Resources
In Mentoring: Biblical, Theological, and Practical Perspectives, Thompson and Murchison provide a thoughtful collection of essays on Christian mentorship. As a whole, this collection contributes to the growing body of scholarly work on mentoring by offering “windows on mentoring that are biblically grounded, theologically informed, communally diverse, and generationally attentive” (3). The book is divided into four parts, with each of the fourteen chapters highlighting the twenty-one contributors’ unique analyses and insights on mentoring and being mentored. Part 1 surveys biblical perspectives on mentoring. As such, it begins with Brueggemann’s consideration of mentoring practices present throughout the Old Testament and concludes with a posthumous essay by Bartlett on passages in the New Testament that help to shed light on contemporary understandings of the term “mentor.” Part 2 examines the nature and task of mentoring from a variety of theological perspectives and methods. Drawing on the fields of pastoral ministry (Currie), homiletics (Long), ethics (Miles), and feminism (Rigby), the authors provide a range of mentoring models and resources that underscore the importance of positive mentoring relationships and practices in the formation of strong Christian leaders. On this Rebekah Miles writes, “Christian mentoring should include discussion of the ways that our professional goals contribute to the larger goals of Christian life” (83). Part 3, “Diverse National and International Communities of Mentoring,” explores Christian mentoring practices as shaped by particular contexts, including race, gender, and ethnicity. Those who wish to think critically about dominant systems of oppression, such as racism, xenophobia, and sexism, and to foster concrete practices for inclusive mentoring within biblical-theological frameworks will find a wealth of resources in the essays by Pollard, Cannon, De La Rosa, and Kwok. Of particular note is Canon’s proposal that womanist mentoring is a vocational call, “to do the work your soul must have” (123). This section also includes an historical essay by Johnson on mentoring in the Roman Catholic tradition. Finally, Part 4 contains three coauthored chapters that discuss mentoring as a mutually supportive practice that occurs across generations. Ottati and Hinson-Hasty’s essay, “Mentoring toward a Humane Disposition, Attitude, and Imagination,” describes mentoring relationships between the teachers and student, while Nishioka and Lowry and Wardlaw and Murray’s essays consider youth and cross-generational mentoring, respectively The book closes with an afterword by Marty that skillfully and poetically weaves together the insights and value of this collection of essays. He writes, “It is impossible to speak properly about mentoring in entirely impersonal and theoretical terms. Mentoring is and is about a profound personal dimension of scholarly and pastoral work” (223). Those working in theological schools or departments and in Christian ministry will find this collection of essays to be a valuable resource on the virtue and art of mentoring. The strength of this volume lies not only in its biblical and theological reflections on mentoring, but also in the range of everyday lived experiences and perspectives from which the authors write.
In 1998, the movie, You’ve Got Mail, cast an unlikely couple, played by Tom Hanks and Meg Ryan, who fell in love over email exchanges. The film brought to the big screen the unforgettable computer-voiced announcement “You’ve got mail.” The scenes were classic and represented many email users who eagerly anticipated hearing their computers say “You’ve got mail” each time a new electronic mail message arrived. The Hanks and Ryan characters would painstakingly compose an email message, hesitate, and then hit “enter” or “return.” On the other end of the dial-up Internet connection was the recipient who sat on the edge of his or her seat, just waiting for something interesting, encouraging, or perhaps inspiring, to arrive from the anonymous love interest. Much has changed in digital communication since the days of dial-up, AOL, and “You’ve got mail.” One thing that hasn’t changed, however, is our eagerness for quick, if not, instantaneous messaging. Whether or not one likes this stage of humanity’s relationship with technology, the weight of this cultural phenomenon falls on each of us. For better or worse, communication at the speed of light has become part of the culture of higher education as well, especially in an online learning space. Picture a married, mother working fulltime for a congregation taking seminary courses online. Her life circumstances offer her limited work hours for furthering her education. While reading through her course module for the week, she stumbles across a reading that is listed as “required,” but the link is broken. She has just a few hours to finish her assignment, and now she feels lost. The student messages the professor and sits and waits for a reply. How long should she have to wait? What expectations does she have of the professor? How well has the professor been communicating with her so far in the course? These questions are the kinds of concerns that speak to teacher-student engagement in online courses. In this blog, I offer a few tips for teachers to consider when it comes to online teacher-student engagement. While much has been written about teacher presence, the importance of communication, best practices of when to respond to students and the like, the primary focus of this entry is the importance of communication, meaningful facilitation, and commitment to making an impact on student formation. Communication Set clear expectations for yourself and tell the students. If you follow the old 48-hour rule—that is, you plan to respond to students within 48 hours of their questions— then let your students know this is your practice. If you are more of a 24/7 kind of online teacher, let them know that too. I personally don’t respond to anything over weekends and holidays, and I tell students my boundaries at the beginning of the course or before major school breaks. Otherwise, I respond to their questions daily and interact within the course on the days I pre-establish with my classes, normally on or the day after deadlines. Tell your students how you prefer to be reached. It’s up to you to decide how you plan to be available, but make sure your students know how you prefer to be contacted. I respond to emails faster than any message service in learning management systems; so I frequently remind them to email me if they have a question. Facilitation Establish a pattern of engagement with online discussions and forums. If you were in a classroom face-to-face, would you let class discussion fill an hour of valuable class time without your guiding the conversation? Probably not. The same is true for online discussions. Interject comments alongside your students’ posts to provide scaffolding, encouragement, and teachable moments. Remember, if you do not post, you are not present. Give feedback on assignments that prompt learning. Whether you use a rubric, points system, letter grades, or a combination of these, make sure your students know why they got the grade they were assigned. Frankly, this tip is just good education and not limited to online education, but without non-verbal glances, after class questions, and hallway conversations, online students feel lost if they don’t hear any feedback from you. Impact Commit to your online students the same way you would commit to a student who is sitting in your classroom or standing in your office. The demands of higher education sometimes cause us to run from one urgency to another. Too often the students at a distance get ignored, “out of sight, out of mind,” or something like that. Resist the temptation to think of them as faceless names. They are individuals who, from their perspectives, want to be connected with your school, the course, and with you as their professor. They are also paying tuition and have a reasonable expectation to receive a comparable experience to those who are face-to-face. Try to get to know them. Pray for them. Memorize their names as you would any of your classes. Offer to assist them with course matters outside of class as you might your residential students. The students want to hear from you, and they appreciate all of your interactions with them. Your level of engagement with students can make or break your course. Communicate frequently and clearly. Scaffold learning through facilitation. Demonstrate how you care about your online students. These three simple tasks will create the learning space your students need for achieving the education they seek.
A pedagogical community consists of at least three elements: the student, the professor, and the subject. The intersection of these three elements has the potential to create what Parker Palmer (1998) calls “a community of truth.” In order to create this community of truth in an online course, the instructor has to consider in the design of the course where community happens, so that students can begin to “know one another.” One of the best, and perhaps most difficult, places to start is at the beginning of the course. For a number of years, the start of my online courses were, quite frankly, boring and not very engaging for students. This, in turn, caused a lot of angst in me, the instructor. As I shared my dilemma with a colleague, she suggested, “Why don’t you make an assignment in the first week to produce a video about you and have each student in the course do likewise?” I started to do that at the beginning of each of my online courses and that advice from my colleague has helped me and my students begin to “know one another.” Below are the instructions that I put in the syllabus for this assignment. I have found that it is doable even for students who have technological challenges. There are many apps/software out there; I use an app/software called Animoto. It’s easy to use, it provides choices of background and music, and it’s free! Purpose: An introduction is often your best chance to establish yourself as a distinct individual with something unique to offer the world. Most people default to the standard, “Hi my name is . . . I live in . . . I work at . . .” For this assignment, you will move beyond such a standard introduction and create a 1 minute and 30 second (minimum) Animoto about you. You will also write a short paragraph to accompany the video. While a resume is a professional document, consider how an Animoto can be an innovative way of conveying the same information. What sort of audience would prefer this format? Instructions: Step 1: Start by establishing the essential information you think should be included when introducing yourself to others. Obviously, your full name is important, but you may also include your age, your field of study, ethnicity, home town, hobbies, some details of past experience, accomplishments, future goals, etc. Step 2: For this assignment you must consider appropriate images and music that will highlight information about you while maintaining a professional look. Draft a few ideas, sort through your photographs, or Google images and arrange the “story.” Step 3: Write a text that highlights the images and/or helps put them in the proper context. Step 4: Select the music that best reflects the image of yourself that you want to send out to the world. You may want to select the music first and let the rhythm and lyrics guide your story. Submission guidelines: Post your biographical Animoto and paragraph to the Introduction Forum. You must watch all the Animotos and respond to at least three other Animotos (not the instructor’s). Your responses should be thoughtful, constructive, and more than one sentence. Comment on similarities, differences, enquiries, wonderings. What makes this first assignment most interesting for me are the comments from the students to one another’s Animoto and short paragraphs in the discussion forums. The curiosity that students have for one another is gold! The benefit: the course begins on an encouraging note that helps students be more transparent and authentic with one another in a way that helps build positive momentum for the course. I’m sure there are many good ways to start off a course right that builds pedagogical community—this is just one that has been tremendously helpful to me. (You can click and watch my academic Animoto (https://animoto.com/play/Zh0oXpqBBZt61q0kvx7h6w) which shows where I went to school, where I teach, and a bit about my family. )
Click Here for Book Review Have you ever looked out across your students only to find them staring at their computers or smartphones rather than listening attentively to you? Have you ever wondered what you could do to encourage students to resist distractions and focus on the information you are presenting? Have you ever wished you could help students become active learners as they listen to you lecture? Interactive Lecturing is designed to help faculty members more effectively lecture. This practical resource addresses such pertinent questions as, “How can lecture presentations be more engaging?” “How can we help students learn actively during lecture instead of just sitting and passively listening the entire time?” Renowned authors Elizabeth F. Barkley and Claire H. Major provide practical tips on creating and delivering engaging lectures as well as concrete techniques to help teachers ensure students are active and fully engaged participants in the learning process before, during, and after lecture presentations. Research shows that most college faculty still rely predominantly on traditional lectures as their preferred teaching technique. However, research also underscores the fact that more students fail lecture-based courses than classes with active learning components. Interactive Lecturing combines engaging presentation tips with active learning techniques specifically chosen to help students learn as they listen to a lecture. It is a proven teaching and learning strategy that can be readily incorporated into every teacher’s methods. In addition to providing a synthesis of relevant, contemporary research and theory on lecturing as it relates to teaching and learning, this book features 53 tips on how to deliver engaging presentations and 32 techniques you can assign students to do to support their learning during your lecture. The tips and techniques can be used across instructional methods and academic disciplines both onsite (including small lectures and large lecture halls) as well as in online courses. This book is a focused, up-to-date resource that draws on collective wisdom from scholarship and practice. It will become a well-used and welcome addition for everyone dedicated to effective teaching in higher education. (From the Publisher)
Click Here for Book Review In Race on Campus, Julie J. Park argues that there are surprisingly pervasive and stubborn myths about diversity on college and university campuses, and that these myths obscure the notable significance and admirable effects that diversity has had on campus life. Based on her analysis of extensive research and data about contemporary students and campuses, Park counters these myths and explores their problematic origins. Among the major myths that she addresses are charges of pervasive self-segregation, arguments that affirmative action in college admissions has run its course and become counterproductive, related arguments that Asian Americans are poorly served by affirmative action policies, and suggestions that programs and policies meant to promote diversity have failed to address class-based disadvantages. In the course of responding to these myths, Park presents a far more positive and nuanced portrait of diversity and its place on American college campuses. At a time when diversity has become a central theme and goal of colleges and universities throughout the United States, Race on Campus offers a contemporary, research-based exploration of racial dynamics on today’s college campuses. (From the Publisher)
In 2008, Ramsey Musallam was stuck in what he describes as an ineffective rut of "pseudoteaching." Students liked him, but they didn't get the point of his lessons. They did well enough on the tests, but they failed to really understand the material. He wanted more--for them and for himself. Maybe you can relate. For Ramsey, the journey to a better way of teaching began not in the classroom, but on the operating table where he underwent a new, lifesaving heart surgery. His surgeon's confidence, dedication, and curiosity sparked an idea in Ramsey: What if teachers adopted the qualities his surgeon exhibited and were inquisitive, ready to explore, discover, try, and, yes, even fail? What if students could learn to adopt those traits as well? Those questions launched a quest to inspire inquiry and harness its benefits. (From the Publisher)
Contentious debates over the benefits—or drawbacks—of a liberal education are as old as America itself. From Benjamin Franklin to the Internet pundits, critics of higher education have attacked its irrelevance and elitism—often calling for more vocational instruction. Thomas Jefferson, by contrast, believed that nurturing a student’s capacity for lifelong learning was useful for science and commerce while also being essential for democracy. In this provocative contribution to the disputes, university president Michael S. Roth focuses on important moments and seminal thinkers in America’s long-running argument over vocational vs. liberal education. Conflicting streams of thought flow through American intellectual history: W. E. B. DuBois’s humanistic principles of pedagogy for newly emancipated slaves developed in opposition to Booker T. Washington’s educational utilitarianism, for example. Jane Addams’s emphasis on the cultivation of empathy and John Dewey’s calls for education as civic engagement were rejected as impractical by those who aimed to train students for particular economic tasks. Roth explores these arguments (and more), considers the state of higher education today, and concludes with a stirring plea for the kind of education that has, since the founding of the nation, cultivated individual freedom, promulgated civic virtue, and instilled hope for the future. (From the Publisher)
Click Here for Book Review Toxic Ivory Towers seeks to document the professional work experiences of underrepresented minority (URM) faculty in U.S. higher education, and simultaneously address the social and economic inequalities in their life course trajectory. Ruth Enid Zambrana finds that despite the changing demographics of the nation, the percentages of Black and Hispanic faculty have increased only slightly, while the percentages obtaining tenure and earning promotion to full professor have remained relatively stagnant. Toxic Ivory Towers is the first book to take a look at the institutional factors impacting the ability of URM faculty to be successful at their jobs, and to flourish in academia. The book captures not only how various dimensions of identity inequality are expressed in the academy and how these social statuses influence the health and well-being of URM faculty, but also how institutional policies and practices can be used to transform the culture of an institution to increase rates of retention and promotion so URM faculty can thrive. (From the Publisher)
Click Here for Book Review As interest in competency-based education (CBE) continues to grow by leaps and bounds, the need for a practical resource to guide development of high-quality CBE programs led the authors to write this book. Until now, there has been no how-to manual that captures in one place a big picture view of CBE along with the down-to-earth means for building a CBE program. A variety of pressures are driving the growth in CBE, including the need for alternatives to the current model of higher education (with its dismal completion rates); the potential to better manage the iron triangle of costs, access, and quality; the need for graduates to be better prepared for the workforce; and the demands of adult learners for programs with the flexible time and personalized learning that CBE offers. Designed to help institutional leaders become more competent in designing, building, and scaling high-quality competency-based education (CBE) programs, this book provides context, guidelines, and process. The process is based on ten design elements that emerged from research funded by the Gates Foundation, and sponsored by AAC&U, ACE, EDUCAUSE, and the Competency-Based Education Network (C-BEN), with thought partners CAEL and Quality Matters. In short, the book will serve administrators, higher education leaders, faculty, staff, and others who have an interest in CBE by: • Giving context to enable the audience to discover the importance of each design element and to help frame the CBE program (the “why”); • Providing models, checklists, and considerations to determine the “what” component for each design element; • Sharing outlines and templates for the design elements to enable institutions to build quality, relevant, and rigorous CBE programs (the “how”). (From the Publisher)
Click Here for Book Review As it is now backed by an impressive number of courses, academic programs and centers, faculty positions, journals and publications, funding, and professional partnerships, there is no longer a question as to whether the interreligious/interfaith field exists. But its meaning and import are still being debated. How is this field distinct from, yet similar to, other fields, such as religious or theological studies? What are its signature pedagogies and methodologies? What are its motivations and key questions? In other words, what is the shape of interfaith and interreligious studies, and what is its distinct contribution? These questions are the driving force behind this anthology. (From the Publisher)