set out to observe classrooms beyond typical higher education settings. Our first session was with a museum docent.  The plan was for our small group of colleagues to meet the docent, then along with a group of first-graders, take the tour of featured exhibits. I was very excited about the museum tour and the first-graders. A museum docent, volunteer or staff, is a person who leads tours of exhibits in museums. The docent has interest in art, might be an artist themselves, desires to interact with persons who come to the museum for an experience of the art, and desires to assist persons to discover their own interpretation the artwork. Docents are guides who help museum visitors better see the artwork. Our docent was named Ann Marie (not her real name). She had been a guide, teacher, trainer in this museum for more than fifteen years. The colleagues and I arrived at the museum before the first-grade class. We were greeted in the lobby of the museum by Ann Marie. Ann Marie was a white woman, mid-to-late fifties, with a cheery disposition. She gave us a brief overview of the museum and talked about her responsibilities as a docent and docent trainer. She said she liked her job and that she had started as a volunteer, and now she was on staff. She said that during the quarantine the museum, like all others, had gone dormant, but now, with a mask requirement, they were open for business and had a regular schedule of visitors. The first-grade class arrived. My colleagues and I stood to the side as approximately 25 African American children, age 6 & 7, along with about 8 chaperones (likely parents and aids) quietly filled the museum lobby. The group entered the museum like people would a library or church – with a kind of quietness of spirit and anticipation.  Ann Marie instructed the group to take a seat on the floor. I watched as the children, under the guidance of their chaperones, made three orderly rows. The children were talking quietly and waiting for the tour to begin.   As I watched the children interact, I had pangs of remembering field trips from my elementary school days. Those memories reminded me why I loved learning and why I have wanted to be a teacher since childhood. The chaperones, standing, placed themselves at the edge of the group and kept a watchful eye. I noticed a young white woman sitting on the floor in the third row. She sat with the children, relaxed and talked calmly with the children seated around her. She was the only white person in the group of children and chaperones. As I observed, I thought this likely the first museum many of the children had visited. I was glad these children had the opportunity to leave the classroom for learning in the wider-world. I felt my heart open. Ann Marie approached the seated children and began her presentation. Her welcoming and cheerful manner quickly devolved into what sounded like a canned speech, withering into a series of questions meant to prompt specific responses from the children. The children were instructed to raise their hands and wait to be called upon to answer the questions. With each question from Ann Marie, multiple children raised a hand to participate. Once Ann Marie finished with the question-and-answer portion of her presentation, she informed the children she had instructions for how the group should navigate the exhibits. Ann Marie said in a dry and disciplining tone to the children, Please do not run. Please do not touch any art work. Please do not talk when I am talking. Do not walk on the stairs without holding onto the handrail. Do not leave the group. Do not wonder. Do not call out to speak. Do not ……. With each “Do Not ….” command spoken by Ann Marie my heart sank. I cringed. The experience of wonder, art, creativity and interpretation was becoming an exercise in compliance, obedience, right-doing, and rule following. At the end of the long list of rules, the children were still quite attentive, Ann Marie took a long, dramatic pause. I suspect she was trying to reinforce the point that these rules were important. During the pause, the white woman sitting on the floor in the third row raised her hand. When she got Ann Marie’s attention she stood up. The young white woman stepped out from amongst the children so all could see and hear her. In this moment I realized she was the teacher. Teacher said in a firm tone, Class, I want you to remember what we talked about while we prepared to come to the museum. Remember? We talked about all the kinds of things you CAN DO. Who remembers what we CAN DO? Teacher paused for the children to think and respond. Several first graders raised their hands to signal they had answers. Taking turns as they responded, the children answered saying: We can look with our eyes. We can enjoy what we see. We can ask questions. We can appreciate the colors. We can talk about what we see. We can see the pictures. We can say what we think about the pictures. We can see what artists drew and painted. We can say if we like it or if we do not like it … or both. We can look at all the different kinds of art. Teacher responded, Yes, to all of those. Very well done! Teacher looked at Ann Marie and said, We are as interested in what we can do as what we cannot do. I was relieved that Teacher had spoken. I was grateful that Teacher advocated for her students. Teacher had a clear vision of the kind of learning experience she wanted for her students and she spoke-up for that experience to happen. Learners, children and adults, are formed by the theories, concepts, and lessons of the classroom. They are equally formed by the ecologies, experiences, relationships and rules which frame the learning. We learn as much from how we are treated by the people and by the institution as we do from the curriculum materials. The brilliance of Teacher, in advocating for the learning of her students, was that her advocacy was not meant to provoke a confrontation. Teacher’s advocacy did not hinge upon telling the docent that her methods were unwarranted or even biased. Teacher had prepared her students for an experience of curiosity, wonder, exploration and discovery. When the docent tried to diminish that experience to an experience of NO, CANNOT, MUST NOT, SHOULD NOT, DO NOT, Teacher intervened by making use of her authority and voice.  Teacher had authority because she was the teacher. Teacher simply, elegantly, and forthrightly used her voice to reframe the rules and signal to the class that they were free to learn, expected to explore, and be free. On behalf of your learners, Teacher, I thank you.

More important than any topic I teach is teaching my students how to learn. Facts can change. The percentage of Christians in the United States that I teach first-year students today may be different by the time they graduate. The anti-racism landscape in this particular moment is different from the one laid out the 2014 Religion and Popular Culture textbook I use. What will the situation in Myanmar be like in a few years? Such facts, on their own, aren’t worth much beyond the grade they might get a student if she successfully memorizes and regurgitates them on a test. But skills—in question asking, in studying, in note taking, in writing, in critiquing, in empathy, in appreciating differences, in recognizing our own limitations, in knowing what motivates us and why we (do or should) care—are what will stay with students, long after they leave my class and go out into the world. Many faculty grumble these days about lowering admissions standards and how students are so much less prepared now than they were back in the “good old days.” Part of it, of course, is a pandemic. Sophomores at my university missed the end of their senior year of high school (with its important rites of passage, like prom and graduation) and they had a totally online first year in college, with its isolation, Zoom fatigue, and poor pedagogy (not exactly ideal). None of us are at our best. Part of it, too, is shifts in K-12 education, the pressures of standardized testing, the diversification and democratization of higher education, and the rise of a new generation, with all of its own quirks. But, like many other educators before me, I’m persuaded that we need to meet students where they are. We need to teach the students we have. If a skill is necessary for success in my class, then it is something I teach. If I want students to write essays, for example, I can’t assume they will even know what I’m asking for (since professors in other disciplines, even in my own department, may not mean the same thing by that word—one of Dan Melzer’s very interesting findings from Assignments Across the Curriculum), let alone how to write an “essay” well. Without such explicit instruction, I’m simply rewarding the students who came into my class already knowing how to do the thing, which basically just rewards students of certain demographics who are already advantaged anyway. Not good. Usually college campuses have a lot of great resources to support students “learning how to learn” (sometimes used interchangeably with the concept of “meta-cognition,” which simply means thinking about how you think). We have a Learning Center here, with support for writing, presentations, and more, as well as a Learning Strategies Center that I always recommend to students for just these purposes. And there are a few books I regularly turn to for inspiration, including Saundra Yancy McGuire’s Teach Students How to Learn (and its companion, Teach Yourself How to Learn, for students). But I include various opportunities in my classes too, since research into how we learn demonstrates how effective it is to teach with meta-cognition in mind. Here is a sampling of what I’ve tried: I ask students what the purpose of studying religion even is, assign them the task of looking around online for justifications, and then have them write what the point of studying one of their other subjects is. Why bother? Who cares? Let’s figure out why this is worth our time. We talk about the origins of the study of religion, as well as concerns/critiques of the term and its associated field, and I encourage them to investigate the history of their other disciplines. I assign Anne Lamott’s “Shitty First Drafts” (from her book Bird by Bird) and I ask students what they learned about the writing process from the piece, as well as which strategies they’d like to try. I show them some peer-review comments on an article of my own (and point out how much meaner scholars are to one another than I am to them!), but only after I show them the fancy-looking published piece. They need to understand that what’s final and polished is only a very small part of a long, arduous, and usually invisible process, which even experts undergo. I ask students how they might be able to use persuasive writing in other contexts. When you apply for a job, what are you doing in your cover letter? You are trying to make a persuasive argument (hire me!) and support it with reasoning and evidence (here’s my past work experience, here are my relevant skills). Practice this skill in my class; apply it for the rest of your lives. I convey that something like writing (or math, as Carol Dweck originally studied) is a skill and can be learned with practice, over time, vs. something fixed and static. I share examples from my own life (along with embarrassments and failures) of learning, such as my bike-riding journey. I ask students to share their annotation strategies after doing a reading and show a projection of some of the notes I’ve taken on the same piece (highlighting what I made notes on, as well as how and why); I ask them to write down new note-taking strategies they’d like to try. I put students in groups or assign reading responses and ask them to figure out what the main argument in a scholarly article is, how that author supports the argument (i.e., with reasoning and evidence), and what their confusions and critiques are. I explain this is the same process I use, as laid out on the rubric, for reading and evaluating their own papers. I ask students to put the scholars’ ideas or claims into their own words, in class and on exams. I try to make exams, which are online and not timed, uncheatable (inspired by the work of James Lang), by asking students to apply what they’ve learned to novel and often current contexts (e.g., which definition of “pop culture” does this tweet from the Dalai Lama exemplify and why?) I have students fill out “exam wrappers,” in which after a test they reflect on their preparation and study strategies, what seemed to work well and what didn’t, what kinds of questions they missed (and what happened), and how they will adjust their approach for future tests. We generate a list of self-care strategies that can help students de-stress, especially around midterms. We do breathing exercises and body scans in class to help relax them for the day. I tell them about relevant research into how students (really, all people) learn: for instance, if they don’t take notes in class, and review those same notes, they basically won’t remember anything later on; if they cram right before a test, they might do okay, grade-wise, but they won’t retain anything for the next (cumulative) one. I tell students that we all learn better when we care about something, when we can discover the relevance to our own lives. I have them write weekly reflections that ask for a connection between what they learned in class and their lives outside of the classroom. I ask them, in small groups in class, to generate real examples of what we’re discussing that day (e.g., how have you noticed religion creating community in the world around you?) I tell them about various phenomena, like the Dunning-Kruger effect or confirmation bias, so they can be more aware of their own tendencies and correct for them. I ask them to share examples. In class, I read the children’s book They All Saw a Cat, which emphasizes differences in perceptions and how even our own views of ourselves are inevitably only partial, limited. I am experimenting with “ungrading” to put more of the responsibility and reflection into their own hands. On the final exam, I ask students what the most important thing they learned in the class was. (They rarely list some fact; instead, many of them write: “I learned how to think. Thank you.”)

When my first-year students write bad papers, I assume they are bad writers. If they don’t revise, I assume they don’t want to do it. If they don’t pay attention, I assume they don’t care about my course. Again and again, I assume that my students’ actions are based on conscious decisions, that they flow from their characters, and that they express their values. I should know better, given what behavioral science has taught us about human decision making. People often don’t act rationally. We’re easily knocked off course. We fail to sign up for retirement plans even though they are great deals; we take the elevator instead of the stairs even when we’re trying to get in shape; and we eat junk food we don’t like that much just because it is there. Talking to my students gives me the distinct impression that they are typical human beings. They don’t decide to underperform in my class. Stuff gets in the way. Those bad papers were written in a rush at 3 a.m. the night before they were due. My students look uninterested not because they dislike my class but because they are freaking out about their financial accounting exam. Many of their actions aren’t based on conscious decisions, they don’t flow from their characters, and they don’t express their values. Things just sort of happen. So, can we make better things happen instead? Like, better papers? Sometimes. Many of the factors that influence our students’ performance are of course outside our control. I can’t stop COVID-19, I can’t fix my students’ mental health issues, and I can’t make all the scary political stuff go away. I can only be aware of how they affect our students (and me) and find ways to work with and around them. And I can tweak the situation in my class, nudging my students towards doing the right thing. Richard Thaler coined the term “nudge,” and he describes it as an intervention that “gently steers the individual towards the desired behavior.” The classical example is saving for retirement. Informed by behavioral science, many retirement plans now automatically sign people up unless they actively opt out. Nudges abound in our society. To encourage people to take the stairs, make them attractive and well-lit and place the elevator off to the side. To encourage us to watch several episodes of Bridgerton back-to-back, autoplay them. An effective nudge makes it easy for people to do what we want them to do. Nudges work. How can we use them in our classes? So far, I’ve used them mostly around writing. In despair over all those 3 a.m. papers, I have started requiring drafts in all my classes. They are due a few days before the actual paper, they count for almost nothing, and I don’t read them. I tell the students that I assign drafts to force them to start the papers earlier and explain why starting early is useful. They can opt out at minimum cost, but very few do. And the papers turn out better. Once I started requiring drafts, I also noticed that I encountered less plagiarism. I suspect it is because my students really aren’t bad people who think cheating is OK. When they plagiarize, it’s usually a last-minute decision, made in despair at 3 a.m. Eliminate that last minute panic, and students are less likely to plagiarize. I’ve also started using nudges to get weaker students to ask for help. Here’s a recent triumph: This spring, I had a student who kept doing poorly on his papers and didn’t seek out help. I sent him a brief email: Your writing needs work. Would you like some help figuring out how to do it? I’m happy to help; just email me back if you’re interested. I heard back within ten minutes, he got help, and his next paper was a C+ instead of a D. There was nothing magical about the words in my email. I had written the same thing on his graded papers, and I had said it to the whole class. The email was more effective nudge because it made it so easy to reach out for help: Just click reply and write “yes please.” I used to think that this type of approach was paternalistic and enabling. Students should choose to ask for help, they should plan their own time, and they should suffer the consequences when they don’t. And if they are the sort of people who cheat, let them—and then punish them harshly. I keep backsliding into that way of thinking, and I have to remind myself that I know better. People aren’t fully rational, and situations affect behavior. As Thaler points out, we and our students are being nudged all the time -- by advertisers, friends, and social forces. Many of these nudges are in directions that are bad for us. Given that, why not be intentional about using nudges in a way that might help students pass their courses? Using devices like nudges seems especially important since there is an equity issue at play here. Some students don’t need nudges and guidance as much because they feel at home in college. They find it easy to ask for help from the professor; they have been taught good study habits; they have had stellar writing instruction. But others don’t and haven’t. If I avoid nudging my students, I make it harder for those who desperately need guidance in order to succeed. I don’t want to do that. It’s hard enough for them already.     Sources: ·      John M. Burdick and Emily Peeler, “The Value of Effective Nudging During COVID,” Inside Higher Ed, February 23, 2021. ·      Dan Harris, interview with Richard H. Thaler, “How to work around your own irrationality,” 10% Happier podcast, episode 402, December 6, 2021.  ·      Daniel Kahneman, Thinking, Fast and Slow (New York, NY: Farrar, Straus, and Giroux, 2011). ·      Richard H. Thaler and Cass R. Sunstein, Nudge: The Final Edition (New York, NY: Penguin Books, 2021). ·      Shankar Vedantam, “Think fast with Daniel Kahneman,” Hidden Brain podcast.

“...it’s easy if you try.” In fact, it is not easy for me to imagine no grading. But I’m trying, colleagues. I’m trying really hard. I’m not talking about being finished with this spring term’s grading, though that would be nice, too. When I say, “Imagine there’s no grading,” I mean imagine learning without grades. Okay, wait—don’t go anywhere! How about, imagine learning with fewer grades. Or finally: imagine a learning environment that is designed to encourage learners (and instructors) to focus more on learning, and less on grades. When we put this imagination into practice, we are Ungrading. I’m not doing away with grades and grading. I have invested decades into discovering and sharing grading practices that are more equitable, more just, less biased, and more accurate than many of the grading practices I learned from my own instructors. However, these very discoveries have led me into practices that many describe as ungrading: more formative evaluation and less summative evaluation; peer learning via peer review; more narrative and collaborative evaluation processes; and more openness to surprising demonstrations of learning. This unpredictability of learning is one of two experiences that, today, urgently persuade me to consider more committal practices in Ungrading. Put simply: Learners come from everywhere and are going everywhere. Learners come from everywhere, and therefore, I have very little idea what prior experiences and insights they are pouring into the learning that they mix. (“Constructivism” is a theory of learning holding that learners construct understanding by integrating new information with prior knowledge.) If learners come from everywhere (and bring anything), then how can I be confident in one-size-fits-all grading strategies that presuppose that I already know what “learning” will look like? What is more, learners are going everywhere, and therefore, I have very little idea what an application of learning might look like in their imagined present or future contexts. If learners are going everywhere (and might need anything), then how can I be confident that I already know what a successful application of learning should look like? This is to say: do my evaluation processes have ears? Are they open to challenge? Do they invite surprise? The second experience that today urgently persuades me to evaluate grading more critically is my experience of trustworthiness in learners. This is not a new experience of course, but is fresh on my mind, in part because of a new experience, and in part because of fresh reflection on a frequent experience. This spring, I taught a class that my institution designates as Pass/Fail. Learners responded weekly to a pair of prompts calling on them to engage the readings of the week in particular ways. The rubric for these weekly prompts was unchanging through the semester, and learners got the hang of it all quite early. At that point, I wondered whether student submissions would become minimum-effort, “paint by numbers” exercises in tedium, but things proved otherwise: overwhelmingly, learners engaged the course materials in authentic, often risk-taking ways that showed more than the necessary commitment of time and attention. This was true not only for the habitual overachievers, but also for those learners who had had the most trouble getting the hang of things early in the term. The prior semester, I taught my usual Intro course in my subject matter (Hebrew Bible/Old Testament). This was where I encountered a by-now-familiar phenomenon: the learners became more enthusiastically engaged with the material in the last weeks of the term, once (as an intentional result of course design) most student’s final grades were more or less established. Learners would go on to take low-stakes, short assignments and stretch their creativity, taking provisional ideas out for a spin and testing their own limits freely. Countless times I have reflected, “It’s amazing what’s possible once they feel like their grades are more or less set...” without considering what an indictment that is against the basic presupposition that grading is necessary to coerce performance. Why in the world am I not doing all I can to create those liberating conditions as early in the term as possible? Why am I not doing more to get grades out of the way of learning? This summer, I am once again taking my aspirations as an instructor to the notion of Ungrading. Discover more about Ungrading by reading Susan D. Blum (ed.), Ungrading: Why Rating Students Undermines Learning (and What to Do Instead), Morgantown, WV: West Virginia University (2020). Find active, up-to-date, practice-based discussions about Ungrading by searching Twitter for the hashtag #ungrading.

My fall 2021 “God and the Human Person” students had just read M. Shawn Copeland’s excellent piece “Scripture and Ourselves: Reflections on the Bible and the Body” and were having a rich discussion on the goodness, beauty, opportunities, and limitations of the experience of being “body-persons.”[1] Every time we engage that piece, I am shocked anew when students, especially young women, report that they have never heard that God values bodies and calls us good. Despite what some Christian traditions have held, Copeland reminds us that according to Scripture, according to God, it is good to be body-persons in our particularity. In the second creation account in Genesis, we read that humans are made from, and made to work, the soil. Our embodiment is good and it is also connected to the dirt![2] During a lull in the conversation I spontaneously walked to the edge of the patio, reached over the red brick wall, and plunged my hand into the flower bed. I pulled out bright yellow and white threads binding the soil and woodchips together: “What is this beautiful structure and what is it doing here?” I asked. It was mycelium, root-like fungal threads—hyphae. Unbeknownst to most, the life and thriving of such organisms are integral in subterranean ecologies and are vital ingredients for what happens above the soil, too. Fungi play a vital role in decomposing organic matter. I replayed that object lesson during Lent this past semester. Such organisms return us to dust, too, giving us back to other creatures (Ecclesiastes 3.20). My outside classroom invited such serendipitous teaching moments again and again during the past two years. Without a ceiling sheltering us, away from the artificial light of flickering screens and in the blinding brightness of the sunshine, none of us could forget or ignore our embodiment. With no walls the breeze caressed our skin, sometimes a few raindrops threatened to send us scrambling inside. We dressed in layers or brought blankets on cool but warming days. On early fall semester days and during late spring semester days we wore hats and sunscreen or put up shade canopies. Being outside forced us to heighten our attention to the weather and changing seasons to better know our place and its natural rhythms. Even while standing and sitting on a built environment, the brick patio where my class met, being outside literally grounded us. The openness of the classroom to the sky above also signified our capacity for self-transcendence and growth in knowledge of ourselves, God, and God’s world. Our growth in knowledge of ourselves, God, and God’s world is always embodied, always grounded, of course. But the goodness of that fact, and even the goodness of our limitations, can be communicated outdoors in ways that it cannot be while inside. The week after we talked about embodiment in “God and the Human Person” we discussed interiority, consciousness, and ways of knowing. To exhibit the linkage between inner and outer, consciousness and sensation, most days I played instrumental music at the beginning of classes for prayer time. I invited students to close their eyes, to recall that we are always in God’s presence and that God is for us, and to attune themselves to their breathing, the music, and the sounds of the breeze and birds. The pivot between sensation and inner quiet served the work of attending both to our bodies and our minds.[3] Some days playing children, noisy lawnmowers, or gusty winds made the planned intellectual work of my classes difficult or even impossible. Despite my frustrations with such “distractions,” each served as a poignant reminder of the privilege of intellectual work, of its value, of its limitations, and of its relationships to “real life.” The “distractions” pressed in on us, and through them God taught me (and my students tell me they are learning this, too,) how we are not objective points, atoms bouncing around off one another, but are enmeshed in communities with other body-persons, communities including other nonhuman creatures, in worlds of meaning shaped by social and cultural assumptions and infrastructures. We always learn our capacities and limitations as body-persons in such communities, after all. My next and final reflection on learning and teaching without walls will explore how being outside helped us to recognize and attend to such communities.   [1] M. Shawn Copeland, “Scripture and Ourselves: Reflections on the Bible and the Body.” America: The Jesuit Review (September 21, 2015). [2] On how we are “soil-birthed and soil-bound,” see Norman Wirzba, This Sacred Life: Humanity’s Place in a Wounded World (New York, NY: Cambridge University Press, 2021), 65-67. [3] The first few times that I utilized music for prayer time, though, we dove straight into difficult discussion. I quickly discerned that the transition was too abrupt, akin to emotional or intellectual whiplash! I devised a buffer time of standing and stretching following the music/prayer time and preceding discussion.

It’s no fun lecturing to blank stares. As a church historian in an undergraduate institution, I teach quite a few general education classes to students who come to me ready to “do their time.” Thankfully, I stumbled upon a unique learning aid that has helped me bring to life some previously disengaged students The Reacting to the Past (RTTP) historical role-playing games have been all the rage these last few years in higher-education and have helped radically increase student engagement in my own courses. There are a variety of games available, many of which are well-suited for religious studies and Christian higher education. While studies show increased overall student engagement, it’s the games’ effect on student leadership that caught my interest this semester.[1] With student permission granted to share this story, I’d like to talk about how playing the RTTP game helped “Sam” transition from passive to active learning through his leadership role in Rousseau, Burke, and Revolution in France, 1791.[2] Leadership Self-Assessment Let me start by saying that I was not expecting Sam to become our RTTP star player. While he made a few insightful comments during the class, he struggled with turning in work and general participation. I had quite a few blank stares from Sam from the back of the class. This semester I had my TA choose who would play what role in our RTTP game. Each student completed an online questionnaire that helped gauge their interest, experience, skills, and limitations. They had the opportunity to state if they would be open to a leadership role or had experience in a range of areas such as student debate, event planning, or gaming. This TA had no knowledge of the students in the class other than what she found on these sheets, which allowed her to make an unbiased choice of who would receive what role. The crowd leader in our game was the historical character “Danton,” a key role that needed a strong leader. Based solely on his self-assessment, my TA assigned Sam this part. It was a risk for me to let it stand—the game really needed this character to shine—but I trusted Sam’s self-assessment and I am so glad that I did!        It turns out that the blank stare from the back of the class was masking a passionate leader. My previous lectures elicited a few comments from him, but nothing substantial. Now, all of a sudden, I had an excited student—when he received his role, he literally bounced out of the classroom. Moving forward, he came to class prepared, rallied his faction, made strategic plans, and worked outside of the classroom to meet his faction goals. His speeches were passionate, logical, and contained the necessary primary source material. He brought his “A-game” and helped lift the rest of the class with him. At the end of the game, his classmates voted for him as the strongest player. Removing Teacher Bias There’s a lot that could be said about how this highlighted Sam’s natural leadership abilities and buoyed his self-esteem, but teacher-to-teacher, I want to share this: Sam was able to lead and shine because my own potential bias was removed. He said he was a leader, my TA believed him, and that was that. There was no checking of attendance or grades, no memory of how often he had engaged in classroom conversation. The whole class benefited when I trusted the student’s self-assessment. The heart of RTTP pedagogy is pulling the professor into the background and letting students take the lead. However, we still steer things from behind the scenes, perhaps most importantly in role selection. Some professors just pull names out of a hat, while others hand pick roles. For myself, it was through the adaptation of another professor’s student pre-game questionnaire that I was able to land somewhere between these two options. Previously, I had used the questionnaire and selected roles based on student responses and my own knowledge of them. This made for some active games; however, with my TA assigning roles based only on student self-assessment, it created our best game yet. Sam’s success has taught me to release my own hand even more from this aspect of the game and is pushing me to reevaluate all of my courses beyond the game. What can I do to offer students an opportunity for self-assessment of their own leadership abilities and then honor it in the classroom? By finding ways to further reduce my own potential bias, I hope to cultivate a greater diversity of student leaders in the classroom. [1] Julie C. Tatlock and Paula Reiter, “Conflict and Engagement in ‘Reacting to the Past’ Pedagogy,” Peace Review 30, no. 1 (2018) and Matthew C. Weidenfeld and Kenneth E. Fernandez, “Does Reacting to the Past Increase Student Engagement? An Empirical Evaluation of the Use of Historical Simulations in Teaching Political Theory,” Journal of Political Science Education 13, no. 1 (2017): 46–61. [2] Mark C. Carnes and Gary Kates, Rousseau, Burke, and Revolution in France, 1791 (New York, NY: W.W. Norton, 2013). “Sam” is an anonymous name given to my student and with his permission.

In planning a course, have you ever designed a creative learning activity that you thought was marvelous, and then feedback from others substantiated its marvelousness? But then, one or two people, naysayers, gave you a negative critique? And, rather than focusing on the marvelousness, your focus attached to your fear and those scant few negative opinions. You allowed the feeling of the praise to become flimsy, while the feeling of being chastised became more concrete. Along the same lines, have you ever read student course evaluations and the overwhelming majority of the opinions were positive while one opinion found the course lacking, and then your focus was upon the one negative word rather than positive feedback? These examples are quite common.  In these moments, we have allowed our good work to be eclipsed by the negative critiques. We surrendered our creativity, allowing negative voices to even drown out the praise of trusted peers and pupils. We allowed ourselves to be disconnect from our own ingenuity. Too often, we succumb to negative criticism, then decide to curtail our creative choices, rather than lean into the feedback that supports and celebrates our creativity. What would it mean to ignore the negative and, for the sake of effective teaching, pursue that which is imaginative, generative, and wildly untraditional in the classroom? I am glad I mustered this kind of courage. Here’s a story… In my excitement, I arrived at the building about 7:15 AM. I was meeting the carpenters in the atrium of our seminary building to hang our poster exhibit. Our exhibit entitled, “Basic Concepts of Engaged Pedagogy” was our semester-long aim.  My students, with my guidance, had made posters depicting the basic concepts of bell hook’s theory of engaged pedagogy. Their work was brilliant! From the first session of the introductory course until week nine when the posters were handed-in, we had been reading, discussing, debating, discovering, analyzing, and understanding Dr. hook’s work on teaching as a practice of freedom. In our grappling, we had incorporated Paulo Freire, Anne Streaty Wimberly, and Katie Cannon. Each of the twenty-seven students had created posters depicting the clarity and depth of thought they had gained for hooks’ politic of freedom. Our poster exhibit was an expression of their learning as well as a way to teach others about the power of pedagogy to bring liberty. Three carpenters arrived with ladders and tool boxes. With great care, they laid all the posters on the floor. In creating a cohesive exhibit, the carpenters and I discussed the best locations for each poster to hang.  Taking into consideration colors, forms, textures and ease of viewing, we mapped each wall of the atrium. Once the exhibit was mapped on the floor, the carpenters hung each poster. I was very moved by the amount of time and intension the carpenters took in arranging the display. By 9:00 AM the atrium had been transformed into a gallery filled with the concepts of pedagogy as freedom. It was a marvelous gallery exhibit! All day there was a buzz of excitement in the community about the exhibit. Students, faculty, and friends were very complimentary. Then, around 3:00 that afternoon a staff colleague came into my office. I was sitting at my desk. She began talking as soon as she entered. Her: The atrium is a shared space and should not be cluttered with one person’s course materials. Me: Cluttered? Her: I’m just afraid you will mar the wood. Me: Mar the wood? Her: I really think that all that busy-ness does not belong in the atrium. Me: Busy-ness? Her: I really think the posters should be taken down… At some point her voice became like those of the Charlie Brown adult voices in Peanuts cartoons. When I noticed that she had stopped talking and was now staring at me, I said flatly, “Thank you for your feedback?” She hesitated before leaving. I suspect she realized I was not going to take the exhibit down, so with that, she turned and left my office. The next day I was called to the Dean’s Office. The Dean asked me how long I had planned to leave the exhibit up. She said she was asking because she had gotten a complaint. The Dean said that someone was concerned about the exhibit marring the walls. I told her the exhibit would be up for four weeks – until the end of the semester. I also informed the Dean that the carpenters had hung the exhibit. The Dean looked surprised. She said she had been told that I had hung the posters myself. I did not respond. We sat in an awkward silence. Finally, I said, “Have you walked through the exhibit and admired the good work of our students? Their grasp of pedagogical theory is impeccable.” As I left her office, the Dean said if she had time, she would take a look at the exhibit. As you might imagine, I left that office feeling angry, deflated, and insulted. I am recalling this event from the early years of my teaching because my initial reaction was to allow the negative critique to curtail my creative approaches. Even though the students were extremely proud of their work and even though so many people in the seminary community were appreciative of the imaginative project, I considered allowing the nay-sayer to stop me from these kinds of projects. Deciding to ignore this negative critique was likely one of the best decisions I made as a young teacher. Now, years later, after having made creativity a hallmark of my teaching, I am full of gratitude that I did not allow the naysayer to eclipse my creativity, my teaching, and the good work of my student’s learning. This summer, as you design your new courses and reconsider old courses, think on the positive, affirming feedback more than the negative. Do not give-in to petty complaints or to controlling, dull complainers. Hear the good feedback for what it is--appreciation, admiration, and encouragement for a job well done. Use this summer to quiet the voices that would make you reticent, hesitant, or fearful. Plan to allow your own ingenuity and creativity to shine bright.

The final report of Canada’s Truth and Reconciliation Commission led by Justice Murray Sinclair, on the tragic impacts of Indian Residential Schools, was released in 2015. It included 94 Calls to Action, with several of these Calls relating directly to higher education. For instance, Call to Action number 62 urges postsecondary institutions to educate teachers on how to integrate Indigenous knowledge and teaching methods into classrooms. One way to begin addressing integration has to do with unsettling settler colonial worldviews, histories, and perspectives. How might this unsettling be done in a good way? Mi’kmaw Elder Albert Marshall states that Two-Eyed Seeing is “To see from one eye with the strengths of Indigenous ways of knowing, and to see from the other eye with the strengths of Western ways of knowing, and to use both of these eyes together” ( 2012, 335). In using both eyes, my students and I need to locate ourselves in own stories of identification in the classroom. I would like to be aware, and I want my students to be especially aware, of the issues and history of self-identification. According to Anuik, “Self-identification has an impact on teachers’ practices, and understanding how people identify can help teachers to adapt learning environments to meet their needs” (2019, 107). One way to get at this is through stories of identification—my own and my students.’ I ask my students to identify two labels that others at school had used to describe them in the past. I then share my two identifiers and tell my story about teacher judgement and a school system’s misjudgment of an assessment. If one aspect of an indigenous way of knowing is about relationality and building relationships of trust with my students, it requires me to be vulnerable with my story. So, when I was in third grade, I brought home a report card that ranked me “below average” in relation to my peers. A row of failing grades ran down the report card beside each topic. The report card generated a meeting between my parents, the teacher, and the principal and a series of assessments. The meeting with my parents was awkward because my parents didn’t speak or understand English very well, and the principal wanted to meet after school and my parents, who worked at a Chinese restaurant, had to take time off to visit the school. The test results indicated that I was a slow learner (I didn’t understand and speak English very well) and may have a cognitive impairment. I knew this verdict made me different from my peers. I thought that every kid at school knew about my issue, and I felt shame. My parents felt shame as well because they came to Canada to make a better life for their children. I mixed up the assessment results with being stupid—what else was I to think since my report card showed that! I chose to disengage. If I stayed quiet, then no one would suspect I had an intelligence issue; I didn’t participate in class even if I knew the answers better than my peers. My style carried me through to grade 8, when my enthusiastic gym teacher said I was very quiet and needed to speak out more in class. That early assessment and teacher’s judgements failed me. As a child, I feared that if my teachers said I had a cognitive issue, then they would treat me differently than my peers—if only they knew where I am today! I then ask my students to look at their identifiers and ask if they accurately represent who they thought they were? In most cases, they were an inaccurate representation of who they thought they were. I show them this diagram: Discussing this diagram allows my students to begin to understand that indigenous students have identities conditioned by Canadian legislation which was historically rooted. Naming students “Indian” or “Aboriginal” had a negative impact because being labelled one or the other triggered fear that an educator would throw the student into a box that held a collection of negative stereotypes or misinterpretations of a person that needed to be fixed.  How might I move this further with self-identification? Going back to Mi’kmaw Elder Albert Marshall’s concept of Two-Eyed Seeing has been a helpful way to reflect on my own teaching practices and course design, and the ways that they might impact my students’ own identity and spiritual formation as they move out into the wider world after graduation. For myself, I wonder at times if I simultaneously need a third eye to think and voice more creatively an Asian way of knowing as well?   References Anuik, J. 2019. “If You Say I am Indian, What Will You Do? History and Self-Identification at Humanity’s Intersection.” In Knowing the Past, Facing the Future: Indigenous Education in Canada, edited by S. Carr-Stewart, 106-117. Vancouver, BC: Purich Books. Bartlett, C., Marshall, M., and Marshall, A. 2012. “Two-Eyed Seeing and Other Lessons Learned Within a Co-Learning Journey of Bringing Together Indigenous and Mainstream Knowledges and Ways of Knowing.” Journal of Environmental Studies and Sciences 2(4): 331-340. https://doi.org/10.1007/s13412-012-0086-8.

The first time I did this in class, my students looked at me like I was crazy. I wanted to try something new. The traditional rigid “academic dialogue” model was no longer sufficient to inspire courage and honesty about topics that were dividing the world right in front of my eyes. They expected me to throw some discussion questions on the PowerPoint, break up into small groups for discussion, and then have them report out into a larger class discussion. I use this method of discussion often. Today, I invited them into an embodied dialogue. I smile warmly and offer instructions for our dialogue together. “I’m going to say a statement. If you agree with it, stand on the right side of the room. If you disagree with it, stand on the left side of the room. And if you are unsure, don’t know yet, or want to say, ‘It depends,’ you stand in the middle.”   Embodied Dialogue is Generative The vitality in the room changes as students anticipate the first statement. Statement 1: “It is possible for a Christian to be racist.” The energy in the room is palpable as students physically take their stance. The movement creates a sense of generativity as students anticipate where their peers will stand. I wait for the movement to cease, for students to be in place. “Ok, is everybody in place?” I ask. I read their faces. Most students stand eager to engage. Others look about pensively, still trying to figure out if they want to move from one side to the other or to the middle. The statements fluctuate between levels of intensity. We move from less intense statements like “Education is the key to success in life,” to more intense statements like “Metal detectors keep schools safe,” and “Students should be suspended from school and arrested for violent behavior.” Then we move to even more intense statements like “God is at work in the government,” and “Protest is essential in America in order for justice to take place.”   Embodied Dialogue Prompts New Awareness The “take a stance” activity invites students to exercise agency during the entire process of dialogue. Each participant actually gets to choose where he or she stands, even if that stance is “I don’t know.” Perhaps the recognition that everyone is invited into a certain level of risk helps level the dialogical playing field. Choosing our stance is nothing new. We are always choosing where to stand. This activity makes student aware of that. When they are standing in place students suddenly become aware of their body. Not just their body, but the bodies of others. Many are surprised to see which side of the room their peers decide to stand. “Why are you taking this stance?” I ask students. “Please tell us why you are standing where you are.” The invitation to respond to the “why” question is one of the most effective ways to invoke critical thinking. Students hear from those who stand with them, discovering that even those who say “I agree” may choose this stance for reasons different than their own. Many even surprise themselves with their own inability to say why they have taken their particular stance. The embodied awareness of their stance invites them into further exploration, into further participation. In a developmental stage where undergraduate students are still making sense of who they are, what they believe, and why they believe what they believe, it seems unfair to force them to choose one position or the other. And yet, this pressure to choose one way dominates Western understandings of adulting. To be a mature adult, we must know the “why.” We must know the right answer. The either/or dichotomy sometimes traps students. Captive to the desire to please those they admire, or to feign intellectualism, students rush to an answer. When students rush to an answer, they rush past another’s perspective in a hurry to arrive at their own. Our dialogue is no longer participatory. Mutuality is exchanged for “right” or “wrong.” We don’t internalize what others say in order to examine our own thinking; rather, our way of understanding becomes the rubric by which we judge all else. We judge, assess, and evaluate what others say against what we already think.   Embodied Dialogue Illuminates the In-Between What I have found essential for this assignment is the in-between space. I tell students that at any point during this activity they can move from “I agree” to “I disagree” or from “I disagree” to “I don’t know.” It never ceases to amaze me how often students move in between these spaces. They exercise the muscle that enables critical thinking in real time. They demonstrate with their bodies that our opinions and perspectives can change and can also be changed in dialogue with others. How many times do we only provide two options for students? Yes or no! Democratic or Republican. Liberal or Conservative. Providing the either/or inadvertently communicates that there is only one right answer, and we are required to know it. We must choose a side, the right side. Our thoughts have to be settled. The incessant need to box people’s thoughts into categories does not leave room for everything else that comes between right and wrong, yes and no. It leaves no room for the nuances that exist in the liminal space of not yet, not sure, uncertain. It hides the continuum that always exists when it comes to peoples’ thought lives and rationales. What has fascinated me the most in this activity is how students create their own continuum. The three clear positions I offer somehow get stretched out during the game. Students who are not quite in the “I agree” category may lean there but may stand in the middle between “I agree” and “I don’t know.” They make the invisible visible through their bodies, helping us to see that even three clear positions cannot capture the complexity of some topics. The invitation to the in-between space is an invitation to sit in the “I don’t know.” To acknowledge that we exist in a world of unknowns and uncertainties more often than not. Yet in our rush toward certitude, we sometimes miss the process that gets us from “I dont know” to “I know,” “I feel certain,” and to “I agree” or “I disagree.” What if our desire for questions and answers was really an attempt to simplify hard, unanswerable questions? What if a more faithful way to seek understanding is through “questioning and wrestling?” [1] What if we refused to settle into the comfort and assurance of our “I knows”? What if we were required to embrace our “I thinks” and allow ourselves to be formed in and through our wrestling with God? These are the questions that emerge for me as an educator when I facilitate this activity.   Embodied Dialogue is Participatory Participation is inherent in the word “dialogue;” thus, participatory dialogue should be a given. But it’s not. Not all dialogue is participatory. Too many students get lost in large group classroom discussion, are never really challenged to reflect critically. The one or two students who have something to say speak. Those who are more reserved remain silent, keeping their thoughts to themselves. It is possible to be invisible even in dialogue. Embodied dialogue makes it difficult for students to hide. This activity invites even the quietest students to be actively engaged in the dialogue. Academic dialogue may also be one-sided, where students tend to talk at, about, and over other students. Embodied dialogue is about talking with others. It invites not just participation but mutuality. To invite others to engage with our thought life even as we engage with theirs. Additionally, it models visually that our deepest beliefs often put us in proximity or out of proximity to certain people, especially when the conversation centers around diversity, equity, and inclusion. Hot-button topics remain easy to avoid in the classroom. This activity has become a regular part of my pedagogical toolbox, especially when engaging topics that are intense. After saying a statement, I hear students respond, “Woah, that’s tough.” In other words, the “hot” doesn’t disappear from the topic when using this approach. Students still exhibit passion and conviction. At the same time, students are less cautious with sharing. Something about the approach itself is disarming. This approach to dialogue offers the learning community space to reflect on controversial topics in a generative way.  Dialogue was never intended to be passive. Rather, dialogue is an active, dynamic process where students are invited to explore, discover, and come to know themselves, others, and the world differently.      [1] Carol Lakey Hess, “Echo’s Lament: Teaching, Mentoring and the Danger of Narcissistic Pedagogy,” Teaching Theology and Religion 6, no. 3 (2003): 135.

In my last blog on this site (the first of three parts) I reflected on what difference it could make if theological education institutions focused on formation of students rather than imparting information to them. That blog generated some interesting comments, questions, and feedback, so I thought I might dig a little further here. In my seasoning as a scholar and a teacher it has become clear that my focus is not on the students in my institution per se. It is not even on the material I want them to learn. As a pastoral theologian, I focus on the suffering in the world, and God’s longing for the wholeness and the flourishing of all that can only happen through justice, reconciliation, and the labor of peace. I think about my students concluding their time with us at Brite Divinity School and facing anew the world and all the impediments to the flourishing of God’s world. I want to empower them to see what those impediments are, to name them and call them out. I want them to leave Brite with the capacities to envision new possibilities, excite others about those possibilities, and get others involved. I want them to move forward with the knowledge and the tools to offer healing care, to lament and attend to suffering, both personal and systemic, to create genuine community. I want them to have grown and changed personally and to have become better integrated during their time with us. I want each of our students to have the chance to become more whole themselves as they prepare to contribute to the healing and wholeness of others and of communities, no matter where their lives take them. It became clear to me many years ago that no amount of reading Sigmund Freud (or his daughter Anna), no amount of systems theory, or object relations theory, or even narrative theory could accomplish these goals for them. Saying this does not negate the importance of those theories (and my syllabi continue to show my firm commitment to the idea of reading as fundamental to learning). But it does shift how I understand my work. I now ask myself how any course I teach will help students understand what wholeness can look like, what flourishing might taste like. I hope each course will help them understand better how to affect that, both for themselves and for others. Perry Shaw argues in Transforming Theological Education: A Practical Handbook for Integrative Learning that good teaching invites students into deep learning (Carlisle: Langham, 2014). Deep learning, as Shaw defines it, is the learning that continues to affect people 5, 10, or more years beyond the classroom. Deep learning creates space for students to wrestle with the implications of Freud or Heinz Kohut for the world they are facing themselves and the world others are facing. Deep learning teaches students how to connect ideas with lives, practices with change, and gives direction to hope. Deep learning shapes the way students think, how they feel, act, reflect, and engage, more than it relates to what they know. Deep learning changes the way people live and move in the world. It dares to help people figure out what it means to participate in the life of God in the world, to discern what God-as-life-force is doing already, and to magnify that. This is a shift, Shaw asserts, from education-as-teaching to education-as-learning, -changing, and -growing. This kind of education asks less what we are teaching and more what students are taking with them. It teaches them how to assess what is valuable and what is “fake news” in a world inundated by “information.” It helps them sift through the noise to what is most important and meaningful, especially from a theological perspective. This kind of education-as-formation will still require some foundational knowledge, but less of that and more of the work of applying that knowledge to the challenges people and communities are facing. Formation focused education invites much more wrestling, struggling, and deepening than education-as-teaching might. Education-as-formation helps students understand how content relates to and can perhaps be used to change the worlds that they are in. It is funded by the conviction that the God of Life longs for the flourishing of all that is, and that our calling as theological educators is to figure out how to respond to that longing and to do the hard work of living into flourishing; understanding its impediments in ourselves, in others, and in our world; and developing practices (including teaching practices) that nurture flourishing. Deep learning, then, requires that we educators join students where they are and encourage them forward a step or two and much deeper than learning for information does. It invites us to listen to them and the challenges they and their communities are facing. It requires that we faculty get out of our heads on occasion and into our own hearts and souls. It means that we ourselves must be willing to enter ongoing processes of growth and formation, too, as we seek to live more fully into our own wholeness and lean harder into our own flourishing. Deep learning happens best in the context of institutions that understand their role in teaching the formation of effective community, where staff and faculty model growth and integration, and where students can experience a taste of what each of us ultimately seeks.