Resources

Continuing on themes from the last blog in this series, another antiracism pro-tip for classroom teaching comes both from a story an early-career mentor of mine told me, and then directly from the mouths of my own students: for the love of God, always assign groups in class! If you want students to talk to anyone else in class, tell them precisely who they’re talking to and give them a specific question or two to work on together. Why is this an antiracist practice? In short, students have a strong tendency (sometimes conscious, sometimes not) to self-segregate in classes. Assigning groups disrupts this tendency.For this wisdom, I was allowed to stand on the shoulders of another teacher rather than waiting until I screwed things up profoundly enough that I actually noticed it. In one of my first years of teaching, a mentor in our new faculty circle talked about her past practice of telling students to just “pair up!” to discuss class material. She saw no issues with this practice, apart from a few quiet students, until one day when she was teaching a course with two Black male students among a much whiter cohort. These students didn’t sit near each other, or seem to know each other; but when she instructed everyone to find a partner, neither of them even bothered to look up to their nearest neighbors. Instead, a beat after everyone else had started chattering, the young man in the front row slowly lifted his head and made eye contact with the young man seated in the back. Both had assumed, rightly, that they would not be tapped by their white classmates to be partners; both knew that whether or not they were friends, they were “other” in this classroom, and that made them de facto partners.The obvious shame that my mentor felt in articulating this story stuck with me, and so assigning groups has consistently been part of my practice. However, I didn’t realize that I was doing something particularly different until I held an Antiracism Learn-Along event for students at my school where I opened space for them to discuss experiences around race and belonging at our college. Many of them immediately agreed that the school can quickly become “cliquey” and that racial groups tend to stick together unless prompted to do otherwise. Some students of color reported getting “dirty looks” when trying to join into a pre-existing group of white women, but even more said that they simply wouldn’t bother trying – they’d been burned before, often in high school, when attempting to be friendly to white people. They weren’t going to risk the same rejection here if they had the option of staying with people who looked more like themselves.Despite these experiences, the students said that professors requiring a mix-up of the room really did help over the long term, both in making friendly connections and being able to learn from other perspectives. I have endless ways of sorting students: making them “speed-date” in pairs that only have to converse for one minute, grouping them based on where they sit, grouping them by order on the roster, grouping them by alliterative first names (one of the unique joys of teaching at a women’s college in 2024 is being able to call out “Kiley, Kya, Kayleigh, and Caitlin” followed by “Haley, Hailey, Bailey, and Kayley” in rapid succession. I’m not even making these examples up). Sometimes I craft groups before class, and other times I sort it out when I see who came for the day. Some days I let students stay with their friends, and other days I make them talk to someone who sits across the room. I put my most boisterous people together and my shyest people together to see what happens, then try to balance the talkers and listeners on another day. Because my students are so used to being mixed up, they don’t even notice that some days I ensure that no student of color is alone in a group of white learners, or that some days I put all my Latina students together when discussing something relevant to Latinx culture, so that they don’t have to re-explain their heritage to others. Usually within four to six weeks in the term, students are comfortable enough with this apparent unpredictability that discussion starts flowing easily regardless of what group they’re in.Students may not notice how this practice can serve an antiracist commitment right away, if ever—it’s not as obvious as visually diverse representation on slides, or including authorial racial identities on an LMS—but assigning groups every time can very quickly disrupt the usual patterns of self-segregation in a classroom, and contribute to a more effective learning environment overall.

As I said in my earlier blog in this series, it can be a relief for teachers to know that making a course more antiracist isn’t only about introducing fraught topics and crossing one’s fingers that students have the self-awareness to handle them; antiracism can be present structurally, in much the same way that racism can be present structurally. In this blog, I will explore two practices I use in my own teaching to help promote a more antiracist learning environment, neither of which involve staging contentious debates or calling out individuals to speak on their experiences. While neither practice can suddenly create a perfectly antiracist classroom, they can help move one’s overall teaching farther along that spectrum.The first place to start is examining imagery usage in one’s class. I personally came late to PowerPoints in my teaching (only really becoming proficient in slides during remote-synchronous learning in the pandemic when writing things on the board was no longer an option), so imagery for me was initially confined to my online course structure in my LMS. I dislike “plain” pages with nothing but text, so I was habitually using stock images on assignments and pages to offer some visual breaks – close-ups of water, forest photos, and so on. This continued until I was slotted to teach Women in the Bible and started exploring imagery for the Biblical figures I planned to focus on. Initial Google Image searching yielded everything from cartoons to Renaissance oil paintings and everything in between – but the enduring theme was that most representations depicted Bible characters as white, white, white!This was irritating on multiple levels. Historical accuracy was certainly a factor, but even if we could all agree that nobody really knows what Ruth and Naomi looked like, why do so many artists seem to assume they were pale-skinned and fair-haired? (The answer, in short, is white supremacy and Eurocentric Christian bias, but if you’re reading a blog like this one, you probably already knew that). I was saved in that course by discovering James C. Lewis’s Icons of the Bible artistic photography series, a project that depicts Bible figures more accurately with models who are exclusively people of color. Sweet relief!Once slide decks became a more typical staple of my teaching techniques, then, I already had some experience realizing that the way I depicted people and communities on these slides would affect my students’ imagination. I teach at a women’s college, so I started by ensuring that my stock images included far fewer men than women, and then aimed to depict a wide range of racial diversity in each slide series. In teaching my class on Bodies in Christian Theology, I also learned to emphasize size diversity, visible disability, and visible queerness to continually enforce the implicit curriculum that Theology is for everyone and is done by everyone. For those who mostly use slides for text, I encourage you to experiment with the color and liveliness that comes with human images – and to use two or three stock photos rather than just one at a time. PowerPoint’s Design function can help you work them in tidily, and you have another subtle antiracist practice in your toolkit.

It’s a relief to some professors to find that making their course antiracist is not simply about introducing heavy and sometimes politicized topics into class discussion. I find that moving one’s course further along the antiracism spectrum can, and should, start with the syllabus!None of the below suggestions can magically turn a course antiracist – my experience is that antiracism is a lifelong journey, consisting both of moments of inspiration and, perhaps more often, moments of face-palming as you realize the way you’ve done something for years is problematic, but you literally never noticed it until right now. This is part of why I think many professors shy away from explicitly naming their own journey in antiracist teaching – it requires you to feel embarrassed about the way you used to do things and then using that embarrassment to fuel something better. But the glorious thing is that it does produce something better!The first thing to do with your syllabus is to take stock of the racial representation of your authors. If you use one or a few textbooks, this will likely be easy. If you rely on a variety of resources, it’ll take longer, and often require a bit more research. When you tally up who students are primarily hearing from, what voices are most prominent? Do white men win the day? Or is there substantive authorship from people with other racial identities?In my department, we calculate these totals every semester based on course days. Basically, what days are students only hearing from white people, and what days are they hearing from people of color? (It could be advantageous to do this in a more granular way too – examining how Black authors compare to Latinx authors, etc., but unless your percentage of authors of color is fairly high, you may not have enough data to draw meaningful conclusions). We submit our percentages every term, and part of our annual assessment is examining if we’ve met our minimums and if we’ve increased racial representation or lost ground overall. The fact that we can work in hard numbers here also tends to encourage something of a gamification of our syllabi – seeing if we can beat our last “high score” is motivation to make our authorship more racially diverse each semester. A single replaced reading feels like a victory in this context – and it is!Once that work is completed for the term, the next step is to ensure that it’s visible to students and that they understand why it’s significant. I do this in two ways: including relevant expertise and identity markers, including race, along with the link to the course readings, and telling my students directly about what I’m doing with authorship in the course. The first involves setting up Canvas (or whatever LMS) with more than just links to required text. I include the link, and then provide context after it about the writer. For example, “______ is a Black woman and a seminary-level professor of Theology,” or “______ is a white male journalist who primarily writes on religious topics.” This is part of an overarching lesson that people’s context is always relevant, and that nobody writes without bias. It’s also a practice I royally screwed up the first time I tried it – I only included the racial identities of authors who weren’t white and didn’t mention race for white authors. You know, because white is… normal? White default bias for the fail. Thankfully I caught that one halfway though the semester and worked feverishly to remedy it on the day that awful realization struck me.Finally, I like being transparent with my students about the “why” of my teaching – it makes them feel trusted and included, and it helps hold me accountable for doing what I say I will. On the first day of class, I show the students our hard numbers for the course and explain that the field is historically and currently white-dominated, but that our program values students learning from a variety of perspectives and voices, so we’ve made a particular effort to use and highlight authors of color. For whatever reason, this is the moment on day one when students will actually take their eyes off their syllabus and look at me directly. I find that there’s power in critiquing your own field, and doing it right away – it helps students feel more able to offer critique and criticism when they feel it necessary.So, there you have it – if you want to be a more antiracist teacher and aren’t sure where to begin, start with your course authorship and make your choices explicit to your students. It’s far from perfection, but it’s a starting point for the journey.