Blogs

It is no secret that the arts are powerful tools that can be used in any classroom to challenge, liberate, expand, complicate, and even heal aspects of our educational practices. The visual arts, in particular, not only allow us to connect in deeper ways with the content and context of our studies but can also function as a portal to what is hidden in our deepest recesses in embodied, striking, and visceral ways. From rage to grief to wonder and joy, the arts help us access emotions and educate our affections while inspiring us to resist, denounce, agitate, connect, conjure, and generate tools for speculative imagination, for integration of embodied and intellectual knowledge for the healing of all our relations. As a site for world-making, art lends itself to dreaming, rehearsing, and choreographing new possibilities of being and acting in the world. Artists and works are poised with the capacity to enhance our understanding of how historical and cultural amalgamations circulate our bodies, shape our culture, and inform our experiences, while also offering opportunities to assess and integrate multimodal processes of learning. What follows is a series of suggestions on how to bring the arts into the classroom to activate and enrich multimodal learning. When I am presenting an artwork within the context of classes in art and religion, I like to begin by providing historical information based on my previous research of the work. I find the work’s curatorial files which, depending on the artist, are broadly available online. Many contemporary artists use their own websites as archives of works, exhibitions, ephemera, press clippings, etc., so be sure to check those as well. Then I consult chapters, articles, catalogues, and reference works which provide context for the creation and reception of that particular artwork.[i] I also provide the artist’s full name, the work’s title and date, the collection to which it now belongs, how it was acquired, and how the museum or gallery’s curatorial practices participate (or don’t) in “unlearning and changing the base of colonialism in the concepts of private property, Manifest Destiny,… Eurocentrism, Cartesian dualism, heteropatriarchy, capitalism, positivism, sexism, racism, individualism, extraction, classism, violence, and control,” as Wanda Nanibush, the assistant curator of Canadian and Indigenous Art at the Art Gallery of Ontario, puts it. The goal is to deepen and expand the experience of engagement with the works—not so much to define, constrain, or limit the contours of interpretation. In other words, the contextual information we offer on any creative work should not limit the personal connections, emotional reverberations, and embodied experiences that teacher-learners may develop with the work. Beyond the artist’s and work’s contexts, I ask teacher-learners to describe in detail what they see and what they understand. For example, if I share a painting, I ask them to describe the color, contours, textures, contrast, movement, proportion, composition, medium, size, dimensions, and how the lines appear in relationship to one another. This step reveals to us how we have been conditioned to take in a lot of images hastily, spending a very short amount of time looking, identifying, and savoring what the works are doing, and how the textures, colors, and rhythms of the composition have been carefully arranged by artists to elicit responses in us. Only after exhausting our capacities for naming what is in front of us, do I ask teacher-learners to progress in the interpretation of “what is” to “what it might mean.” We often claim that artworks mean something without carefully tracing for our class participants where these meanings are visually located or where they originated within the work. The last question I engage with is the “so what?” that Gilda Williams proposes in How to Write About Contemporary Art.[ii] What are the echoes for the context of our class? How does it invite us to look at our subject and discussions differently? How does it open up a space for the poetic to guide and allow us to access our deepest, sometimes hidden, recesses? Works of art are powerful in connecting us to our emotions, in helping us understand what it means to be human, to be whole, to be here. As theological educators who are laying out the blueprints for sacred, embodied, planetary change, we must remember to have the arts in our toolboxes. The arts are never far away from what matters most in life. Artistic productions participate in decolonial efforts—are capable of doing what Macarena Gómez-Barris names as “the erosion of the extractive gaze” while “affirming the diversity that resides within the matrix of coloniality.”[iii] As antidotes to Empire, visual arts are sites of subversion that promote imagining and shaping into being other emergent worlds. They also require from us, as Indigenous Brazilian thinker Ailton Krenak puts it, an acknowledgement that we are co-responsible for maintaining our capacity and responsibility to keep the dreams of our ancestors alive.[iv] As apertures into worlds of the not yet, artworks also welcome wonder, openness, diversity, reciprocity. Allowing a careful looking, engaging, and sensing what the works are activating emotionally, intellectually, and spiritually in us is generative way to amplify learning in our classrooms. Part II of this series will provide practical examples of engagement with artworks. Available April 27, 2022.   [i] A helpful resource for helping in the design of the experience with works of art is Teaching at the Museum: Interpretation as Experience by Rikak Burnham and Elliott Kai-Kee, published by the J. Paul Getty Museum in 2014. [ii] Gilda Williams, How to Write About Contemporary Art (New York, NY: Thames & Hudson, 2014). [iii] Macarena Gómez-Barris, The Extractive Zone: Social Ecologies and Decolonial Perspectives (Durham, NC: Duke University Press, 2017), 133. [iv]Ailton Krenak, Ideias pra Adiar o fim do Mundo (São Paulo: Companhia das Letras, 2019), 47.

Just the thought of failure, either in anticipation or in loathsome memory, causes many to recoil, wrench in pain, or feel ashamed. The big red-inked “F” on the exam, either literal or metaphorical, sends chills down spines and contracts sphincters. Fiasco, disaster, confirmed lack, or found-out mediocrity, humiliates and destroys. Failure is unavoidable. As they say, “we learn more from our failures than from our successes.” Rather than stigmatizing those who fail, it behooves us to embrace those who are brave enough to make attempts and normalize the help needed to strengthen efforts. Still, normalized help is not easy to come by. For many students, for many reasons, one of the first things they do in undergraduate or graduate school is fail. A student who exceled in high school courses will not necessarily ace the first exams in college. Comparable to students, teacher failures are as varied as teachers. Early career fiascos, mid-career blunders, late career mistakes and poor judgements – confirm that we are persons who are fallible. Humanness is messy. Our teaching failures remind us that an expert in any field does not necessarily make for a good teacher of that field. Learning to teach the methods, approaches, practices and literature of any discipline requires as much attention as learning the content of that field. Any seasoned teacher will tell you that there were (many) failures along the way to becoming a competent teacher. The ways schools respond to failure is a key element in the formation or deformation offered in our educational enterprise. Students and faculty are more formed by the ways they are accepted or rejected during failure as they are by any course in the curriculum. A climate of help, support, applauding of persistence, and reward for courage, tells students if they are worthy of the degree they are attempting to earn. It tells teachers that the community where they teach has their backs. Higher education colleagues report that they survived an educational process which told them that failures were to be rare/never and were intolerable. Out of self-protection, many of us learned to pretend we do not fail. Or we have been taught to hide the failure. We masquerade or just never quite own up to any failure. School ecologies which are intolerant of failure are climates which are deforming of spirit and shallowing of imagination. Without healthy spirit and deep imagination education becomes rote, wooden and hollow. Our students, then, are ill-equipped to leave our classrooms. Calvin Coolidge said, “Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful (wo)men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan Press On! has solved and always will solve the problems of the human race.” In classrooms, it behooves us not to lower standards, inflate grades, or dumb down curriculum so there is little to no failure, but instead create ecologies of learning where moving past failure is integral to learning, encounter, discovery, boundary expansion and new experiences. Asking for help is not cheating; it is not a show of weakness; it is not a declaration of permanent inadequacy or insufficiency. Failure does not foster mediocracy or create indelible flaws. Asking for help is difficult. Asking for help has to be re-learned. I first met Ariel as a student enrolled in my introductory class. His habit was to sit quietly, listen attentively and participate actively in small group activities. I noticed that he was smart when I read his first submitted essay. His writing was strong, his grasp of the course material was solid and his conjectures concerning implications and applications was superb. By mid-term of the semester, Ariel’s engagement in the class showed that he was, consistently, a capable and talented student. During a break in a class session Ariel came up to me to talk. He said he had a proposal. I was intrigued and listened attentively. His proposal was that since he had done so well on the first three writing assignments, that I would allow him to forego the remaining three assignments. I told him to let me think about it. At the end of class I pulled him aside to talk. I told him that in order for me to forego the three pending writing assignments, he would have to agree to help students in the course who were struggling. I told him he would not have to do the remaining assignments in the syllabus, but instead he would use his time to lead a study group to help failing students. He said he would think about it. During the following week he emailed me and said he would take my offer. I emailed back and told him to meet me in my office an hour before our next class. Before the next class and my meeting with Ariel, I emailed three other students who were also doing quite well in the course and offered them the same deal. If they were willing to keep up with the reading of the course, in lieu of writing the remaining three essays, the four of them would help other students who were struggling with the materials. When we met I told them that their help with other students was not mandatory and they could complete the course as outlined in the syllabus. Each chose to create a study group with other students. The study groups worked well; help was given and grades came up. After the last class session Ariel came to my office. He thanked me for the class then said, jokingly, that the deal I struck was unfair. I smiled at him and waited to hear his rationale. He said that the task of creating the study group, and helping other students, was much more work than had he simply written the remaining essays. I smiled wryly and reminded him that it had been his choice. I asked him if he had learned from helping. He said yes. I told him that there were students who he helped who would not have taken help from anyone else. And I thanked him for his good help. Ariel told me I owed him lunch. Gladly, I obliged. “Success is stumbling from failure to failure with no loss of enthusiasm.” ― Winston S. Churchill So, we ask these reflection and invitational questions. To whom do you turn for help with your teaching failures? What systems of help do you build into your courses for your students? In your school, is there an ecology that normalizes failure and regularizes help, support and resilience and if not, what would it take to create one? Who are your collaborators and conversation partners when you fail and when you need help? What failures in teaching are weighing you down and need to be forgiven and healed?

One of my social media names is “salsasanchez,” a not-so-subtle hint that I love everything about salsa music! Its history, genres, sounds, musicians, and, of course, the dancing! As a bass player, the only thing I love more than dancing salsa is playing the salsa groove on my instrument—or better yet, playing it while dancing! My picture of the new creation includes playing an upright baby bass in a Rubén Blades’ salsa band. But what does salsa have to do with cultural health? Could salsa music foster healthy forms of engagement with neighbors from cultures other than our own? In our seminary’s latest round of curriculum review, cultural health became one of seven desirable health outcomes in the formation of our students for pastoral ministry. I was assigned to assist first-year incoming students with an initial way to assess their levels of cultural engagement. As a theoretical framework for this initial self-assessment, I suggested thinking in terms of three levels of interaction with the cultural other, namely, multicultural, cross-cultural, and intercultural engagements—the third option being the more involved or deeper (and yes, healthier) form of interaction to work towards. The multicultural level merely signals an awareness of the presence of people from multiple cultures in our midst. Such an awareness is a first step in cultural engagement and may lead to knowledge of the other at a theoretical level. The image that comes to mind is that of parallel planets (worlds) that are aware of each other from afar but do not have meaningful contact with one another. It is the least demanding form of cultural health. The cross-cultural level moves beyond awareness of the cultural other toward movement into the other’s cultural world. An apt image for this level is a bridge, which provides a path from one world into the next. Although cross-cultural language can promote more involvement with the cultural other, it can also fall prey to unilateral forms of engagement where the “higher” culture crosses into the “lower” culture to change it—a one-sided crossing that gives rise to unhealthy paternalism and dependency. Which leads us to the intercultural level, the most demanding engagement. The image of a team working together toward a common goal, with each member contributing something unique to the community, best gets at the goal of intercultural collaboration. Hopefully, such collaboration leads to deeper relationships of mutual interdependence in which cultural others move from being strangers toward living as neighbors and friends. To move from my three-level theoretical paradigm into a simple pedagogical tool for self-assessment, I imagined how the use of salsa music could creatively assist students to get an embodied sense of these levels of cultural health in a classroom setting. Enter Rubén Blades! I played one of his songs and asked students to listen for the “clave” rhythm (the groove that makes salsa work) in the piece, which I demonstrated for them by clapping my hands to the tune La canción del final del mundo. The students’ first task was simply to listen to and find the clave in the salsa—an exercise in basic multicultural awareness. But then, I asked students to perform a cross-cultural exercise, to go a little deeper in their engagement with the cultural other by clapping the clave themselves. Some struggled, some succeeded, but all had crossed into the world of the clave! They were not only aware of the sounds of salsa, but participated in music-making in a different (although to some extent, artificial) cultural environment. Finally, I demonstrated for students what a salsa clave looked like in dancing, showing them the basic steps involved. Then, I asked if any of them would be willing to try out the dance. Volunteers agreed to dance next to each other, replicating my footwork to the best of their abilities. Soon enough, we were engaging in an intercultural exercise, one in which we were collaborating in practicing and performing a salsa piece together. Others in the classroom did not dare to dance, but were happy to keep clapping the clave. Some simply listened in awe. Which shows how students at our institutions are always operating at different levels of cultural health with some cultural other. The creative use of salsa music to challenge cultural comfort and instill a vision for a more generous engagement gives me hope in a healthier world—indeed, in a new creation—where we dare to work and play together in clave time. Let’s salsa!

Trust forms the basis for human growth, as many learned from Erik Erikson’s psychological stage theory. Infants need consistent, predictable, and reliable connection and responses from caregivers for healthy development. These qualities facilitate an environment that allows for the emergence of inner confidence and strong emotional bonds with others. While we are born with the capacity for trust, we learn to trust through lived experience over time. A piece of theory from D.W. Winnicott, British child psychiatrist, liberates caregivers and teachers alike from the burden of getting everything just right. Winnicott offers a supportive message to the tired and weary: you don’t need to be perfect. “Good-enough” is just fine. Reliable caregivers put supportive provisions in place, and they create space for others to discover and learn on their own. Caregivers and teachers stand close by and ready to respond. During the COVID pandemic, I have taught primarily in two modes: completely asynchronous courses using Blackboard learning modules, and blended courses using synchronous Zoom sessions and Blackboard modules. It has taken time to develop the skills to teach online. Thankfully the learning curve began well before the urgency of this time. When I think about “good enough” teaching, I need to check my own inclinations toward perfection, the need to: formulate precise learning objectives, create crisp podcasts and videos, and develop clear PowerPoint slides, among others. Certainly, these aspects of teaching matter. Participants need to be introduced to theory and practices and have their competence assessed. Yet, trust as an embodied capacity of being tuned in and responsive to course participants has always been an aspect of effective teaching and learning in some fields and for some faculty. Since the onset of the pandemic, such practice has taken on new significance. Course material opens participants to others’ pain as well as their own. I have observed body language and read reflections that reveal genuine struggle, trauma, and wrestling. I empathically respond to participants. I exercise caution not to coerce sharing of information or details that would leave the participant feeling exposed or overly vulnerable. Noticing the gesture or the comment is often sufficient. Embodying trust in the online/virtual environment is not about catching every nuance. But it is about practicing good enough teaching that tunes in and follows through on body language and verbal and written comments. Teaching online during the pandemic requires instructors to model trust for course participants. In a therapeutic relationship, a counselor creates an emotional and physical environment for care seekers to express themselves without fear of judgment. We certainly expect such trust to be demonstrated by a trained clinician. Instructors foster trust by taking seriously participants’ experience as they encounter course material. Fortunately, course instructors in their modeling of trust give permission for others in the class to offer their own supportive comments. Trustworthy instructors do not gloss over glaring statements that beckon for attention. In a class I taught recently, a student introduced herself by saying that she was a bit apprehensive about how the class would unfold: “I am afraid of what it may break open in me.” I acknowledged the comment made in a video post and encouraged the participant to offer herself compassion. In the relative privacy of a course paper, the student referenced ongoing challenges in an intimate relationship. I responded to the statement with a brief, nonjudgmental, and supportive comment of my own. In so doing, I offered care for the student as a person even though it is not my role to elicit the further sharing of details. Paying attention and responding builds relationship and helps foster inner strength for participants in these trying times. Both online Blackboard discussions and Zoom seminar sessions have created the space for a level of intimacy that I would rarely expect in the physical classroom. Intimacy has to do with the quality of participants’ sharing: an authentic encounter with course material and their own experience that reflects deep rather than superficial connections. Such deep dives occur through discussion board posts, journal reflections, presentations, course papers, summary exercises, and academic advising appointments. Holistic and trust-filled teaching and learning requires attentive instructors who listen, observe, and respond. Academic deans and other personnel can also exercise administrative leadership by recognizing the importance and value of such formative practices in theological education. Limiting the number of participants in online classes allows for tailored instructor engagement with participants, arguably the heart of trust-filled teaching and learning.

In the last several years, I have been pondering the purpose of our work as theological educators. This seems especially pertinent because many mainline churches which both send and receive our students are dying, theological education institutions have found it difficult to attract new students, most of these institutions are in budgetary crisis, and more schools are closing every year. I have wondered what is important about theological education, what value it adds, and what about it lasts. In the process, I have considered my own experience in seminary and graduate school. It has been 29 and 26 years, respectively, since I entered those programs and I have been reflecting on what has stuck, and what made the time, money, and effort worth it. I admit that I don’t remember many specifics unless I scan my shelves for the books that I read in those programs; they are old friends and evoke a difficult season when I was undergoing a major gestalt shift—a time when old paradigms were losing their power for me. These books remind me of a time when I began to understand more deeply something I had been struggling to clarify. They are old friends who introduced me to new horizons and opened new possibilities in my thinking and doing and being. I have kept these books not because I ever imagine using them in a classroom myself or because I need them for a writing project (they are too outdated for either of those): I keep them because they represent significant—even lifechanging—moments of my life. I remember my professors, my classmates, our discussions, the papers I wrote, the meetings in faculty offices where I engaged the ideas in these books. I think about the arguments I wrestled with, developed, let go of. I remember wrestling with my own understandings, and with teachers and peers, as I felt myself changing, growing, emerging. I don’t value these books and the memories of my time in seminary and a doctoral program so much because of the career they have afforded me; I value them for who they helped me become. I have been playing with the idea that perhaps the benefit of theological education is less in the information we educators impart or the professional training we provide, and more about the kind of learning and experiential communities we build together. Perhaps our value in the world as theological educators is less about the preparation for a particular ministry, the ordination process, or further schooling, and more about the kinds of opportunities we afford students to be formed, to be changed, to grow as people, no matter where they end up or what they do in their professional lives. Students will be formed by all the new information they are exposed to, of course, but also—and maybe more importantly—students are formed by the relationships with people and ideas they develop while in our programs, by the ethos of curiosity and the room to ask gnarly existential questions, by the freedom to interrogate life and the world and themselves and God. The goal of formation emphasizes who people are becoming: how they think, how they behave, how they treat others, what they value, their level of emotional intelligence, the ways they respond to God in and for the world. What if theological education institutions had as their mission to be sites of exploration toward the formation of people so that they—and those they engage—can flourish? Willie Jennings’ book After Whiteness (Eerdmans, 2020) is one of the most important books on teaching, learning, and organizational leadership I have read in recent years, and I want to be a part of what he is imagining. I want to see what could happen if theological education institutions come to be seen as places to belong, to grow, to change, to be creative, to think hard, to come alive in one’s own faith, hope, and love. What would it take for them to become places that explore formation as good people rather than primarily to impart knowledge or deconstruct embedded theologies? Jennings assumes—and I agree—that all human beings yearn for a place to belong and a place to learn how to flourish, and to have that modeled for them. What if theological education institutions became those places? What if they were places people came to first to explore rather than pursue? In the process of this work, of course, we must name what is going on in the world, what is wrong, what impedes flourishing. As Jennings notes, this requires the difficult and painful work of understanding our current condition(s), exposing and decentering and deconstructing the dominant (white, often male) view. This is something divinity schools like mine excel in. But people yearning for flourishing need to understand something else, too. We need to lean into hope, love, faith, grace; to understand all people as beloved, as having the imprimatur of God, as having voices that need to be heard, that deserve to be heard; to have the tools to enact justice. Theological educators in this model would need to have an explicit vision of flourishing, a sense of what could be, of what surely the Divine Urging is calling all of us toward. Those of us teaching theology and religion have an opportunity and, I think, an invitation to hold out such a vision, a creative imagining of who and what God is, and for what that God longs, for her creation. So many of our students live fragmented, trauma-filled lives. They come to our programs from homes, schools, communities, and jobs that are toxic, stressed, and struggling and, often, oppressive. What if we invited them to join us in seeking something more grounded, more life-giving, more whole, and helped them, for example, resist the neoliberal impulse for mastery, control, organization, ownership, separation, and possession (even of ideas)? What if we not only taught such a way but modeled it ourselves as well? Would that change our focus and our practices in the classroom? Would that shift our criteria of “success”? In this playful imaginary, theological educators and the administrators of our institutions would be normative, prescriptive, and committed to their own formation and growth as well as that of students, and of the communities of which we are a part. We could do this while also being critically analytical of the ideas we promote. We might ask explicitly, for example, what the sacred texts tell us about flourishing. We might examine what various religious/faith/philosophical traditions have to say about the good life. We might wonder aloud what is the story of the Good as witnessed in the sacred texts. We might inquire how to sift through all the broken humanness in the sacred texts to get to a message of hope, love, grace, redemption, care. If a deep understanding of flourishing and formation toward such a life and world became the goal, I wonder how that would change how we teach our students to read sacred texts, and whether it would influence how we teach the histories of Christianity. Would such a goal change how we teach pastoral care in our complex world? Would the flourishing of ourselves and our students as the goal influence how we teach ritual and religious practice? Would it change how we teach theology? Would it change how presidents and deans lead the institutions of which we are a part? Would it change whether and how we create community together? I am not suggesting we become proselytizers: I want to retain and exercise my critical thinking, even in relation to the commitments I hold dear, but I sense that a shift in our mission and focus might change some of the ways we do things, moving the emphasis from production to exploration. I yearn for more conversations among ourselves as theological educators and with our students about what we might do differently that might help heal ourselves, each other, our institutions, and maybe even our particular corners of the world. These kinds of conversations take work and intentionality, to be sure, and it would take effort to alter our emphasis from education as information to education as formation toward flourishing. For starters, we would want to develop some shared understandings of what flourishing looks like, what it requires, and how theological education could contribute to it. And, of course, formation and information are not so distinct; it is more a matter of alterations to emphases and processes and outcomes I am pondering. How/would an emphasis on formation to enable flourishing reconfigure our curricula, our faculty, our teaching practices, and the students who might be interested in joining us in that exploration? We might continue to attract fewer and fewer students seeking ordination credentials, it is true, but it is also true that we may spark the desire to join us in people who don’t know exactly what they will do with their time with us, people with tangled existential questions who are looking for a place to belong and explore and grow. And if they joined us in these efforts, who knows what old friends they might take with them?

I have always thought that a course on spirituality should take place in a supportive environment, and it is best done in person. But something happened that changed my mind. Last fall, I attended a webinar organized by Kosen Gregory Snyder at Union Theological Seminary. The webinar invited a Native American, a Buddhist, and a Christian leader to discuss the ways that religious and spiritual traditions can address our ecological crisis. This webinar was just what I needed, as I was over-stretched by work and speaking engagements. I was exhausted and depleted. I felt a sense of accompaniment as each speaker shared their spiritual wisdom and paths. So when I was asked to offer my spring online course “Spirituality for the Contemporary World” to the community, I accepted the invitation with enthusiasm. For over two decades, I have taught courses on various aspects of spirituality in Boston and Atlanta and have accompanied hundreds of students on their spiritual journeys. I saw offering this course to those who may need it during the prolonged pandemic as a vocation and a challenge. I had not taught a course on spirituality online, let alone taught it for both students at my school and members of the community. The first challenge was how to translate the practice-oriented pedagogy to an online format. I include meditation, breathing exercises, Tai Chi movements, singing, arts, and rituals in my spirituality courses. I emphasize learning by doing and not just listening! How could we do these things in a Zoom setting? As we know by now, even the simple thing of group singing is a challenge on Zoom. To learn how I might do some of these in my class, I consulted my colleagues at school who have expertise in digital learning. They have given me a lot of encouragement and sound advice and the school will provide production help and equipment if needed. I welcome the challenges of teaching this class as a growing edge of my teaching. I have taught this course in person numerous times, and I am eager to find out what I can learn by teaching it online. The pandemic has disrupted higher education and its impact will last for years to come. According to a study by Instructure, the company that created the online platform Canvas, the demand for online and hybrid courses skyrocketed, even as in-person learning resumes. Thus, scholars in religion and theological educators need to be better prepared so they can teach these courses well. I know that many seminaries and divinity schools have already used online and hybrid learning for some time and the learning curve may not be so steep. When the pandemic closed my school and forced our classes to go online, the school has provided training and support for the faculty. One of the challenges was learning how to use the Zoom platform, which was originally designed for business, to create an interactive and participatory learning environment. I learned from my colleague Sarah Bogue, who offered useful tips and exercises for building community through online learning. I intend to use some of her suggestions in my spirituality class. Since the community participants in my class do not have access to the school’s academic teaching technology, I decided to create a website for the course. At the beginning of the pandemic, when everything shifted online, I helped the network Pacific, Asian, and North American Asian Women in Theology and Ministry update our website, open Twitter and Instagram accounts, and create a YouTube channel. I feel good that I can transfer what I have learned in my community work to my online teaching. The course website has a blog. I posted the first blog, explaining why I am teaching this course at this time. Many Facebook friends posted prayers and thoughts about the new year in the first week of January and I asked for permission to share a New Year prayer and photos taken to show nature’s beauty on the blog. Participants in the class will be invited to contribute blog posts to share with the class. The course will have its own Facebook page. I will post the questions to be discussed each week. I plan to use this space for participants to share their practices, such as photos of home altars, places for meditation, and nature walks, as well as spiritual poetry and writing. While my students have their assignments, the posts on Facebook will allow me to gauge community participants’ interest and engagement in the course. An altar I created To avoid Zoom fatigue, I will not give long presentations and will minimize the almost routine use of PowerPoint in Zoom teaching. We must justify why we need to have synchronous meetings at all if the meetings are not interactive. Instead, I have invited guest speakers and artists to lead a range of activities, including Notes of Rest, artwork, and learning to write poetry. Some of them have taken my spirituality courses and they are delighted to help as I offer this course to the community. As a seasoned teacher, trying something new in teaching stretches my pedagogical imagination. We have been in the digital age for decades, and teaching can’t remain the same if we are to catch up with the digital natives, who are well versed in digital technology. Two weeks before the course, I began setting myself in the spirit of teaching this course. I paid attention to my daily rituals (the design of daily life) and practiced Pilates for seniors. I always enjoy teaching spirituality courses because I need them as much as my students do!

Those of you with kids, or those of you who have simply been spending way too much time on your Netflix account since the pandemic began (no judgement!), may have heard of the movie called Yes Day, released in 2021 and starring Jennifer Garner. The premise of this film, based upon a book of the same name, is simple: “A sunny family of five agrees to a day where a mother and father must consent to whatever the kids want in this broad Netflix comedy” (NY Times review). The parents will say “yes” to their kids’ wildest requests (after a few ground rules have been established) for a whole day—a welcome reprieve to a life normally filled with “no.” As a parent myself, I find it an interesting, if not somewhat terrifying, idea. As an educator, I am reminded of a more serious possibility, one that Margaret Price, who is an OSU English professor, disability studies scholar, and author of the book Mad at School, raised in a recent talk. In “Everyday Survival and Collective Accountability,” Price shares the experience (recounted to her in a research interview) of an instructor with a disability who needs the temperature of her classroom to be less than 80 degrees or she experiences numbness, dizziness, nausea, and eventually, fainting and seizures. One day, this instructor arrived to find her classroom “stiflingly hot.” Fortunately, she was able to find the building manager and asked him to turn the temperature down. And “the building manager just did it,” which surprised Price. She goes on: The thing that really struck me about this story is how simple the actions required were, and how incredible, how incredibly rare it is to have someone simply believe you when you say “Hey, I need something.” This is an interesting thought experiment to practice if you want to kind of try out one of these over the next few days. Stay alert for expressions of need that might be shared with you and imagine what would happen if you simply said “Okay,” instead of saying, “Well, why do you need to miss class?” or “Why is that the particular software that you need,” or “Say more about why this would be the optimal decision.” And, again, I’m not saying we all should, like, this is not a radical “yes to everything” improv kind of proposition. I’m much too uptight for that. It’s more of just a thought experiment. What would happen if someone told you they needed something, and you just said, “I believe you”? Many of us academics are trained in a “hermeneutics of suspicion.” We are known for our sharp critical thinking skills. We are taught to interrogate, to question, to analyze, to require evidence. Being humble is hard for us. Jumping quickly to critique is much more comfortable. But do these dispositions, these impulses, these habits, interfere with our ability to believe, to empathize, to care—to recognize the real, complex, imperfect human beings in front of us? Who is harmed when we are skeptical or distrustful? Who do we alienate or exclude? Who refrains from coming to us, from sharing their stories with us, from asking us for our help? While Price was focusing on faculty with disabilities in her talk because this is the population she studies (and identifies with), the same point could be made about colleagues of ours with other identity markers, and also about the students in our—virtual or in-person—religion courses. Higher education creates barriers and inhospitable conditions for many students—a veritable landscape of “nope” for far too many. The disclosure process for students with disabilities, for example, can be expensive, cumbersome, intimidating, embarrassing, and, sometimes, just not worth it. First-generation students have a heck of a time figuring out the “hidden curriculum.” Students of color face “stereotype threat” and have to worry about a “sense of belonging,” not to mention more serious issues. Despite advances from movements like #metoo, women still don’t come forward to report experiences of sexual harassment and assault because of a fear of not being believed, a fear of having to “prove” the trauma and relive it all over again, a fear of backlash and negative consequences. And, of course, identities intersect and experiences of marginalization, discrimination, microaggression, and oppression compound. I have heard these stories, and more, from undergraduates in my own religion courses, even at a university that ostensibly cares about “diversity.” In many ways, our educational institutions are like life as usual for the family in Yes Day. Yet I imagine a different way—a more open and charitable and flexible orientation—would be especially beneficial for these students, while, of course, benefiting everyone. A few weeks ago, I checked in with my students in my upper-level race and religion seminar—something I like to do every so often, in class or online, to express care. I asked, simply, “How are you doing?” The biggest (i.e., most common) responses in the word cloud were “tired” and “stressed.” Students are exhausted, overwhelmed, and anxious (like a lot of faculty I know!). Even worse, though, was that they told me I am the only one of their professors asking how they are doing, asking what I can do to help them. All semester long, students have contacted me about missing class because they’re sick or attending funerals, asking if they can leave early for doctors’ appointments or job interviews, turning in the wrong kind of assignment because they misunderstood the instructions, and more. The Emily of two years ago would have found these requests exasperating, eyeroll-inducing. Excuses! Mediocrity! Laziness! Entitlement! The pandemic has radically shifted my thinking about these moments. I hope this lesson remains with me. What if we simply believed our students (not to mention our colleagues)? What if we simply cared about them, first and foremost, as human beings? What if we didn’t require doctor’s notes or other forms of evidence to make them have to work to prove they’re having a hard time, on top of the hard time they’re already having? What if we just granted deadline extensions, what if we just allowed re-do’s, what if just we cancelled class when it was obvious that everyone needed a break? What if we conveyed, in a wide variety of ways, that we trust them, that we recognize their lives are hard (right now, sure, but also, for some students, all the time), that we value them? What if we said “yes” to them—not for a day, as in the movie, but every day, for a semester, all the time, as a matter of default or principle? To be sure, Yes Day is fictional and its antics seem to have resulted in “cartoon-style chaos” and, at best, lukewarm critical reception. And, of course, when applied to the college classroom, we may have considerations and worries that go beyond glitter-filled Mom makeovers (e.g., but what about our beloved “rigor”?) Like Price, however, I encourage us to engage in the thought experiment, even if just for fun. What could a “yes” approach look or feel like in our religion classrooms? What possibilities exist? How could it improve the learning experience, especially of those from underserved populations? How could it transform our interactions with students, our teaching, our own experiences as an instructor?

I avoided teaching our gen ed Catholic intellectual tradition courses for years at my small Catholic college in the Northeast. I’m not a theologian. I’m not Catholic. And teaching these courses sounded challenging because our students’ impressions of the Church are both negative and muddled: “The Church is hypocritical, sexist, and anti-gay.” “It reads the Bible literally and it rejects evolution.” “It thinks that it’s bad to examine your religious beliefs.” “Having faith means having no doubts, and it requires that you don’t question your religion at all.” Many of our students are former Catholics who suspect that these courses are intended to bring them back into the fold. And they resent that. I told myself that this mess is not my problem. Not my fight. I got pushed into it though, and to my surprise, the course I developed has become one of my favorites. I decided that for the course to work, I needed to get the students’ hostility and emotions out on the table from the very beginning. To make that possible, creating the right atmosphere was crucial. Otherwise, students would worry about hurting my feelings and their own grade, and they wouldn’t speak openly. To create a space for honesty, I use my non-priest and non-Catholic credentials for maximum effect. Before I even hand out the syllabus, I explain that I’m not Catholic and that I have no interest in making them more—or less—Catholic. I tell them that I disagree with the Church’s positions on LGBTQ issues and that I have feminist objections to the Church—and to a lot of organized religion. At that point, I have their attention. Then I describe what I admire about Catholicism. The logic and intellectual rigor. The two thousand years of applying reason to religion, of brilliant theologians and philosophers wrestling with difficult questions, arguing, and disagreeing with each other. I explain that they don’t have to believe a single word of any Catholic teachings, but that they do have to know what they are, think them through carefully, be as fair and openminded as possible, and then articulate their criticisms and responses clearly. Our first reading is Jean Twenge’s “Irreligious: Losing My Religion (and Spirituality),” which lays out survey data and discusses possible reasons for why so many Gen Z members are leaving organized religion. I ask if the reading resonates with them and ask them to share some of their own experiences with religion. Then I brace myself and get out of the way. So much anger. So much frustration. So many painful stories. One of my students was an altar boy and his priest handed him a brochure about conversion therapy and told him to try it. Another student was kicked out of his religious education class for asking too many critical questions. A third was asked to leave his church along with his family because he has two moms. I listen, empathize, and learn. I explain that their local priest may not have accurately represented the diversity of views and complexity of theology available in the Church. I tell them that people who teach religious education classes usually don’t know as much theology as I would wish and that they sometimes badly misunderstand Church teachings. We look at the Catechism’s statements on homosexuality, I explain that I know several priests who are gay and that they somehow make it work. I point them to James Martin, S.J.’s work, noting that he is a priest in good standing. This discussion takes up a full week. During this time, I repeat that I’m fine with them being atheist, theist, or agnostic but that I want their position to be based upon good reasons and on a deep understanding of the intellectual possibilities of a theism. I don’t want them to reject religion because they have only been exposed to narrow and simplistic versions. After all that, we’re ready to engage with the “real” course materials. We study the argument from design and the Church’s position on evolution. We clear up misunderstandings about doubt and questioning. We read about Mother Teresa and her dark night of the soul. We tackle classical philosophical problems about suffering, miracles, pluralism, the gap between language and God, and the function and limitations of images. This has become one of my favorite classes to teach because it responds to a real need. My students desperately need an opportunity to explore their spirituality and religiosity (or their absence!) and to reflect on their relation to the religions around them. And they need somebody to correct some of their most cumbersome misunderstandings about religion, showing them that there is space for them to be Catholic if they want—even if they are LGBTQ and even if they like science and reason. Will this bring them back into the fold? I doubt it—but I hope it will help them see possibilities that they didn’t know were there.   Read Race in the classroom: #3: Bringing in race in a Catholic Intellectual tradition course.   Sources Catholic Church. The Catholic Catechism. Vatican City: Libreria Editrice Vaticana, 1993. Gould, Stephen J. “Nonoverlapping Magisteria.” In Philosophy of Religion: An Anthology, edited by Michael Rea and Louis Pojman, 494-502. Stamford, CT: Centage Learning, 2015. Paul II, John, Pope. “Faith and Science: Lessons from the Galileo Case and Message on Evolution.” In Philosophy of Religion: An Anthology, edited by Michael Rea and Louis Pojman, 502-507. Stamford, CT: Centage Learning, 2015. Martin, James, S.J. Building a Bridge: How the Catholic Church and the LGBT Community Can Enter into a Relationship of Respect, Compassion, and Sensitivity. New York, NY: HarperOne, 2017. Martin, James, S.J. Building a Bridge. Directed by Evan Mascagni and Shannon Post. New York, NY: Tribeca, 2021. Massingale, Bryan N. “The Challenge of Idolatry for LGBTI Ministry.” DignityUSA.org, 2019. Pinter, Brian. “A Fundamental Challenge: Three Ways to Combat Biblical Literalism.” America: The Jesuit Review, Sept. 12, 2011 Sullivan, Meghan. “Uneasy Grace.” First Things, April 2014. Twenge, Jean. “Irreligious: Losing My Religion (and Spirituality).” In iGen: Why Today's Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy—and Completely Unprepared for Adulthood—and What That Means for the Rest of Us. New York, NY: Atria Books, 2017.

Sometimes teaching strategies that seem newly discovered have been with you all along. When I was in the last stages of writing up my doctoral dissertation, I had just moved to the Canadian Maritimes. I was living on the outskirts of a small village in an old and drafty brick house overlooking glistening tidal mudflats. Beautiful but isolated and with no distractions, all that stood between me my PhD was a completed thesis. With this knowledge, I set about pursuing a whole variety of unrelated activities: I learnt to bake bread; I split 8 cords of firewood; I shoveled more snow than I had ever seen from the driveway; and I refinished, with great care, several nondescript pieces of old furniture. I also spent time creating hand-bound books. Twenty years on, while my circumstances have changed considerably, bookmaking has proven to be more than a mere distraction. Indeed, bookmaking has formed an enduring connection to my academic work and has shaped my teaching practice. It seems those early days of making books were prescient, in that over the years my academic interests have become increasingly concerned with biblical reception. I am fascinated by the ways sacred texts are continually being created and recreated, unbound and repackaged, unfurled and gathered up. Bookbinding manifests an applied, even somatic, example of these textual journeys. In a world of e-books and hypertext, one might consider bookbinding a quaint if not archaic practice, but that would overlook it as a very practical way of participating in the text. It involves doing something that actively shapes and changes the text. As the binder works the pages with their hands, the text literally takes on characteristics of changeability, pliability, and plasticity. Understanding textuality more broadly prompted me to consider the ways the biblical text functions, not only within the parameters of, say, John’s Gospel or the letters of Paul, but also as these narratives course their way through various points of reception within our cultural context. We read texts, we live texts, and we bind these texts into our experience as they trace paths through the familiar stories of our times. The ancient art of bookmaking offers a way of marking this capacity of the text to exceed the covers of the “Good Book” and extend its influence, traveling beyond its origins in unanticipated ways. This is a path of beauty, of craft and skill. It is a way of marking a journey that acknowledges a past and opens to a future. It also asks us to consider our relationship with the text. As the book accompanies us, where do we end and where does the text begin? Is the text passive or does it act upon us? Alternatively, are we the passive recipient, or the active shaper of the text? Are we a part of the text, our stories, contexts, interpretative reference points? In dealing with the Bible, it is not just about discovering a book, it is also about continuing to make and remake this book, to bind it up with our experience and to consider the future possibilities of both. What happens, then, when I ask my students to create books as part of their learning? When setting one alongside the other, how will the physicality of the book impact and direct their intellectual journey? Will the materiality of the book work to ground and open up the nonmaterial insights we often privilege in higher education? Making books is not just something fun to do, it is a way of using the material to open up the nonmaterial, and exploring the connections between reader and text. Just a few years ago, as part of my regular teaching of our department’s theory and methods course, I asked students to use portfolios to track their learning. The subject matter of this course tends towards abstract ideas, technical definitions, and counter-intuitive perspectives on the study of religion, and sometimes the “translation” of this learning into future courses is not as successful as I would like. My hope was that the practice of making a book would help condition and ground the course materials by adding a physical dimension to the learning experience, one that would connect learner and learning in transformative ways. In their portfolios, students were asked to create a book that gathered together concrete evidence demonstrating the development of their understanding, their acquisition of key skills, and the building of scholarly perspective. I chose learning portfolios because their flexible, evidence-based process allows for individual curation and creativity: they are an ideal venue for self-reflective learning.  In one particularly memorable example, a student submitted a portfolio in the form of a soiled, slashed, and scorched wedding album—she had clearly used a sharp blade and set it on fire. The portfolio focused on the theme of post-modernism and religion and while the content was excellent, the form of the book itself gave expression to the ambivalence the student felt towards this particular theme, the threat it posed for “traditional values,” and the sense of loss it implied for established cultural practices. The covers of her album spoke of the struggle and the challenge of learning and the feelings of disillusionment that can sometimes accompany understanding and insight—particularly for a student of faith within a secular university context. Needless to say, the album brought to mind my own experience in that old house on the hill with this example of a student binding together a rich range of perspectives about who they were and what they were studying and grounding their learning journey in the familiar materiality of a book. Expressed in this album were sentiments that may not have been communicated via a traditional paper but were unmistakable as part of the material context for her work. The physical book provided a means for her to bind her learning journey, her experience, and her identity into a space that was richly layered and uniquely hers.

[text_only_widget] Author’s Note:  My use of the word “diversity” is with reluctance. It is an overused and often misunderstood word. In this case, by diversity I mean difference. I am concerned with the difference that is revealed in our body sizes, shapes, shades, smells, tastes and sounds. Diversity exists between cultures when minoritized peoples are compared to the status quo, or when white, western, male, straight culture is normalized as superior. By diversity I mean to imply the innovation that is needed to meet the needs of classrooms when curriculum, rather than ignoring minoritized students, shifts to include, accommodate, incorporate and value new meaning making, new knowledges and new ways of being together. Where there is diversity there is likely conflict. Diversity, whether by institutional intent or by happenstance, complicates our ability to see students. [/text_only_widget] Peekaboo! I see you! Infants and parents all over the world play some version of this game. In view of the infant, the adult hides their face, pops back into view of the infant, then says Peekaboo! … I see you! This game, full of surprise and expectation, results in the infant’s squeals of delight and amazement. For infant and parent, being seen is joyful. Like in the peekaboo game, teachers understand the value and joy of conveying to our students that “I see you.” It is important that each student in our classrooms have the experience of being acknowledged and welcomed. Each soul wants to be seen. With comparatively little effort on the teacher’s part, students with similar aspirations, similar race, similar culture, and similar economic class, easily find their place in the classroom tableau. It is less complicated to teach a course whose student population is homogenous than it is to teach in diversity. In sameness, the assumptions, the presumptions, the conventions, the ascribed values and the norms function without need for explanation, or clarity and typically without threat of contestation. “Everybody knows …” is the working premise - and rightfully so. In the diverse classroom, “everybody knows…” falls short because now every body is not the presumed same body. In diversity, the bodies vary, the knowledges and know-hows vary. Differing bodies bring different music, clothing, hairstyles, lifestyles, languages, value patterns, religions, foods, history, and family situations.  That which could be presumed as being normative can no longer be presumed and often demand a stretching of our thinking, being, understanding and doing.  Our language, social labeling, and identity politics bares out our societal patterns of inclusion and exclusion. “In this country American is white. Everybody else has to hyphenate,” said Toni Morrison. When our white classrooms shift to include hyphenated persons, we are unprepared. Those students who, with their very presence, create diversity are often the students who go unseen and who are rendered un-seeable. Regrettably and commonly, seeing minoritized students means policing them. The surveilling gaze, the suspicious stare, the apprehensive look, or the disapproving glance lets him/her/they know of the hostility and the relegation to being as a stranger. Or worse yet, students who create diversity in the school’s population are erased, made invisible, removed completely from the sighted reality of the teacher. These students are ghosted – absented in classrooms. Their differences are not recognizable as adequate. Differences do not mean deficiencies. As teachers, we choose which students we will see and which students we will disregard, look past, or look away from. This is a challenging realization. It is dis-ingenuine for any teacher to say that he/she/they pay attention to all students, that they are able to see all students, that they are attentive to all students. Even the most caring teacher has students for which giving their attention is a strain. We all have biases, prejudices, and cultural insensitivities. This does not make any teacher a bad teacher. It does make us human beings who must learn to stretch beyond our prejudices, shallow cultural boundaries, and narrow sensibilities. Homo sapiens. “(Wo)Man who knows.” Or rather, “human who is conscious.” Human who is conscious that he/she/they does not know. We are our most human when we make choices, when we exercise the power of choice. Teaching is a testing ground, and learning place, for our own humanity. In teaching relationships, we succeed, or we fail miserably, by choosing to see some students and refusing to see others. It is this choice that makes us human and this choice that makes us good, bad, or growing teachers. In our humanness we are both vulnerable and afraid. The challenge is to muster the courage to see all the students – those like us and those so different from us that we shrink back and recoil.  As courageous teachers, we ask: What does it mean to teach in such a way that the erased student rematerializes? What does it mean to teach in such a way that the invisible-ed student reappears? What does it mean to teach in such a way that the unseen or overlooked student comes into focus? What does it mean to teach in such a way that the hiding or hidden student peeks out from behind their wall? What does it mean to teach in such a way that the voiceless student comes to voice? Can we teach in such a way that the learning experience for all would not make sense or would have no meaning if there was an erased student in the conversation? What would it mean to teach with such precision that lessons, to be successful, need the input, participation, knowledges, voice, and creativity of all the students? What kind of teaching relates to the diversity of students in the classroom without asking that every student normalize or centralize the white, male, straight, wealthy culture? What if teaching in diversity is too difficult, too demanding – creates too many problems? Then what? Still embroiled in the global pandemic, we are teaching online, we are in classrooms donning masks, and we are still reeling with societal uncertainty and fatigue. We, in these COVID riddled years, have a legitimate excuse to not see those who are erased, those invisible-ed, and the hiding students. Even though it is more work, more effort, more stress - now is precisely the time we must find ways to see them, all.