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Emotional Labor in Teaching

If I have learned anything in this life of teaching, it is this: the emotional labor of teaching is genuine. Routinely, class sessions left me exhausted. After most sessions I would need to sit in silence for an hour to regain my energies or have a meal to replenish my body. The depletion was never from a lecture, but from the intensity of conversation with students. The emotional labor of teaching occurs due to the full engagement of body, mind, spirit, guts, wit, intuition, intellect, and humor, all summoned in the teaching encounter.When we do our teaching work well, classroom conversation can be powerfully interactive—for students and for us. Teaching religion, in confessional or non-confessional institutions, can stir up cultural tensions, stretch personal beliefs, raise consciousness and reenforce ethical obligations. Classrooms where the pursuit of truth is passionate, enthusiastic and exciting can take an emotional toll on the teachers because of the emotional investment in the endeavor. Interactions with students are often fulfilling but never neutral. The intensity of the conversation when students are expressing curiosity, thinking deeply, connecting previously disconnected ideas, and experiencing new insights can tax our emotional reservoirs.Emotional labor in the classroom is not a flaw, nor a side effect. Teachers who extend themselves, make themselves available, and open their hearts to students must realize that emotional presence—from delight to disappointment—is part of the work of teaching. Regardless of the season in one’s career, navigating identity, belief, and culture without falling into advocacy or detachment is hard. Vulnerability can be costly.For those of us who must contend with the disrespect, disregard and indignity foisted upon us by students who judge us as inferior due to our gender, race, nationality, age, or physical ability, the emotional toll assumes the jagged dimensions of discrimination and injustice. Classroom spaces riddled with unfair bias can be debilitating.To further complicate the challenge, students’ habit of coaxing teachers into boundary-blurring or insisting upon role overload can be aggravating. As an African American woman, students would treat me like women in their families or in their churches. Too often I was relegated to the status of deaconess, mother of the church, pastor’s wife, auntie or favorite cousin. Students, because of their lack of familiarity with an African American woman as a professor, and to appease their nervousness, would think of me as their counselor, lover, therapist, or friend. Many students would signal that I was like a familiar TV character—Florence Johnston, Oprah Winfrey, Aunt Viv or Clair Huxtable. I refused this status. I rejected the blurring and projection of these roles. I was their teacher. Being a teacher is a status, role, and an obligation worthy of pursuit and needs no appendages, additions, or attachments.The emotional labor needs to be monitored, nurtured, and attended to. Over long periods of time, the labor can erode us. Burnout, disengagement, cynicism, ill-health, or depression must be avoided.  Here are some strategies I have learned over the many years.Practical StrategiesPractice Grounding Ritualsmeditate and pray before class to center myselfstart class with breathing or meditationPlan the emotional rhythm of the semesterplan for low intensity class sessions, e.g. a trip (on or off campus), showing a film, guest speaker, art activity, playing a gameplan for time during the semester for rest and reflectionParticipate in peer support groups or professional support sessionsroutinely talk with colleagues or friends throughout the semestercontract a therapist, spiritual director, cleric, or counselorBe aware of burnout symptomsknow the symptoms of depression, burnout, fatigue and monitorjournal concerning your emotional health as pertains to teachingBe mindful of your own humannessmake sure you do not teach while over-tired or sleep deprivedbe well hydrated and not hungry in the classroomdress in clothes that make you feel confident and that are comfortableWe must find ways to stay emotionally connected while attending to our own needs. The emotional strain of teaching is part of the job but does not have to be a detriment of the job.Reflection QuestionsWhat are the moments that renew you in teaching? How can you plan for those moments?How do you plan your sessions so there is a rhythm to the semester?What conversations or practices help you stay grounded?What habits, practices and behaviors help you sustain your truest self in the classroom?What toolkit can you build for your emotional health and wellbeing?

Creaturely Pedagogy Part Four: Ritual

On a Sunday morning in mid-April, my students and I gathered around the firepit in the open-air Council House at the Great Smoky Mountains Institute at Tremont. Light drizzle pattered on the roof and danced through the open smoke vent, speckling the dust and ash at our feet. Just out of sight the Middle Prong river thundered, singing to us through a grove of Hemlocks (Tsuga canadensis), Sycamores (Platanus occidentalis), and Tulip Poplars (Liriodendron tulipifera). The deciduous trees were leafing out, sprouting and unfurling fresh, vibrant spring greens. They would’ve been blinding in the sun, but the clouds softened and dispersed the light so it felt as though the whole world had been dyed green. Soon pale yellow and orange tuliptree flowers would explode from buds to beckon hummingbirds and bumblebees into the bustle of spring.“The body of Christ, broken for you,” I addressed each student. “And the blood of Christ, the cup of salvation, given for you.” We ate and drank, tasting and seeing, overwhelmed by the goodness of creation and her Creator. Our shared experiences throughout the semester and during that retreat weekend transfigured the embodied, communal practice of eucharistic thanksgiving. We’d seen many broken bodies together – I remembered the sun-bleached skull of a buck, its flesh long returned to the soil. And there’d been at least some blood shed, mostly my own, given to thorns and briars in our adventures and exploration.While that Sunday service was especially powerful, the “normal” religious rituals of prayer and Scripture reading that began each class session took on new resonances as we learned outside. I probably should not be as surprised at these developments as I sometimes still am. The Bible is “an outdoor book . . . a hypaethral book . . . a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better,” according to Wendell Berry.[i] While Berry denies that he is “an accredited interpreter of Scripture,” I have been learning and practicing the tools of disciplined, responsible, faithful biblical exegesis now for two decades.[ii] The work of considering the words of Scripture outside has had a greater transformative effect on me, I have to admit, than the whole sum of my academic research and theological reflection.[iii] My eyes have been opened anew to the power and beauty of the creaturely imagery of Sacred Scripture. Study and even religious reading inside now often feel sterile, and sterilizing, to me. One student commented that while she’d never before considered reading the Bible from the imagined perspective of a plant or animal, now she could never imagine going back to the way things were before.Last year, on Earth Day, my Creaturely Theology class invited fellow students and colleagues to join us in a new tradition. We chose not the conventional activity of planting trees – though our future work will certainly involve much planting – but instead to uproot. There are times for both (Eccl 3.2), whether in farming, or faith, or academic formation. In the outdoor classroom of Johnson University’s campus, non-indigenous privets (Ligustrum sinense), honeysuckles (Lonicera japonica and L. maackii), pears (Pryus calleryana), and tree-of-heaven (Alianthus altissimua) are abundant, especially on borders between fields and forest. They obscure the vision of the goodness of this place and crowd out the native lives that once thrived more freely here. Ivy (Hedera hylix), kudzu (Pueraria montana), and wintercreeper (Euonymus fortunei) smother large patches of soil, devouring all available nutrients and making it impossible for indigenous plants, fungi, and animals to dwell where they once did.One must first have eyes to see to identify such obstacles, and then one can work to uproot them, making possible renewed thriving and good growth. Practicing seeing and reading, giving and receiving, outside, even especially in the traditional practices and words of our faith, has caused scales to fall from our eyes. It has transformed and is transforming us to see, believe, and be empowered to get to work in trust that the God who has begun such work in us, and in God’s world, will be faithful to bring it to completion. Notes & Bibliography[i] Wendell Berry, “Christianity and the Survival of Creation,” Cross Currents 43, no. 2 (1993), 155.[ii] See Wendell Berry, Our Only World: Ten Essays (Counterpoint, 2015), 168.[iii] This is not to repudiate or downplay any of that work, which I still stand behind. See Joseph K. Gordon, Divine Scripture in Human Understanding: A Systematic Theology of the Christian Bible (University of Notre Dame Press, 2019) and also Joseph K. Gordon, ed., Critical Realism and the Christian Scriptures: Foundations and Readings (Marquette University Press, 2023).

A Key Ritual: Summoning Student Agency

Our attempts to teach towards openness, towards possibility, towards new glimpses of an uncharted future mean that teaching can be demanding, even confounding. One way I learned to embrace this approach was by incorporating rituals in my course designs.The use of rituals in classrooms allows students an experience that moves them into realms where meaning-making requires imagination and vision. Rituals can provide provocative and creative ways for students to enter and inhabit course content that otherwise would go overlooked, under-investigated, or ignored. Rituals create space for learning through intrigue, encounter, and invocation.Below, I recount a class ritual I designed to coax students into claiming more power, agency, and voice in their own learning. Here is my key ritual.Ten graduate students and I went to a retreat center by the sea for an intensive 4-day course focused on the notions of mystery and imagination. At our first session, we gathered in a large room and sat on folding chairs arranged in a circle. The all-purpose room had a wall of glass windows with views east toward the Atlantic Ocean. From the circle, we could not hear the waves, but we could see the sea stretching out. The afternoon sun gently setting into the horizon was lovely and the perfect backdrop for our key ritual. It was a beautiful place to learn together.I sat in the circle holding a black, beaded purse.In preparation for the first session, I had collected an assortment of keys. My collection included skeleton keys, hotel room digital keys, metal house keys, roller skate keys, safety deposit box keys, padlock keys, piano keys, house radiator keys, clock keys, keys for maps, a thumb drive with Stevie Wonder’s “Songs in the Key of Life”— as many kinds of keys as I could find. The black, beaded, drawstring bag with long strands of fringe on the bottom was a treasure I had since my junior high school days of boho fashion.  I was delighted when I found it in my closet. It was the perfect vessel for the ritual.Holding up the bag in front of the class, I jingled the contents so the learners would hear noise. Over the sound of clinking and tinkling, while using a suspenseful and serious tone of voice, “I am going to bring the purse to each of you. When I come to you, reach in and select one object. Just one—you cannot handle two!” I chided. “When you pull the object out, this object becomes yours. Its power will become your power. Do not let anyone else view your object. Keep it concealed in your hands. Hold it to your bosom. If you want, glimpse at it through your interlaced fingers or turn your back for a peek. Do not let anyone see your object.”Some students became reticent. Some looked a little hesitant. I was having fun.I passed around the circle taking the open purse in turn to each student. I held the purse high so the contents could not be viewed. Each student, following directions, reached in, retrieved an object that was some kind of key. As instructed, students took care not to show their key. Some students used both hands to keep the key from view.  Once everyone had a key – I asked, “Before we show what we have chosen, or more to the point, what has chosen us, does anyone want to give back what you took from my bag? Does anyone want to return their choice? Or does anyone want something different?”These questions brought a thick, full silence into the circle. I waited for their decisions. Everyone signaled that they wanted to keep what they had chosen.“Very good, then. You can reveal what is in your hand. You can reveal what has chosen you,” I said.Students unfurled their fingers revealing their gift, revealing their key.Some looked happy – had smiles on their faces.Some looked quizzical – had arched eyebrows and squinting eyes.Others looked confused – they looked at their key then around at the keys of the other students as if they had received something strange.I continued, “For the duration of our course you will carry your key with you. You will get acquainted with the power of your key. Remember—keys open doors, providing access. Keys also lock doors, providing safety and protection. This key will give you power that you already possess but have not accessed or for which you have not been disciplined. Your key will help you become more of who you already are. With your key you have the power to open and close at your behest. During this class get acquainted with your power and use it wisely.”I instructed that the next step was that each student would take their keys and a notebook to a quiet spot inside or outside of the retreat center. Each person was to find a comfortable and private spot to converse with their key. For an hour, each student will interview their key; contemplate their key; draw their key; write a story, song, or poem with their key in the starring role. Get to know your key and record what your key tells you about its purpose, power, history, and value.To my surprise, these instructions were met with eagerness.An hour later the group returned to the circle. Each student told a fascinating narrative about what they had learned from and about their keys. The reports were in the forms of drawings, lyrics, journal prose and poetry. Each was beautiful in its own way. For the rest of the course students explored the power of their own agency and imagination and how those attributes were symbolized and animated by their key. At the last session of the course, I brought the drawstring beaded purse back to the circle. I asked if anyone wanted to return their key to the bag. Everyone kept their power.This is what I learned. When courses are more than spaces where information is memorized then regurgitated, students who are unacquainted with self-reflection and possess little self-knowledge feel lost or are easily overwhelmed. When classes are spaces of wonder, curiosity, and deep deliberation students must be acquainted with their own power to question. They must be willing to bring their own agendas and to consider a wider way of being. Too many students are unaware of their capabilities and capacities as learners. They are unacquainted with their own genuine. Adult learners who enter classrooms with little self-knowledge are often skittish, suspicious, and ill-prepared for the challenges of classroom endeavors. This lack of knowledge makes it difficult to teach.  It takes some modicum of self-awareness and clarity of purpose for learners to take hold of courses at a level of depth worth pursuing. Learning requires students to have agency – to have keys to their own power.Our job as teachers, in part, is to assist students with un-learning the ways which dampen their voices, and which keep them afraid of new learning. We must assist them with cultivating agency so they are less encumbered during their pursuits. Rituals in teaching can move students past their fears and into their power, courage, and commitments. Giving students keys was my way of ritualizing my expectations that they would use their power to learn, to come to voice, to tap into their own desires and yearnings. Reflection questions:What rituals can we lead so that students feel more themselves in our classrooms – i.e. empowered, voiced, and capable?What does it mean to teach toward possibility and how do rituals make the impossible possible?What rituals assist in creating a learning environment where students learn their own value and worth and dignity?

Carrying Water: Pedagogical Ritual in Practice

In her series of blog posts, “What Ritual Does,” Itihari Y. Toure elucidates the potential of ritual for teaching – reminding us of how ritual engenders “communal learning,” “extends the depth of our imagination,” brings us “into a divine dance,” and functions as a “restorying” activism. I am a witness: ritual does all that Toure says and more. I am a believer: ritual is an essential teacher. I can testify: ritual opens us to surprising learning possibilities – and Toure brought the pedagogical power of ritual to life in new ways during a Wabash workshop for faculty of African descent. Building on some of the ritual lessons we learned with Toure in the workshop, I have been exploring water as a ritual conductor. Toure writes: “We imagine a portal, a doorway in liminal spaces and to our delight, the ritual affords the opportunity to be in liminality and create.” Water becomes a tangible portal of the intangible: receiving our gifts, our gratitude, our hopes, our intentions, and our manifestations. Through water we feel matter, we sense touch, we know wetness, we acclimate ourselves with temperature. Water, for me, is a substance through which I can know that the personal is pedagogical – and how. Water with Colleagues. In our workshop we were reminded of how water receives the vibrational patterns of our hearts’ desires expressed as spoken word, and that in its evaporation what we have spoken can be manifested. Does water manifest the desired and spoken outcome? Perhaps the answer to this question matters less than the vulnerability of speaking into water – open to this possibility – and (working and) watching to see what follows. When we considered this ritual potential of water together in a community of colleagues, one of the most extraordinary gifts of this collective contemplation was the mutual sharing this engendered. We pour water. We speak into water. We wash with water. We rinse with water. We drink water. We share water. We create with water. We pass through water. We transition in water. We are born of water. We learn water. We teach water. We are water. Water at Home. Toure’s invitation to speak intentions into water was not the first such invitation I had received. However, during our workshop I accepted her invitation. There I found that when I carried a practice introduced in the classroom space into my living space, the tone, tenor, quality, and content of what proceeded from my heart through my mouth into the water was different. I spoke of learning intentions – but also of personal intentions and how the two of these related to one another. I was engaging the learning space of the classroom at home – in the ritual spaces of my home. Home – and, specifically, the ritual spaces of my home – found a constructive return route to the classroom learning space. Perhaps, we might call this (wait for it) . . . homework. However, it is not the traditional homework of written, submittable, graded assignments. It is a holistic, somatic agreement that I take home what I have learned in class and apply it to (i.e., allow it to touch) the innermost parts of my being and I am prepared, when I return to class, to bear witness to what happens when I open myself in this way. For what it’s worth: I responded to this ritual invitation long after the close of the workshop – and much of what I have spoken into water has manifested. Water in Pedagogical Relationship. But how do our relationships carry water? I explored this – and an extension of the speaking-into-water ritual – in a small grant project with a pedagogical resource partner. (Our water rituals were but a small part of the work.) To the speaking-into-water ritual, we added morning and evening written and spoken expressions of gratitude, intentions, and manifestations. Together, we contemplated our distinct senses of the cultural significance of leaving water uncovered or covered; we marinated sacred texts in waters we then used to wash (i.e., a common practice among Senegalese Muslims known as safara, a Mouride water ritual); we drank from, drew out of, spoke into, and rinsed with contained and natural glacial bodies of water; we spoke common and distinct words. We found that our gratitude multiplied, our intentions were realized, and (so far) that which we hoped to manifest is coming to pass. So, while the efficacy of articulating goals in spoken and written forms (without water) has been formally studied, my experience reconvinces me of the power of water as a ritual conductor, a teacher of ritual, and a learning tool. What if more classes began with the relational exchange and homework of speaking-into-water rituals – rituals that included the speaking of learners’ own interpreted and adopted learning intentions? And, what if more learners carried water in this way?

Ritual is a Means of Remembering the Human Spirit

Many of us are familiar with the scripture from Jeremiah 1:5: “before you were formed in your mother’s womb, I knew you” (NIV). It reminds us of the immortal aspect of our human spirit.  In the context of West African cosmologies, it is our spiritual essence that is with the Creator before we become human. That is to say, the aspects of our personhood which are in alignment with the cosmic design for harmony, justice, reciprocity, and balance.  There are specific rituals that emphasize this immortal aspect of our being. Some of these rituals are commonplace in cultural expressions, like when we decide to name a child after a loved one who has passed away; remarking on that immortal aspect of that life that lives on and honors the family. So, we say to folks as ritual: “Say your name and say the names of the ones who named you!”  This is a ritual of introduction. We see it in the South African ritual of greeting, “Sawubona,” which means I see you. I see you, your spiritual essence and all those in your lineage who carry this same essence.  Libation is another ritual we find in the Bible and in multiple cultural traditions where the immortal aspect of our human spirit is recalled, elevated, and remembered as good for those who are in the present. In a libation, we invoke their name as a way of calling upon that immortal aspect of our being. We can construct rituals that remind us that we all come here with an immortal character.  A way of being that is not contingent upon where we live, our social or economic status, our physical abilities nor our ethnic or gender identity. Nothing about our social location was “known” by our Creator to determine our Divine Consecrated Identity. Surely, we can consider this when we think about the social location of Hagar or the young brother Joseph, Mary, or Paul. Our social location can affect our consecrated self, but it does not determine it. Ritual can remind us of who we are when our social location attempts to derail us. Ritual calls forth our consecrated identity, the divine self before we were in our mother’s womb. 

What Ritual Does…

Part Four: Ritual is a Form of Activism Engaging ritual as an individual or as a collective act of embodiment challenges ideas about the source and nature of our intelligence and for some it challenges ideas about how we arrive at knowing. As a form of activism, ritual invites us into the process of restorying that counters colonizing stories which perpetuate cultural and gender hegemony. Rituals also take the diverse traditions of old narratives and gives them meaning for the present context or need. The restorying in ritual also centers diverse intelligences (bodily-kinesthetic, environmental, rhythmic, visual, auditory, social, etc.,) in a nonhierarchical manner. It affords us to remember our own story in relationship to the transcendent, to remember a people’s story in relationship to the unseen yet felt power of spirit. Our ritual restorying is another form of both our personal and collective agency. Ritual focuses on lived and innate capacities that are in operation to benefit us and community. Imagine that – using our intelligence for our personal and collective benefit, not for institutions or capitalizing agendas. We get to use our restorying in ritual to practice “being” while welcoming others into the same practice. This is primarily the role of community participation in ritual; to show our authentic selves. Whether it is the restorying of a grief ritual, the restorying of a ritual for renewal and rebirth, a ritual of covenant or a ritual of invocation; the community’s role is to authentically show up. Here is where ritual begins to counter models of acceptability, belonging, worthiness posited by dominant forces or groups that exclude, marginalize, and perpetuate othering. If the intent is transformation and ethical change, ritual can construct a valid and mutually beneficial pathway for creating community strong enough to hold one another’s truths. 

What Ritual Does…

Part Three: Ritual Bring Us into a Divine Dance (the real-time, active participation in the transcendent, where the physical realm intercedes for the spiritual realm). A Divine Dance; ritual creates a divine dance between the guide and the participants, the teacher, and the learner. Ritual uses the spiritual nature of rhythm, coordinated actions and speech to invoke teaching and learning as a “divine dance.” A dance, between the life’s purpose and mission of both the teacher and the student is at the heart of the exchange. It goes beyond discrete knowledge or application of course content. Ritual, when it is intentional, steps into the spiritual realm to illuminate the lessons we came here to receive. Ritual recognizes that everyone of us comes into being to learn a set of lessons. The lessons that aid us in becoming (better) and in sharing our becoming with others so that we are all becoming (better) and belonging. Meaningfulness in learning is heightened when the learner can see and feel learning in alignment with purpose and the teacher sees and feels teaching as living-out purpose. Ritual not only pronounces this spirit work, but it also maintains this transcending dance while it seeks to intercede with earthly realities that would impede us from getting the lessons. Imagine this, a ritual lifting one’s life purpose and mission in ways that welcome, clarifiy, and situate the lessons as part of our Divine plan. Rituals create a Divine dance as expressions of wisdom and the gifts to be given as life’s mission are expressions of love. For both the student and the teacher, every teaching moment is an opportunity to learn a transcending lesson, or to give a gift.  What ritual does is enlist our active participation in the unseen as it negotiates what we can see, speak, feel, and touch.

What Ritual Does…

Part Two: Ritual Extends the Depth of Our Imagination. Ritual takes the familiar and enlivens it with our imagination.  Consider it this way, you have a favorite dance or song or prayer. The reason we can dance it, sing it, pray it, again and again is that each time our ingenuity takes the work to another dimension. Each time we feel, express, and see something new that we did not experience before. It is this aspect of ritual that makes it meaningful and alive and different from a routine.  Each time we engage in ritual it comes alive with the genius of our imagination. Ritual can even begin in our imagination and blossom through its application. We imagine a portal, a doorway in liminal spaces and to our delight, the ritual affords the opportunity to be in liminality and create. So, during the ritual there may be revelation, illumination and even inspiration that touches our spirit so that it becomes real. The ritual has moved from a familiar intent, or action, to the manifestation of our imagining.  With practice, we become fluid in ritual making and always expect our imagination to do what it does. In this way, ritual maintains the integrity of being in the present while reaching into the unseen (imagination). Because we are intentional in ritual, it also creates a kind of authority to dreaming and imagining. Ritual helps to declare that what we dream, what we imagine, is as much a part of our collective covenant in Spirit as the faith we have in our Creator and Ancestors working on our behalf.  So, do ritual; do ritual to imagine deeply!

What Ritual Does…

Part One: Ritual Is Communal Learning. We might agree that “community” is a dynamic, divine dance among individuals who, at any given moment, can structure and normalize what might have begun as a spontaneous, enlivening interaction. Community, in the context of our classrooms, can either be a routinized structure of interactions, focused on a set of pragmatics (time allotted, prescribed lessons/topics, inherited answers to repeated questions), or a generative experience, full of imagery and ideas that are liberative to the spirit. In other words, we can create community to fulfill a set of accepted structures about learning, or we can create a space that courageously “touches the spirit.” This is the point of ritual, to touch the spirit, and it involves everyone in the space together experiencing the divine dance. Rituals, when seeking to connect meaningfully to the essence of our being, becomes a point of teaching and learning within the moment. I believe that there are such experiences of ritual in every culture because even as we are human, we are divine. Both aspects of our being desire existence. For those of us in theological education, we have the privilege to focus on both the human and the divine as a responsibility of teaching those called to do spirit work. Ritual invites the community of bearers and seekers to experience this transcendent work together and receive the benefits of communal learning to touch the divine within us together. Part of our challenge is operating in an ecosystem that pays more attention to rules and structures than the divine dance, trusting in our own aptitude and the genius of the spirit to decentralize oppressive rules and structures. My communities called me forth to be a keeper of the ritual. It was not until they gave voice to my “medicine” that I accepted it and began to develop it. Rituals became the first task when I settled myself into class preparation. I would find spaces to just listen. The listening would take even longer when I saw names of learners that I had in a previous class. It was much later that I realized that this listening was paying attention to ancestral voices whose “sight became my vanguard voice.” Ritual not only enlivened the purpose of the course beyond the accumulation of information, but it also afforded each one of us to sit with our individual social location in ritual as an opportunity for personal value in the communal space. With the ritual, we were measuring our worth based upon course content in relation to our lived experiences. We were adding value to the community by our existence and the value of being connected to one another. As I think about the adults who entered those classroom spaces and the complexity of their lives, the ritual space also became a moment of releasing and accepting without having to speak to the specifics of what was/would be going on. This is the healing aspect of ritual. Rituals create space for communal recovery and discovery. Rituals create space for rest. Do I require everyone in attendance to engage the ritual? I do not. Even for those who, in their own way, do not participate in the class rituals, they bear witness to it. And what we do know, is that you cannot unsee what you see, and you cannot unhear what you have heard. This is also the reason why ritual work is a deeply intentional and serious work. It is not an icebreaker or a gesture of novelty. This is an assurance: the presence of a person at the ritual affords them a chance to speak to the spirit.