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Scholarship
March 29, 2017
Visual Pedagogy: Media Cultures in and Beyond the Classroom
- Author
- Goldfard, Brian
- Publisher
- Duke University Press, Durham, NC
- ISBN
- 822329360
- Table of Contents
-
Acknowledgments
Introduction: An Ethos of Visual Pedagogy
Pt. 1 Historicizing New Technologies in the Classroom
ch. 1 Media and Global Education: Television's Debut in Classrooms from Washington, D.C., to American Samoa
ch. 2 Students a Producers: Critical Video Production
ch. 3 Critical Pedagogy at the End of the Rainbow Curriculum: Media Activism in the Sphere of Sex Ed
ch. 4 Peer Education and Interactivity: Youth Cultures and New Media Technologies in Schools and Beyond
Pt. 2 Visual Pedagogy beyond Schools
ch. 5 Museum Pedagogy: The Blockbuster Exhibition as Educational Technology
ch. 6 A Pedagogical Cinema: Development Theory, Colonialism, and Postliberation African Film
ch. 7 Local Television and Community Politics in Brazil: Sao Paulo's TV Anhembi
App An Annotated List of Media Organizations, Distributors, and Resources
Notes
Bibliography
Index
In classrooms, museums, public health clinics and beyond, the educational uses of visual media have proliferated over the past fifty years. Film, video, television, and digital media have been integral to the development of new pedagogical theories and practices, globalization processes, and identity and community formation. Yet, Brian Goldfarb argues, the educational roles of visual technologies have not been fully understood or appreciated. He contends that in order to understand the intersections of new media and learning, we need to recognize the sweeping scope of the technologically infused visual pedagogy both in and outside the classroom. From Samoa to the United States mainland to Africa and Brazil, from museums to city streets, Visual Pedagogy explores the educational applications of visual media in different institutional settings during the past half century. Looking beyond the popular media texts and mainstream classroom technologies that are the objects of most analyses of media and education, Goldfarb encourages readers to see a range of media subcultures as pedagogical tools. He illuminates the educational uses of visual technologies in schools and other venues. The projects he analyzes include media produced by AIDS/HIV advocacy groups and social services agencies for classroom use in the 90s; documentary and fictional cinemas of West Africa used by the French government and then by those resisting it; museum exhibitions; and TV Anhembi, a municipally sponsored collaboration between the television industry and community-based videographers in Sao Paolo, Brazil. Combining media studies, pedagogical theory, and art history, and including an appendix of visual media resources and ideas about the most productive ways to utilize visual technologies for educational purposes, Visual Pedagogy will be useful to educators, administrators, and activists. (From the Publisher)