- Author
- Watkins, Gregory J., ed.
- Publisher
- Oxford University Press, Oxford
- ISBN
- 9780195335989
- Table of Contents
-
Introduction Teaching Religion and Film Gregory J. Watkins
Part I Establishing Shot: Viewing the Field of Religion and Film
ch. 1 What Are We Teaching When We Teach "Religion and Film"? (William L. Blizek and Michele Desmarais)
ch. 2 Teaching Religion and Film: A Fourth Approach (Conrad Ostwalt)
Part II Film and the Teaching of Religious Traditions
ch. 3 Teaching Biblical Tourism: How Sword-and-Sandal Films Clouded My Vision (Alice Bach)
ch. 4 Designing a Course on Religion and Cinema in India (Gayatri Chatterjeee)
ch. 5 Buddhism, Film, and Religious Knowing: Challenging the Literary Approach to Film (Francisca Cho)
ch. 6 The Pedagogical Challenges of Finding Christ Figures in Film (Christopher Deacy)
ch. 7 Film and the Introduction to Islam Course (Amir Hussain)
ch. 8 Is It All about Love Actually? Sentimentality as Problem and Opportunity in the Use of Film for Teaching Theology and Religion (Clive Marsh)
ch. 9 Women, Theology, and Film: Approaching the Challenge of Interdisciplinary Teaching (Gaye Williams Ortiz)
Part III The Religious Studies Approach
ch. 10 Seeing Is Believing, but Touching's the Truth: Religion, Film, and the Anthropology of the Senses (Richard M. Carp)
ch. 11 There Is No Spoon? Teaching The Matrix, Postperennialism, and the Spiritual Logic of Late Capitalism (Gregory Grieve)
ch. 12 Teaching Film as Religion (John Lyden)
ch. 13 Filmmaking and World Making: Re-Creating Time and Space in Myth and Film (S. Brent Plate)
ch. 14 Introducing Theories of Religion through Film: A Sample Syllabus (Greg Watkins)
Part IV The Values Approach
ch. 15 Touching Evil, Touching Good (Irena S. M. Makarushka)
ch. 16 Teaching Ethics with Film: A Course on the Moral Agency of Women (Ellen Ott Marshall)
ch. 17 Searching for Peace in Films about Genocide (Jolyon Mitchell)
Index
In a culture increasingly focused on visual media, students have learned not only to embrace multimedia presentations in the classroom, but to expect them. Such expectations are perhaps more prevalent in a field as dynamic and cross-disciplinary as religious studies, but the practice nevertheless poses some difficult educational issues — the use of movies in academic coursework has far outpaced the scholarship on teaching religion and film. What does it mean to utilize film in religious studies, and what are the best ways to do it?
In Teaching Religion and Film, an interdisciplinary team of scholars thinks about the theoretical and pedagogical concerns involved with the intersection of film and religion in the classroom. They examine the use of film to teach specific religious traditions, religious theories, and perspectives on fundamental human values. Some instructors already teach some version of a film-and-religion course, and many have integrated film as an ancillary to achieving central course goals. This collection of essays helps them understand the field better and draws the sharp distinction between merely "watching movies" in the classroom and comprehending film in an informed and critical way. (From the Publisher)
In Teaching Religion and Film, an interdisciplinary team of scholars thinks about the theoretical and pedagogical concerns involved with the intersection of film and religion in the classroom. They examine the use of film to teach specific religious traditions, religious theories, and perspectives on fundamental human values. Some instructors already teach some version of a film-and-religion course, and many have integrated film as an ancillary to achieving central course goals. This collection of essays helps them understand the field better and draws the sharp distinction between merely "watching movies" in the classroom and comprehending film in an informed and critical way. (From the Publisher)