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A Pedagogy of Contact and Sensation

As the fall semester draws to a close, I reflect on how our classrooms continue to absorb the dense impact of exhaustion, grief, and so many unknowns. The isolation and physical distancing brought by COVID-19 during the first months of 2020 have remained a reality for much longer than any of us could have anticipated. We have hardly been able to metabolize our grief, frustration, fatigue, and the toll the lack of contact and sensation has had on our bodies. Along with COVID-19, we have continued to somatize the woundedness of profound inequalities in our communities, as I have written elsewhere. From election cycles in the Américas, to ongoing anti-Black racism and violence, white supremacy, settler/extractive colonialism, racial capitalism, and cishet patriarchy, we continue to survive systems of exploitation, dominance, and oppressions of all tenors. In light of this historical moment, my colleague at the Pacific School of Religion, Dr. Aizaiah Yong, and I chose to codesign a syllabus that engaged formation through the lens of spirituality and leadership, in an attempt to deepen our lives individually and collectively. It intentionally centered the work of Black, Indigenous, and other scholars of color. We created a compendium aimed at sustaining our vitality, rootedness, and creativity during this period of remote learning where we surveyed practices and scholarship from varied religious traditions, geopolitical contexts, and artistic modalities. Throughout the last four months, our virtual classroom became a collaborative learning environment where coconspirators “identif[ied] and valorize[d] that which often does not even appear as knowledge in the light of the dominant epistemologies,” as de Sousa Santos puts it.[1] By privileging experiential epistemologies, we attempted to interrupt the dominant politics of knowledge and made every effort to enflesh sensorial experiences, understanding that they are fundamental in the shaping of knowledge and students’ formation. Corporeal ways of knowing presuppose contact, sensation, concrete, emergent, and living bodies, in all their capacity for suffering and healing, copresence and distance, for knowing-with rather than knowing-about. The semester’s various activities ranged widely: we created centering and closing moments where we could collectively breathe, built sacred spaces, performed an archeology of our joys, recollected our ancestral connections, our ecostories, ecomemories, understood land as formation, as pedagogy, thought about emergent strategies for transformation, engaged with how we metabolize anger, and how to develop a keener experience of tenderness.[2] Students were invited to imaginatively cocreate workshops, artworks, reflections, engage one another via a “spiritual formation virtual café” suggested by one student, raise difficult questions via online forums, and come up with field guides for spiritual formation with spiritual practices, reflections, centering moments, devotionals, rituals, meditations, art-making, embodied work, and much more. And yet all of these strategies seemed somewhat insufficient in our attempt to foster bonds of copresence, sensation, and contact that body-with-body classrooms offer. How could we respond to the urgencies, the sense of isolation, fragmentation, and the intensities of the present moment through remote learning? How could we open up the nexus of space-place-time to embodiment? How could we be responsive to Lama Rod Owens’ call to embodiment as a returning home to our bodies, in this moment and context, opening up some kind of spaciousness that could allow us to respond to both the woundedness and the joys of the now?[3] How could we cultivate embodiment in a virtual setting with a deep understanding “that disembodiment is the primary strategy through which oppression is maintained,” because we become desensitized to the conditions around us, to our emotions, to our sense of vitality, to that which deeply moves us and puts us back in touch with ourselves, our joys, pleasures, hopes, and dreams?[4] How would we subvert the logic of isolation and “presentify” zoom rooms so that a confluence of encounters, contact, and embodied sensation could transpire? How could we create a classroom experience based on a poetics of presence and intimacy as the artist Elisa Arruda invites us to create? By turning to creative practices and the arts, we were able to weave, potentialize, and ignite a process of contact and sensation. Each week, students received what we called Spiritual Formation Care Packages (SFCP), which were designed based on the readings for that week. They became a series of centering and creative exercises that invited us to meditate, embody, and create for about one full hour per week. The intention of these exercises was to provide support and an opportunity for creative embodiment, integrating what students learned in class with their own lived experiences, creative processes, spiritual traditions, and research. The SFCP ritualized and generated containers allowing students to tap into the power of their spiritualities and creative vigor. Inspired by my own art practices and the work of Gloria Anzaldúa, the packages afforded us an opportunity to sense how our skin, viscera, and psychosomatic bodies carry knowledge that—in moments of pain, dis-ease, conflict, and unknowingness—yield us the capacity to see, touch, and create in expansive and incendiary ways. Art, as Anzaldúa puts it, is the “locus of resistance, of rupture, implosion, explosion, and of putting together the fragments.”[5] It allows us to become anchored in our bodies, to “shock ourselves into new ways of perceiving the world,” to “feel our way without blinders,” to “touch more people,” to evoke the personal and social realities through blood, pus, and sweat. Our creative practices afford us the opportunity to access, re-member, and revive “what most links us with life.”[6] Art practices, as shown in the work of Elisa Arruda, embolden us to reclaim our processes of formation, fully embodying our shadows and desires for presence, joy, pleasure, restoration, expansion, contraction, proximity, sensation, and connection. [su_image_carousel source="media: 244745,244746,244747,244748,244749,244750,244751,244752,244753" limit="100" slides_style="photo" crop="none" align="left" max_width="2000" captions="yes"] About the Artist: Elisa Arruda is a visual artist who was born and raised in Belem do Pará, in the Amazonian region of Brazil. Currently living in São Paulo, Arruda investigates the poetics of intimacy, moving quite freely through several mediums. She pays particular attention to the realms of the domestic and the public as well as the tensions sheltered in dynamics of strength + fragility, endings + beginnings, intimacy + alienation, loss + growth, proximity + confinement. Notes [1] Boaventura de Sousa Santos, The End of Cognitive Empire: The Coming of Age of Epistemologies of the South (Durham, NC: Duke University Press, 2018), 2. [2] For more on this, please refer to Eros and Ideologies by Laura E. Pérez, Voices from the Ancestors edited by Lara Medina and Martha Gonzales, Land as Pedagogy by Leanne Betasamosake Simpson, Ecowomanism by Melanie L. Harris, The Way of Tenderness by Zenju Earthlyn Manuel, and Love and Rage by Lama Rod Owen. [3] Lama Rod Owens, Love and Rage: The Path of Liberation Through Anger (Berkeley, CA: North Atlantic Books, 2020), 119-120. [4] Rod Owens, Love and Rage, 121. [5] Gloria Anzaldúa, The Gloria Anzaldúa Reader, AnaLouise Keating, ed. (Durham: Duke University Press, 2009), 177. [6] Anzaldúa, “Speaking in Tongues: A Writer to Third World Women Writers,” 34.

One-Layer Removed:  A Pedagogical Strategy when Trauma Interrupts

More than once, a student has reported on a trauma unfolding in real time in the middle of class. Students with laptops open, or phones nearby, have shared breaking news of university lockdowns or school shootings. Just this semester, in the hours surrounding classes, we’ve seen gun violence and middle school walkouts, women’s rights and sexualized violence, police brutality and other forms of racist misuse of power, DACA and the risk and vulnerability of undocumented students, and more.  As a teacher, how does one prepare for what to do next? Part of responding to trauma is preparing to be present in unpredictable moments. Where in the curriculum do students learn whether to interrupt teaching and learning, to rewrite budgets, sermons, pastoral prayers, to scrap programming or lecture content in favor of addressing a trauma at hand?  This year I’ve experimented more regularly with a strategy I’ve used occasionally to structure time and space into my courses for the unpredictable. When trauma interrupts class, I often feel compelled to address it. However, I don’t always know which issues will trigger which students. Disclosing personal histories of trauma is not something I require nor think should be required. Histories of trauma exist, at all times, in visible and invisible ways. Some new trauma will interrupt, a decision is made about whether or not to address it, and unintended consequences may follow.  A “one-layer removed” pedagogical strategy helps me hold space to respond to trauma that interrupts courses while also protecting students from having to disclose their personal histories or being triggered directly. The strategy structures a simulated conversation about having a conversation about the presenting traumatic event. It’s not the conversation per se, but a directed conversation about the possibility of a more direct conversation at another time and place. Thus, the pedagogical exercise is by design one-layer removed from a trauma that interrupts. How does it work?  The one-layer removed practice requires at least 15 minutes of class time on a regular basis throughout the semester. I divide the class into groups of three with a seeker, a consultant, and an observer (a classic role play design). In larger groups, seekers can tag team or consultants can work together, or observers can share unique observations in turn. The seekers are the students themselves in their actual or imagined future vocational setting. The seeker contacts the consultant(s) about how to address a particular trauma in their ministry setting, practicing collegial consultation with a prompt: Seeker: Given the topic of class today and the reading we’ve been doing, I want to respond to (fill in the trauma that has interrupted the class in real time or in the local or global community).  Can you help me imagine how to do so? The consultant and seeker discuss possible conversations they imagine having or not having in their ministry, vocational, or other context at another time and space. After 5 minutes, the observer(s) reports about connections they see to the course themes, readings, contextual factors, trigger warnings or concerns, and more. Then, to debrief, the group can join with another group or the whole class can have a brief or longer conversation. This “one-layer removed” practice highlights three learning goals I have for students in several of my classes: (1) practicing and preparing to remain present when unpredictable care concerns and moral dilemmas arise (2) demonstrating and committing to ongoing courageous self-awareness and leading courageous communal awareness[1] (3) building on this awareness, cultivating a living referral network through practices of relationship-building,  consultation, and networking. When trauma infuses public discourse during a semester or even during a class session, a one-layer removed practice helps the class work on all three of these goals.  Here’s an example. This past fall, the #metoo movement arose with renewed energy[2] in which people, particularly women, disclosed experiences of abuse through social media and public protests. It was hard not to notice. In October 2017, I was teaching examples of trinitarian pastoral theology that took seriously intersectional concerns of gender, class, race, and a history of surviving abuse. There were lots of connections between course requirements and collective trauma being disclosed through the #metoo public discourse.  In a class session, I used previously set aside one-layer removed practice class time: Seeker: Given the topic of class this week and the reading we’ve been doing on taking women’s experiences seriously in our theologies of pastoral care and given the eruption of the #metoo movement this week, I am thinking about quoting this prayer[3] in my faith community’s service this week. Do you think that’s wise and how could I frame it? In the brief but important conversations that emerged, students practiced putting words to something that was painfully very familiar to some and not at all to others. Students considered how various folks with various experiences might receive either these words, other words, or lack of words about #metoo. Students brainstormed the kind of referrals they would need in their pocket that week in their various ministry and nonprofit contexts, no matter what was said or unsaid, about local resources they might print on a service bulletin. We discussed self-care, courageous communal care, and, yes, we incorporated assigned readings on implications for trinitarian pastoral theology and why that mattered. A one-layer removed pedagogical strategy helps students in my practical and pastoral theology and ethics classes prepare for moments when trauma or other dire care needs interrupt their work as a student, minister, nonprofit leader, or even dinner conversations with family and friends. Increasingly in the last year, as a pastoral theologian, I’ve been called by friends and strangers both near and far to support communities regarding various traumas. For example, I’m on a non-profit board whose carefully constructed budget had to be completely rethought when violence erupted in our service population.  Suddenly we needed to fund emergency counseling and care across multiple countries and communities. Here is just one example where my own lived experiences and the learning outcomes I have for my students aligned: the need to create a referral network before you need it.  Trauma will impinge on previously scheduled plans and folks will ask religious and spiritual leaders for advice, expect to hear a word or prayer, and hope to find some assistance in what to do next. I teach graduate students in theological education at the Masters and Doctoral levels and often remind my students that whether or not they see themselves as religious or spiritual leaders, folks who know they are educated in graduate theological education will expect them to be present in significant life and death moments. Where can students practice this in the curriculum? I’ve found that a pedagogical practice of one-layer removed can offer crucial time and space to practice.  [1] This awareness is important for helping students know which issues are too close to their own experience for them to be a care-provider and therefore need to establish referrals for help with these issues before they are needed. [2] Tanara Burke, longtime supporter of social justice for women and girls of color and founder of the nonprofit organization “JustBeInc,” created the “me too” movement to support survivors of sexualized violence a decade before the social media #metoo campaign of 2017 (see for example, https://www.nytimes.com/2017/10/20/us/me-too-movement-tarana-burke.html.  See also http://justbeinc.wixsite.com/justbeinc/board ). [3] I provided each group with copies of a blog that had been published that week from Rev. Sarah Griffith Lund at https://sarahgriffithlund.com/2017/10/18/god-were-you-there-when-metoo/

Learning to Wait for the Wind

In a society wrought with busyness, contemplation is often deemed a foolish waste of time. Yet, for those of us who want to be reflective practitioners of teaching, contemplation is essential. In considering the needs of students who are navigating our frenetic society, perhaps they, too, need to learn to be more contemplative. Suppose the lessons we teach about social change, eradication of patriarchy and white supremacy, and the need to support the poor into economic stability, cannot be grasped or attained without contemplation? Teaching against the societal values of individualism, violence, greed, and competition needs deep reflection. Raising awareness of the oppressive economic systems, unnecessary suffering, and environmental devastation might mean learning the practices of contemplation if we are to survive. Recognizing the inhumanity of oppressive structures, and summoning the creativity to reimagine a society that is more communal, more humane, more equitable, takes long periods of thoughtful concentration. Clarity and wisdom can be beckoned through the work of contemplation. In considering the role of contemplation in teaching and learning, I asked myself if there have been moments in my life where I have had the experience of contemplation from which I might draw to better teach my students. If I am to incorporate contemplation for my own learning, what do I know about contemplation and how have I come to know it? When have I experienced contemplation that was useful?  This was the helpful recollection: My dad had a certain kind of know-how. Among other things, Dad knew the right days to fly kites. This, I have come to understand, is a kind of wisdom. Kite day was not a set date on the calendar. Kite day was the day that Dad knew the wind was just right. How he knew – I still do not know. On the appointed day, usually a spring Saturday, Dad would announce to me and my brother Brent that it was Kite Day. The announcement meant we, in great excitement, would gather the needed elements to build kites. Brent and I would grab previously read newspapers, the stakes used for tomato plants, assorted kinds of string and old undershirts. We spread the supplies out on the dining room table and my father went to work. With the precision of an origami artist, Dad carefully folded the newspaper, attached the stakes into the folds, then, using ripped up tee-shirts, fashioned and knotted a tail for each kite. The last step was to apply the string and check the makeshift reeling. Once the kites were assembled, we processed, kites in-hand, careful not to drag the tails, to the baseball field across the street from our row house in North Philly. Dad would choose the spot for the kite flying by pausing to feel for the wind. Then, I thought he was just being dramatic. Now, I know feeling for the wind is a necessary aspect of successful kite flying. After quiet moments of wind-testing, we were ready. With great care each kite was placed on the grass and its tail was carefully laid out. My brother and I wanted to run with our kites - demanding them into the sky, but no kite ever obeyed. My father said, “No kite flies from running it into the sky – you must wait for the wind.” Waiting for the wind was not easy because it meant just that - waiting.  What I learned is that once the flurry of assembling the kite is over – kite flying becomes a contemplative sport. Waiting for the wind required patience, stillness, and focus. These moments of waiting were full moments of silence, light conversation, or just observing the surroundings.  With no notice, sometimes gusts would come and abruptly snatch the kite up into the air then just as abruptly slam it down to the ground. If kites became bruised or even destroyed, Dad would fix it or fashion a new one on site. Sometimes, if my brother or I had been lulled into inattention, a gust would take our kite up and the fast-moving string would burn our tender hands. We learned about friction and how to put Band-Aids on fingers. As we became more attuned, Brent and I learned to hold the kite back from flight when the wind was too strong. We learned to judge the right wind and see our kites into lift-off. The moments of lift-off were exciting. Feeling the wind take hold of the kite in a gentle way was the anticipated moment realized. Once lift-off was achieved, the job was, as Dad instructed, to “Keep the nose up!” so the kite would gain altitude and so the line could be let out gradually and evenly. When the kite was 10 or 20 feet in the air, the goal was to get the kite to 40 or 50 feet. The best flying was when the line was completely let out, and we had time to quietly sit and gaze while it danced, soared, and pranced across the sky. The sky above our field in North Philly was quite a lovely site on kite flying days. Friends, am I suggesting we all learn to fly kites? Yes! Sometimes the literal is the best.  Beyond the literal, I am considering ways of designing learning activities for students, as well as developing practices for teachers, which require time to tarry, linger, be still and quiet. This elegant practice might spawn our best teaching, ever. It might be as simple as breathing and pausing before answering questions in classroom discussion or instructing students to think silently for a few extended moments before asking questions. Slowing the tempo of Q&A might led to deeper, more insightful inquiry.  Beyond that, crafting exercises which make use of meditation, silence, and stillness to consider complex or emotionally charged concepts could be a refreshing change to the typical patterns of classroom interaction. And of course, for teacher preparation, time spent in silence, in mindfulness practice, and in stillness for re-centering and preparation will likely make us calmer, more present as we teach. The greater change in our classrooms might be developing the sensitivity and patience to wait on the winds of our students, i.e. their curiosity, their questions, and concerns, to shape the course and discussions. A contemplative classroom could be a more attuned, a more relevant learning experience. Let us all find beneficial ways to wait for the wind.