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Over the Edge

Is there a pedagogical responsibility to traumatize our students? I’m not thinking of some unbridled notion of “tough love” in grading, or an exaggerated insistence that actions have consequences, or even routine attempts to challenge assumptions and perspectives. Rather, is there a pedagogical responsibility to make students feel less safe, less secure, less stable, to insist that the world is more sinister, more dangerous, more potentially harmful than they might at first suspect or admit?  I grapple with this question in many of my courses. For example, I teach a course focused on cinematic representations of Jesus that strives to enable students to read such films rhetorically, in conversation with their own historical and cultural moment as well as the current one. To do this well, we have to tease out the ways in which the films support (and resist) anti-Semitism, nationalism, misogyny, racism, homophobia, erotophobia, and Christian imperialism.  In a general education course that explores American histories of race, gender and sexuality through horror films, we grapple with very similar issues. Students resist ideological critiques of these films claiming that such analyses read too much into them or make too much out of minor details or simply exaggerate the importance of “mere entertainment.” Students also emphasize their historical distance from these films—racist and sexist imaginaries may have infected the forties, fifties, sixties, seventies . . . even the early aughts, but those problems have been resolved, and we occupy a more enlightened moment. Part of my work in these courses is to push back, gently but persistently, against these defenses and resistances and force an encounter with ugly, painful, dehumanizing energies. Part of my work is to help students see what they might be unwilling to see about the ways various cultural representations try to prevent them from seeing.  Questions about confronting students with potentially traumatizing material are often resolved by appealing to students’ identities. In a recent Facebook conversation, a group of colleagues discussed whether it would be appropriate to screen video of the white supremacist rally in Charlottesville in class. There was a concern about protecting students of color and a desire to confront white students. While these priorities made—and make—sense to me, they aren’t fully consonant with my experience as a teacher. I have had female students challenge claims that an argument or analysis is sexist, had queer-identified students champion fairly optimistic assessments of the presence of religious homophobia, and had students of color contest of racism in representations.  By no means am I suggesting that my assessment of the cultural, political, and ethical dynamics of materials is always correct—and I certainly try to create classroom spaces where students can respectfully challenge interpretations offered by course materials, their classmates, and me—but it seems important to note that it may very well be those students who are most likely to be targeted by certain systems of unjust and injurious power—i.e., those students who we worry most about (re-)traumatizing—who may be least willing to acknowledge their vast reach. These challenges were most pronounced in a course I co-taught a couple of years ago entitled “The Violence of Hope.” This course interrogated the ways in which discourses of progress, restoration, healing, and redemption—in politics, ethics, and religion—disguised, perpetuated, or intensified violence. The course pressed the notion that we are all inevitably and inextricably implicated in and complicit with systems of violence and that our attempts at amelioration are often mechanisms of acceleration.  Many of our students had deep activist commitments. Most of our students confessed feelings of hopelessness and frustration as the course progressed. Ultimately, what I think made the course work—what I think makes my film courses work, my Queer Theory coursework, my courses focused on sexuality and religion work—is that there was an acknowledgment of the enormity and seriousness of the questions raised by the materials under consideration and a genuine, patient attempt to grapple with them. In my teaching, I heed the call to traumatize my students. I work to make them more paranoid—or paranoid in new keys. But this is never the goal of my courses. By the same token, it is never my goal to solve the problems I raise, answer the questions I pose—or even offer palliative care for the injuries I may inflict. Instead, I seek to help students develop the skills, the habits, and the dexterity to negotiate the fraught, uncertain, and ever-shifting terrain that comprises their world. Consistent with my sense of responsibility, the only way to develop such capacities is to enter hostile territory.

“The More We Know”: A Trauma Protocol for Crisis Day One

We can define the syllabus with precision, but our best-laid plans are subject to the moments when life simply happens. Questions arise. Frustrations are felt. And the sages on the stage better have something to show for all their high-falutin’ learning. At least this is how I feel when teaching in the midst of traumatic events. I can usually triage the syllabus—shuffling assignments around to give space to the moment. I even know well enough to leave room for the inevitable crisis within my course planning. But what do you actually do when you’re in front of students who have come to class just as raw as you? There’s no media bulletin that will solve the problem. Trauma doesn’t care about public relations. There’s no master lecture that will bring a master solution. Trauma doesn’t leave room for satisfying answers. But I’m here to tell you that all is not lost. Every Christmas break, I go home to Houston. My most recent trip was the first time I had been since Hurricane Harvey. And in the days following my return to Pennsylvania, friends wanted to know what I saw. I didn’t have much to respond with except for the watchwords of the human story. We rebuild. We heal. We grow. We learn.   This is what we do in the face of natural disaster. It too is what we can do in the face of psychosocial trauma. But it’s going to take some time. Unfortunately, I have found myself in the position of consulting a number of institutions enduring the perpetration of prejudicial affronts, most frequently concerning rampant sexism, homophobia, and racism. The biggest mistake I see is the grab for a big fix or antidote to make the situation go away. I have to explain that trauma is an immediate crisis that takes hold of us for the long haul, so our job is to equip our communities to rebuild, heal, grow, and learn as best as we can manage, moment by moment, day by day. For teachers, this means reminding ourselves and our students that the more we know, the better we can manage the crisis before us. When life happens, I tell myself to adhere to the following protocol step by step. Gather your composure. Find your footing even in the midst of your insecurity. Claim your own humanity—the right to feel, the right to hurt, the right to grieve. Eat nutrient-rich foods. Drink plenty of water. Meditate, do jumping jacks, practice yoga, or walk around the block. Your first step is to regain your sense of self. Reconnect. Take a moment to let a trusted colleague or companion know that you’re about to go into the fray. You have a community. A simple text message or phone call can remind you that you’re not alone. Lower the bar. When it’s go time, your job today is to “be you” and “do you” with the students. This will equip them with the confidence to do the same. Before you know it, you will fall back into the role of teacher. They will fall back into the role of student. And you’ll together develop a new stasis. Preach what you have practiced. Have your students take a few minutes to do a version of what you have just done. Lead them in a moment of silence or even a quick stretch-break. Let people grab a drink of water and return to class. Let them check in with each other as they trickle back into the room. Your acknowledgment of their humanity will go a long way in garnering the trust you’ll need for the day. Teach the moment. Present what you understand about the situation and contextualize it in light of what you know as teacher-scholar. Then take a few moments to show how you’re learning. In so doing, you’ll remind students that they are not the sum of their emotions. They are also learners with skills and proficiencies to help them grapple with the day beyond what they could have done prior to class. It also solidifies a basis for community-building amidst the new state of affairs. From here, you have a “we” with which to work. Come together around a whiteboard and make a list of questions that you all want to pursue as a class. Name the resources you might consult in the coming days in your search for more information. Excavate your syllabus to see not whether there’s anything of use, but what can be used in the moments ahead. Better questions lead to better possibilities. The work you have put in—together— will bear fruit in the days to come. I know now what else to ask for in the midst of trauma. But until then, use the learning process as a vehicle to position yourselves in renewed strength and community.

How Teaching Ruth Taught Me to View Trauma Differently

In graduate school, I spent a year teaching at San Quentin State Prison while writing my dissertation. I loved my Religion and English classes at the prison and frequently remarked to friends that teaching incarcerated men, many of them in their mid-thirties or beyond, was strikingly similar to teaching 18-22-year-old undergraduates at UC Berkeley. “They make the same excuses about why they couldn’t do the reading,” I loved to tell fellow graduate student instructors. The students, those on the inside and on the outside, also often struggled over the same points – how to write a persuasive thesis, how to conduct research, how to understand unfamiliar religious practices. Eventually, I found a job at Rhodes College in Memphis, TN, and left both Berkeley and San Quentin behind. After several years at Rhodes, a colleague invited me to teach in another prison education program, this time a “great books” program at the West Tennessee Women’s Prison. I jumped at the chance and offered to cover the Hebrew Bible. Strategically, I decided to teach the two books I was already teaching to Rhodes undergraduates in my Feminist Biblical Interpretation class: Ruth and Esther. This suggested several advantages: I would already be prepared for what the students would have to say about the texts, what directions the conversation might take, and I thought women might be interested in reading texts where female relationships, like that between Ruth and Naomi, are foregrounded.   I entered the first class at WTWP confident in what would happen. I had just taught Ruth to my traditional undergraduates a week before and the Rhodes students had had excellent discussion, especially about Ruth and Naomi and their relationship (Ruth, you’ll recall, is urged by her mother-in-law Naomi to leave after her husband dies; Ruth replies with the famous words, “Where you go, I will go; Where you lodge, I will lodge; your people shall be my people, and your God my God. Where you die, I will die— there will I be buried” [Ruth 1:16, NRSV]). My Rhodes students were open to the possibility of queer readings of Ruth and Naomi – generally, they were interested in finding and ferreting out pockets of homoeroticism in the text – though also critical of Naomi as “a whiner.” Ruth, meanwhile, seemed less a loyal friend or lover than a burden – “like someone else’s pet you have to take care of,” as one student put it. The women at WTWP were also very enthusiastic to talk about Ruth, but they had different understandings of the relationships in the text. They were, on the whole, far more sympathetic to Naomi and “what she’s been through.” They were mostly (though not entirely) reluctant to see the relationship between the two women as homoerotic, but they placed great value on reading it as a strong friendship. Ruth and Naomi had each been through a great deal. They needed each other. This experience of teaching the same text in two very different groups was a valuable pedagogical reminder to me about the dangers of making assumptions about students and how they will respond to the text. It was also useful in thinking about trauma. Many incarcerated women are survivors of trauma, especially violence and sexual violence. Incarceration challenges family bonds and strains relationships. All of this is well known. What I did not realize until teaching Ruth in prison, however,  was the unique hermeneutic perspective it gives students into the text. These women read the book with greater empathy, and with greater attention to the dynamics of its relationships. They understood why Ruth and Naomi needed each other. (Relatedly, when we read Esther the following week, they took a dim view of the men in the text, especially Ahasuerus for his sexual exploitation of women and Mordecai for his strategic exploitation of his niece Esther. These readers intuited what scholars such as Nicole Duran and Randall Bailey have argued, that the book of Esther is a work of male exploitation). The traditional undergraduates at Rhodes have their own traumas, and these too influenced their reading. College students are especially attuned to the fraught relationships between children and parents -- this came across in their reading of the book. Sexual exploration is also a cause of interest, as well as anxiety, in college -- these readers were more open to the possibility of queer romance in the text.  The traumas that shape our lives shape, as well, how we read texts. This is a simple lesson, but one that the students in my two Ruth classes helped me understand better.

Pulling the Trigger

The questions that inform my teaching and scholarship focus on representations of violence. This means I spend a good deal of time studying such representations. I learned several years ago that my capacity to answer relatively straight-forward questions like “But is that film really gory?” or “Will I find that book really disturbing?” has dwindled into non-existence. Turns out that when a significant portion of your media consumption is comprised of images of war, torture, sexualized degradation, and racialized brutality, your attunement to the average consumer’s tastes atrophies. From the outset, then, I acknowledge that I might not be the most reliable guide to help sort out how to teach traumatic materials. By the same token, I have taught, written about, and meditated on an array of traumatic materials—and my students, in the main, after initial phases of feeling overwhelmed and disoriented by the questions and contents that organize my courses, have reported finding something valuable in them. So, to open this blog series, I want to suggest that teaching traumatic materials may not be so different from teaching per se. First, I think we are sometimes overinvested in thinking about traumatic materials as a special case. When considering the events, texts, and ideas that comprise the religious studies curriculum, it’s tough to think about what remains after subtracting potentially traumatizing content. War, violence in various forms, imperialism and colonialism, degradation and humiliation, ethnocentricism and racism, sexism and heterosexism—examples of each abound in the language, imaginaries, and practices that we take as our object of study. Do we need additional pedagogical tools beyond the transparency, openness, and attentiveness that we should be using all the time to make sure that we are noticing, and making space for, our students’ varying levels of discomfort, resistance, confusion, and hostility? Given that traumatic materials constitute so much of what we teach when we teach religion, I would suggest that—insofar as we are teaching well—we already know how to teach such materials. Second, I think we overestimate our ability to predict which materials will traumatize. In a former life, when I was an adjunct teaching Constitutional Law, I made a remark about the brilliance of the U.S. Constitution’s solution to the practical problems presented by the Articles of Confederation. A young African-American woman, who had been quiet for the first few weeks of class, spoke up and eloquently explained that she found nothing to admire in a document that still countenanced the ownership of human beings. I carry her intervention with me every time I enter the classroom. My experience of the world shapes what I experience as injurious, as ugly, as painful, as disturbing. In the same vein, I remember distinctly how terrified and paralyzed I felt sitting amongst the enthusiastic cheers that greeted the final scene of Brett Ratner’s blockbuster film, X-Men: The Last Stand, as “good” mutants fought to destroy the “bad” mutants who refused to be “cured” of their otherness. Given that history and mainstream culture are made by and for those who hold power, even the most seemingly anodyne examples can be traumatizing for those who were never meant to survive.    Related to the question of predicting which materials might traumatize, I also wonder about our ability to read students’ reactions. When does silence evince reflection and when paralysis? When is speaking up fueled by enthusiasm and when by rage? Although my course evaluations tell me that my ability to read the energy of the room is far from perfect, I remain convinced that when we strive to remain present with our students in the unfolding of the event that is the class session, then the surprises that inevitably come will be much less likely to catch us off guard in destructive ways. Finally, I think we sometimes overvalue teaching traumatic materials—either by assuming that certain topics are beyond our pedagogical capacity—because they are too upsetting, too sensitive, too difficult—or by valorizing those who have the “courage” and the “finesse” to teach such challenging content. I teach what I teach—like most teachers—because I find something important, something tantalizing, something worthwhile in the material. I teach what I teach—like most teachers—because it opens a particular perspective on the world for my students. And, like most teachers, I have good days and bad, days my students get it and days they don’t, days I’m fully engaged and days I’m distracted, days they resist what I’m trying to do and days they trust me enough to willingly come with me. The more we normalize the traumatic in our pedagogical imaginations, the more we’ll be able to help our students encounter the ubiquity of trauma that constitutes their world and their lives.